One of the most celebrated women of her time, Anna Elizabeth Dickinson was a charismatic orator, writer, and actress, who rose to fame during the Civil War. In "America's Joan of Arc," Gallman offers the first full-length biography of Dickinson to appear in over half a century.
One of the most celebrated women of her time, a spellbinding speaker dubbed the Queen of the Lyceum and America's Joan of Arc, Anna Elizabeth Dickinson was a charismatic orator, writer, and actress, who rose to fame during the Civil War and remained in the public eye for the next three decades. J. Matthew Gallman offers the first full-length biography of Dickinson to appear in over half a century. Gallman describes how Dickinson's passionate patriotism and fiery style, coupled with her unabashed abolitionism and biting critiques of antiwar Democrats--known as Copperheads--struck a nerve with her audiences. In barely two years, she rose from an unknown young Philadelphia radical, to a successful New England stump speaker, to a true national celebrity. At the height of her fame, Dickinson counted many of the nation's leading reformers, authors, politicians, and actors among her friends. Among the dozens of famous figures who populate the narrative are Susan B. Anthony, Whitelaw Reid, William Lloyd Garrison, Frederick Douglass, Elizabeth Cady Stanton, and Harriet Beecher Stowe. Gallman shows how Dickinson's life illuminates the possibilities and barriers faced by nineteenth-century women, revealing how their behavior could at once be seen as worthy, highly valued, shocking, and deviant.
A biography of the fifteenth-century peasant girl who led a French army to victory against the English, witnessed the crowning of King Charles VII, and was later burned at the stake for witchcraft.
I, THE SIEUR LOUIS DE CONTE, was born in Neufchateau, on the 6th of January, 1410; that is to say, exactly two years before Joan of Arc was born in Domremy. My family had fled to those distant regions from the neighborhood of Paris in the first years of the century. In politics they were Armagnacs-patriots; they were for our own French King, crazy and impotent as he was. The Burgundian party, who were for the English, had stripped them, and done it well. They took everything but my father's small nobility, and when he reached Neufchateau he reached it in poverty and with a broken spirit. But the political atmosphere there was the sort he liked, and that was something. He came to a region of comparative quiet; he left behind him a region peopled with furies, madmen, devils, where slaughter was a daily pastime and no man's life safe for a moment. In Paris, mobs roared through the streets nightly, sacking, burning, killing, unmolested, uninterrupted. The sun rose upon wrecked and smoking buildings, and upon mutilated corpses lying here, there, and yonder about the streets, just as they fell, and stripped naked by thieves, the unholy gleaners after the mob. None had the courage to gather these dead for burial; they were left there to rot and create plagues.
This volume of original essays employs the latest tools of historical analysis, literary criticism, and feminist inquiry to reval why Joan of Arc was such an important figure.
Against the fascinating tapestry of Frances history during the Hundred Years' War, Diane Stanley unfolds the story of the simple thirteen-year-old village girl who in Just a few years would lead France to independence from English rule, and thus become a symbol of France's national pride. It is a story of vision and bravery, fierce determination, and tragic martyrdom. Diane Stanley's extraordinary gift to present historical information in an accessible and child-friendly format has never been more impressive, nor her skillful, beautifully realized illustrations (here imitating medieval illuminated manuscripts) more exquisite.
From the author of the acclaimed She-Wolves, the complex, surprising, and engaging story of one of the most remarkable women of the medieval world—as never told before. Helen Castor tells afresh the gripping story of the peasant girl from Domremy who hears voices from God, leads the French army to victory, is burned at the stake for heresy, and eventually becomes a saint. But unlike the traditional narrative, a story already shaped by the knowledge of what Joan would become and told in hindsight, Castor’s Joan of Arc: A History takes us back to fifteenth century France and tells the story forwards. Instead of an icon, she gives us a living, breathing woman confronting the challenges of faith and doubt, a roaring girl who, in fighting the English, was also taking sides in a bloody civil war. We meet this extraordinary girl amid the tumultuous events of her extraordinary world where no one—not Joan herself, nor the people around her—princes, bishops, soldiers, or peasants—knew what would happen next. Adding complexity, depth, and fresh insight into Joan’s life, and placing her actions in the context of the larger political and religious conflicts of fifteenth century France, Joan of Arc: A History is history at its finest and a surprising new portrait of this remarkable woman. Joan of Arc: A History features an 8-page color insert.