Featuring 53 towns new to this edition, this book lists the most art-friendly small communities throughout the United States and in several Canadian provinces.
"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.
This book analyzes the distribution of the urban population in an industrialized country. The USA was chosen as the object of the study because it had, at the time of writing, in 1956, the largest population for which homogeneous and comparable statistics were available. The first step in the quantitative analysis of population distribution, according to the method suggested here, is the breaking up of the total population into its components: the industries in which people earn their living. Extensive maps support the text as it discusses the problem of industrial location which has attracted much attention from geographers and economists.