While many of the most significant black intellectual movements of the second half of the twentieth century have been perceived as secular, Josef Sorett demonstrates in this book that religion was actually a fertile, fluid and formidable force within these movements. Spirit in the Dark examines how African American literary visions were animated and organized by religion and spirituality, from the New Negro Renaissance of the 1920s to the Black Arts movement of the 1960s.
A magisterial work of American theological history--authoritative, insightful, and unparalleled in scope This book, the most comprehensive survey of early American Christian theology ever written, encompasses scores of American theological traditions, schools of thought, and thinkers. E. Brooks Holifield examines mainstream Protestant and Catholic traditions as well as those of more marginal groups. He looks closely at the intricacies of American theology from 1636 to 1865 and considers the social and institutional settings for religious thought during this period. The book explores a range of themes, including the strand of Christian thought that sought to demonstrate the reasonableness of Christianity, the place of American theology within the larger European setting, the social location of theology in early America, and the special importance of the Calvinist traditions in the development of American theology. Broad in scope and deep in its insights, this magisterial book acquaints us with the full chorus of voices that contributed to theological conversation in America's early years.
Elisa New examines the poems in great detail, offering searching readings and concluding finally that "it is 'regeneracy' rather than 'originality' that is the American poet's modus operandi and native mandate."
Faith, Hope and Poetry explores the poetic imagination as a way of knowing; a way of seeing reality more clearly. Presenting a series of critical appreciations of English poetry from Anglo-Saxon times to the present day, Malcolm Guite applies the insights of poetry to contemporary issues and the contribution poetry can make to our religious knowing and the way we 'do Theology'. Readers of this book will return to their reading of poetry equipped with new insights and enthusiasm and will be challenged to integrate imaginative ways of knowing into their other academic and intellectual pursuits.
Pulitzer Prize–winning poet C. K. Williams's personal reflection on the art of Walt Whitman In this book, Pulitzer Prize–winning poet C. K. Williams sets aside the mass of biography and literary criticism that has accumulated around Walt Whitman and attempts to go back to Leaves of Grass as he first encountered it—to explore why Whitman's epic "continues to inspire and sometimes daunt" him. The result is a personal reassessment and appreciation of one master poet by another, as well as an unconventional and brilliant introduction to Whitman. Beautifully written and rich with insight, this is a book that refreshes our ability to see Whitman in all his power.
What makes one poem better than another? Do Christians have an obligation to strive for excellence in the arts? While orthodox Christians are generally quick to affirm the existence of absolute truth and absolute goodness, even many within the church fall prey to the postmodern delusion that "beauty is in the eye of the beholder." This book argues that Christian doctrine in fact gives us a solid basis on which to make aesthetic judgments about poetry in particular and about the arts more generally. The faith once and for all delivered unto the saints is remarkable in its combined emphasis on embodied particularity and meaningful transcendence. This unique combination makes it the perfect starting place for art that speaks to who we are as creatures made for eternity.
Religion Around Emily Dickinson begins with a seeming paradox posed by Dickinson’s posthumously published works: while her poems and letters contain many explicitly religious themes and concepts, throughout her life she resisted joining her local church and rarely attended services. Prompted by this paradox, W. Clark Gilpin proposes, first, that understanding the religious aspect of the surrounding culture enhances our appreciation of Emily Dickinson’s poetry and, second, that her poetry casts light on features of religion in nineteenth-century America that might otherwise escape our attention. Religion, especially Protestant Christianity, was “around” Emily Dickinson not only in explicitly religious practices, literature, architecture, and ideas but also as an embedded influence on normative patterns of social organization in the era, including gender roles, education, and ideals of personal intimacy and fulfillment. Through her poetry, Dickinson imaginatively reshaped this richly textured religious inheritance to create her own personal perspective on what it might mean to be religious in the nineteenth century. The artistry of her poetry and the profundity of her thought have meant that this personal perspective proved to be far more than “merely” personal. Instead, Dickinson’s creative engagement with the religion around her has stimulated and challenged successive generations of readers in the United States and around the world.