DIVThe first book devoted exclusively to the subject, this invaluable volume will aid collectors, curators, historians. Enhanced with more than 400 illustrations from rare documents, the book classifies and describes all major types of swords worn by the U.S. armed forces, cadets, and diplomats since the American Revolution to the end of World War II. /div
Introduction: Knowledge in Exile -- The League Is the Thing: International Society's Super-University -- Plowshares into Swords: Knowledge, Weaponized -- Internationalist Dunkirk: International Society in Exile -- The Rover Boys of Reconstruction: International Society in the American World -- Coda: Great Leaps Forward.
A richly detailed, profoundly engrossing story of how religion has influenced American foreign relations, told through the stories of the men and women—from presidents to preachers—who have plotted the country’s course in the world. Ever since John Winthrop argued that the Puritans’ new home would be “a city upon a hill,” Americans’ role in the world has been shaped by their belief that God has something special in mind for them. But this is a story that historians have mostly ignored. Now, in the first authoritative work on the subject, Andrew Preston explores the major strains of religious fervor—liberal and conservative, pacifist and militant, internationalist and isolationist—that framed American thinking on international issues from the earliest colonial wars to the twenty-first century. He arrives at some startling conclusions, among them: Abraham Lincoln’s use of religion in the Civil War became the model for subsequent wars of humanitarian intervention; nineteenth-century Protestant missionaries made up the first NGO to advance a global human rights agenda; religious liberty was the centerpiece of Franklin Roosevelt’s strategy to bring the United States into World War II. From George Washington to George W. Bush, from the Puritans to the present, from the colonial wars to the Cold War, religion has been one of America’s most powerful sources of ideas about the wider world. When, just days after 9/11, George W. Bush described America as “a prayerful nation, a nation that prays to an almighty God for protection and for peace,” or when Barack Obama spoke of balancing the “just war and the imperatives of a just peace” in his Nobel Peace Prize acceptance speech, they were echoing four hundred years of religious rhetoric. Preston traces this echo back to its source. Sword of the Spirit, Shield of Faith is an unprecedented achievement: no one has yet attempted such a bold synthesis of American history. It is also a remarkable work of balance and fair-mindedness about one of the most fraught subjects in America.
The second episode in this award-winning trilogy impressively shows how the Union and Confederacy, slowly and inexorably, reconciled themselves to an all-out war—an epic struggle for freedom. In Terrible Swift Sword, Bruce Catton tells the story of the Civil War as never before—of two turning points which changed the scope and meaning of the war. First, he describes how the war slowly but steadily got out of control. This would not be the neat, short, “limited” war both sides had envisioned. And then the author reveals how the sweeping force of all-out conflict changed the war’s purpose, in turning it into a war for human freedom. It was not initially a war against slavery. Instead, this was, Mr. Lincoln kept insisting, a fight to reunite the United States. At first, it was not even much of a fight. Cautious generals; inexperienced, incompetent, or jealous administrators; shortages of good people and supplies; excess of both gloom and optimism, kept each side from swinging into decisive action. As the buildup began, there were maddening delays. The earliest engagements were halting and inconclusive. After these first tests at arms, reputations began to crumble. Buell, Halleck, Beauregard Albert Sidney Johnston. Failed to drive ahead—for reasons good and bad. General McClellan (impaled in these pages on the arrogant words of his letters) captured more imaginations than enemies, and continued to accept serious over estimates of Confederate strength while becoming more and more fatally estranged from his own government.
James M. McPherson is acclaimed as one of the finest historians writing today and a preeminent commentator on the Civil War. Battle Cry of Freedom, his Pulitzer Prize-winning account of that conflict, was a national bestseller that Hugh Brogan, in The New York Times, called "history writing of the highest order." Now, in Drawn With the Sword, McPherson offers a series of thoughtful and engaging essays on some of the most enduring questions of the Civil War, written in the masterful prose that has become his trademark. Filled with fresh interpretations, puncturing old myths and challenging new ones, Drawn With the Sword explores such questions as why the North won and why the South lost (emphasizing the role of contingency in the Northern victory), whether Southern or Northern aggression began the war, and who really freed the slaves, Abraham Lincoln or the slaves themselves. McPherson offers memorable portraits of the great leaders who people the landscape of the Civil War: Ulysses S. Grant, struggling to write his memoirs with the same courage and determination that marked his successes on the battlefield; Robert E. Lee, a brilliant general and a true gentleman, yet still a product of his time and place; and Abraham Lincoln, the leader and orator whose mythical figure still looms large over our cultural landscape. And McPherson discusses often-ignored issues such as the development of the Civil War into a modern "total war" against both soldiers and civilians, and the international impact of the American Civil War in advancing the cause of republicanism and democracy in countries from Brazil and Cuba to France and England. Of special interest is the final essay, entitled "What's the Matter With History?", a trenchant critique of the field of history today, which McPherson describes here as "more and more about less and less." He writes that professional historians have abandoned narrative history written for the greater audience of educated general readers in favor of impenetrable tomes on minor historical details which serve only to edify other academics, thus leaving the historical education of the general public to films and television programs such as Glory and Ken Burns's PBS documentary The Civil War. Each essay in Drawn With the Sword reveals McPherson's own profound knowledge of the Civil War and of the controversies among historians, presenting all sides in clear and lucid prose and concluding with his own measured and eloquent opinions. Readers will rejoice that McPherson has once again proven by example that history can be both accurate and interesting, informative and well-written. Mark Twain wrote that the Civil War "wrought so profoundly upon the entire national character that the influence cannot be measured short of two or three generations." In Drawn With the Sword, McPherson gracefully and brilliantly illuminates this momentous conflict.
