National Geographic U.S. History America Through the Lens is a new United States History program for high school. This new program integrates literacy with content knowledge through support for reading, writing, and critical thinking skills. It includes National Geographic Learning's Modified Text feature (on MindTap) providing content at two grades levels below the on-level content. The program presents manageable two- and four-page lessons, following a clear unit-chapter-lesson organization. It views history as an exploration of identity and a celebration of cultural heritage and diversity. Featured in this stunning new program are National Geographic Explorers, along with National Geographic maps, images, and photography.
In Asian America Through the Lens, Jun Xing surveys Asian American cinema, allowing its aesthetic, cultural, and political diversity and continuities to emerge.
A close reading of photography yields a groundbreaking cultural biography; reveals photography's impresario, Alfred Stieglitz, as he has never been revealed before and looks at his photographs as they have never been looked at before.
What is American Indian photography? At the turn of the twentieth century, Edward Curtis began creating romantic images of American Indians, and his works—along with pictures by other non-Native photographers—came to define the field. Yet beginning in the second half of the nineteenth century, American Indians themselves started using cameras to record their daily activities and to memorialize tribal members. Through a Native Lens offers a refreshing, new perspective by highlighting the active contributions of North American Indians, both as patrons who commissioned portraits and as photographers who created collections. In this richly illustrated volume, Nicole Dawn Strathman explores how indigenous peoples throughout the United States and Canada appropriated the art of photography and integrated it into their lifeways. The photographs she analyzes date to the first one hundred years of the medium, between 1840 and 1940. To account for Native activity both in front of and behind the camera, the author divides her survey into two parts. Part I focuses on Native participants, including such public figures as Sarah Winnemucca and Red Cloud, who fashioned themselves in deliberate ways for their portraits. Part II examines Native professional, semiprofessional, and amateur photographers. Drawing from tribal and state archives, libraries, museums, and individual collections, Through a Native Lens features photographs—including some never before published—that range from formal portraits to casual snapshots. The images represent multiple tribal communities across Native North America, including the Inland Tlingit, Northern Paiute, and Kiowa. Moving beyond studies of Native Americans as photographic subjects, this groundbreaking book demonstrates how indigenous peoples took control of their own images and distinguished themselves as pioneers of photography.
Route 66 may never return as an American highway, but it will never disappear from our collective memory. The Mother Road touches our very soul, causing us to reflect on the past and reconsider our place in the present. A Matter of Time offers readers a fresh and different perspective. Documenting 101 distinct locations along historic Route 66, this book emphasizes forgotten and familiar places—relics of the past that are seldom, if ever, portrayed in print. Photographer Ellen Klinkel first traveled Route 66 in 2013. Immediately inspired to capture the road “in its pure essence” through the lens of her camera, she returned over the next four years to photograph various sites along the old highway. As she explains, the road is the “main character” in all her images, whether they depict a dramatic sky along Tornado Alley, a nightscape in the Mojave Desert, or a tranquil early morning on the Santa Monica Pier. She is drawn to places that evoke change and abandonment—especially ones that became obscure during the road’s periodic rerouting—as well as revival. A Matter of Time follows the journey that so many Americans traveled for decades: starting from downtown Chicago, coursing through multiple states in the Midwest and Southwest, and culminating in Santa Monica, California, near Los Angeles. As a Route 66 historian and advocate, Nick Gerlich is deeply familiar with the entire route, both through personal experience and extensive research. His in-depth captions place Klinkel’s photographs in historical and cultural context, enhancing our understanding of her haunting images. Together, photographer and historian inspire new and unexpected ways to appreciate America’s Main Street.
The Dust Bowl was a time of hardship and environmental and economic disaster. More than 100 million acres of land had turned to dust, causing hundreds of thousands of people to seek new homes and opportunities thousands of miles away, while millions more chose to stay and battle nature to save their land. FDR's army of photographers took to the roads to document this national crisis. Their pictures spoke a thousand words, and a new form of storytelling- photojournalism-was born. With the help of iconic photographs from Dorothea Lange, Walker Evans, Arthur Rothstein, and many more, Martin Sandler tells the story of a nation as it endured its darkest days and the extraordinary courage and spirit of those who survived.