The Open Road
The Open Road

Author: David Campany

Publisher: Aperture

Published: 2014

Total Pages: 0

ISBN-13: 9781597112406

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After the end of World War II, the American road trip began appearing prominently in literature, music, movies, and photography. Many photographers embarked on trips across the U.S. in order to create work, including Robert Frank, whose seminal 1955 road trip resulted in The Americans. However, he was preceded by Edward Weston, who traveled across the country taking pictures to illustrate Walt Whitman's Leaves of Grass; Henri Cartier-Bresson, whose 1947 trip through the American South and into the West was published in the early 1950s in Harper's Bazaar; and Ed Ruscha, whose road trips between Los Angeles and Oklahoma later became Twentysix Gasoline Stations. Hundreds of photographers have continued the tradition of the photographic road trip on down to the present, from Stephen Shore to Taiyo Onorato and Nico Krebs. The Open Road considers the photographic road trip as a genre in and of itself, and presents the story of photographers for whom the American road is muse. The book features David Campany's introduction to the genre and eighteen chapters presented chronologically, each exploring one American road trip in depth through a portfolio of images and informative texts, highlighting some of the most important bodies of work made on the road from The Americans to present day.

Design in America
Design in America

Author: Robert Judson Clark

Publisher: Metropolitan Museum of Art

Published: 1983

Total Pages: 354

ISBN-13: 0810908018

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This exhibition catalog documents the emergence of modern American design in the second quarter of the 20th century. Cranbrook was one of the few institutions in the United States that offered instruction in design during the 1920s and 30s and its influence on architecture, interior design, art and crafts after World War II was crucial and extensive. The exhibition includes over 200 objects and photo-panels and surveys the history of the Cranbrook facility, as well as the achievements of the teachers and students. Presenting the history of the Cranbrook community, it covers Eliel Saarinen's contribution to architecture and urban design, interior design and furniture, metalwork and bookbinding, textiles, ceramics, sculpture and painting. ISBN 0-89558-097-7 (pbk.); ISBN 0-87099-341-0 (pbk.) : $45.00 (For use only in the library).

Masters of Dutch Painting
Masters of Dutch Painting

Author: Detroit Institute of Arts

Publisher:

Published: 2004

Total Pages: 296

ISBN-13:

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This long-awaited publication presents one of the world’s finest collections of Dutch paintings, which come together for the first time in one volume as a major addition to existing scholarship on Dutch art. The volume presents over 100 paintings in colour, many including colour details. Each painting is accompanied by an artist’s biography, a detailed commentary, technical analysis, endnotes, bibliographic references, an exhibition history and full provenance. Over 140 comparative illustrations provide vital art historical context to the featured paintings. The range and scope of the works presented in this volume is truly impressive, from sedate church interiors and conventional landscape subjects to bawdy peasant interiors and magnificent still lifes.

The Civil War and American Art
The Civil War and American Art

Author: Eleanor Jones Harvey

Publisher: Yale University Press

Published: 2012-12-03

Total Pages: 353

ISBN-13: 0300187335

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Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.

Diego Rivera & Frida Kahlo in Detroit
Diego Rivera & Frida Kahlo in Detroit

Author: Mark Lawrence Rosenthal

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9780300211603

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Catalog of an exhibition organized by the Detroit Institute of Arts, held from March 15 - July 12, 2015, celebrating the famous Mexican artist couple Diego Rivera and Frida Kahlo during the year they spent in Detroit while he completed the "Detroit Industry Murals".

By Her Hand
By Her Hand

Author: Eve Straussman-Pflanzer

Publisher: Detroit Institute of Arts

Published: 2021-09-28

Total Pages: 192

ISBN-13: 9780300256369

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A brand new look at the extraordinary accomplishments of early modern Italian women artists This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured here--ranging from historical subjects to portraits and still lifes--offer new insight into the ways these women worked and their accomplishments. Essays and catalogue entries by an international team of distinguished art historians examine the works of Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Fede Galizia, Elisabetta Sirani, Giovanna Garzoni, Rosalba Carriera, and other less known Italian women artists. Through these works of art in diverse media--from paintings to prints--the fascinating stories of early modern Italian women artists are revealed.

A Museum on the Verge
A Museum on the Verge

Author: Jeffrey Abt

Publisher: Wayne State University Press

Published: 2001

Total Pages: 332

ISBN-13: 9780814328415

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The Detroit Institute of Arts is one of America's largest and oldest municipal art museums. However, even as the museum grew into a distinguished collection, there were threats of closure. The DIA has walked a financial tightrope since it opened just over a century ago, and was nearly closed by government funding cuts in the 1970s and 1990s. Now Jeffrey Abt tells how the DIA has had to struggle to maintain its fine art collection with barely enough income to remain open. A Museum on the Verge goes behind the scenes at the DIA to disclose the political, economic, and social forces that shaped the museum from its founding to the present day. Drawing on new archival research, Abt reveals that the growing discrepancy between the museum's size and its operating budget was the result of a century of ad hoc solutions to institutional problems that left the DIA vulnerable to annual income losses -- especially reductions of government funding. He also explains its complex relations with private and government entities and delineates the integral role of the museum's support group, the Founders Society. Abt's account is supplemented by a wealth of material, including legal documents and numerical data taken at five-year intervals from the 1880s through 2000 that is presented in both tables and graphs. The data, which comprehensively survey vital statistics such as attendance, collections growth, and finances, provide a rich resource for comparative research on other museums. As a case study of a prominent public institution, A Museum on the Verge offers an invaluable research model for scholars and museum professionals alike.