American Moderns, 1910-1960

American Moderns, 1910-1960

Author: Karen A. Sherry

Publisher: Pomegranate

Published: 2012

Total Pages: 128

ISBN-13: 9780764962653

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During the five decades between 1910 and 1960, American society underwent tumultuous and far-reaching transformations. As the United States emerged as an international power of economic, industrial, and military might, Americans also witnessed two world wars and the Great Depression. Urbanization and new technologies altered all aspects of modern life, and an increasingly diverse population clamored for the opportunities promised by the American dream. In response to these dramatic changes, many American artists rejected or reformulated artistic traditions and sought new ways to portray contemporary life. Published in conjunction with a traveling exhibition of works from the world-renowned collection of the Brooklyn Museum, American Moderns, 1910 1960: From O'Keeffe to Rockwell explores the myriad ways in which American artists engaged modernity. Featured are 53 paintings and 4 sculptures, ranging widely in subject matter and style, by such artists as Marsden Hartley, Stuart Davis, Arthur Dove, and Max Weber, leaders of American modernism; Precisionists George Ault and Francis Criss; Social Realists Reginald Marsh and Raphael Soyer; and the folk-art icon Grandma Moses. The book's introduction sets the stage for six thematic sections, each with an introductory essay Cubist Experiments, The Still Life Revisited, Nature Essentialized, Modern Structures, Engaging Characters, and Americana tracing the period's dominant artistic developments. Interpretive text for each object and reproductions of comparative works provide further insight into how these artists shaped modern art.


Interior Design Innovators 1910-1960

Interior Design Innovators 1910-1960

Author: Cherie Fehrman

Publisher: Fehrman Books

Published: 2009-10

Total Pages: 244

ISBN-13: 9780984200108

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A scholarly review of the prominent designers and designs from 1910-1960 covering the Organic Design Movement, methods and materials of construction and in-depth measurements with hundreds of archival photographs.


Making the Americas Modern

Making the Americas Modern

Author: Edward J. Sullivan

Publisher: Laurence King Publishing

Published: 2018-03-27

Total Pages: 0

ISBN-13: 9781786271556

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This book presents an audacious account of the ways in which the arts in the Americas were modernized during the first half of the 20th century. Rather than viewing modernization as a steady progression from one "ism" to another, Edward Sullivan adopts a comparative approach, drawing his examples from North America, the Caribbean, Central, and South America. By considering the Americas in this hemispheric sense he is able to tease out many stories of art and focus on the ways in which artists from different regions not only adapted and experimented with visual expression, but also absorbed trans-national as well as international influences. He shows how this rich diversity is most evident in the various forms of abstract art that emerged throughout the Americas and which in turn had an impact on art throughout the world.


Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture

Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture

Author: David Blanke

Publisher: Springer

Published: 2018-05-26

Total Pages: 336

ISBN-13: 3319769863

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This book uses the long and profitable career of Cecil B. DeMille to track the evolution of Classical Hollywood and its influence on emerging mass commercial culture in the US. DeMille’s success rested on how well his films presumed a broad consensus in the American public—expressed through consumer hedonism, faith, and an “exceptional” national history—which merged seamlessly with the efficient production methods developed by the largest integrated studios. DeMille’s sudden mid-career shift away from spectator perversity to corporate propagandist permanently tarnished the director’s historical standing among scholars, yet should not overshadow the profound links between his success and the rise and fall of mid-century mass culture.


Paths to the Press

Paths to the Press

Author: Marianna Kistler Beach Museum of Art

Publisher: University of Washington Press

Published: 2006

Total Pages: 268

ISBN-13:

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In 1910, Bertha Jaques co-founded the Chicago Society of Etchers and helped launch a revival of American fine art printmaking. In the decades following, women artists produced some of the most compelling images in U.S. printmaking history and helped advance the medium technically and stylistically. Paths to the Press examines American women artists' contributions to printmaking in the U.S. during the early to mid twentieth century. It features work by internationally and nationally recognized figures such as Isabel Bishop, Louise Nevelson, and Elizabeth Catlett; well-known regional figures such as Chicago artist Bertha Jaques, New Mexico artist Gener Kloss, and Louisiana artist Caroline Durieux; and relatively unknown printmakers such as Chicago artist Fritzi Brod, San Franciscan Pele deLappe, and Texan Mary Bonner. The contributors include David Acton, Nancy E. Green, Melanie Herzog, Helen Langa, Bill North, Mark Pascale, and Mark B. Pohlad.


Making Milwaukee Mightier

Making Milwaukee Mightier

Author: John M. McCarthy

Publisher:

Published: 2009

Total Pages: 0

ISBN-13: 9780875803944

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Progressive Era city planners are best known for grandiose civic designs, boosterish planning reports, and promoting technical expertise. Traditionally, Milwaukee has not been considered a national standout in these early endeavors; however, the planners in this city are distinctive precisely because they prioritized solving the social problem of overcrowding in lieu of more conventional planning goals. Another unique characteristic of this period is the long tenure of socialist city government. McCarthy offers fresh new insights into socialism's impact on Milwaukee, studying the planning and growth policies of all three of the city's socialist mayors and finding striking continuity in the movement's metropolitan visions. While most of its Midwest counterparts saw their urban boundaries frozen, Milwaukee grew dramatically during this crucial era in American urban history. Its growth, however, drew the ire of increasingly hostile suburban neighbors, resulting in a prolonged conflict between city and suburbs that reached a crescendo in the 1950s, when suburbanization overwhelmed Milwaukee's capacity to grow. McCarthy concludes his study with thoughtful observation on Milwaukee's relationship to its suburbs at the beginning of the twenty-first century. Making Milwaukee Mightier amplifies the importance of some historical figures rarely discussed by urban historians, including Charles Whitnall, the city's most influential planner, and Frank Zeidler, the last socialist mayor in modern U.S. history whose views on urban redevelopment differed greatly from his postwar contemporaries in other cities. McCarthy takes such issues as planning, housing, annexation, and suburbanization--often viewed in isolation from one another--and examines the roles each played in the battle for Milwaukee's growth. He also situates Milwaukee's metropolitan history nationally and illuminates the city's role as a forerunner for some of urban America's most unique policies. Urban historians, city planners, practitioners, and those interested in the history of Milwaukee will enjoy McCarthy's highly original work.


The Brazen Age

The Brazen Age

Author: David Reid

Publisher: Pantheon

Published: 2016

Total Pages: 541

ISBN-13: 0394572378

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In the 1930s, the rise of Hitler and World War II would send some of Europe's most talented men and women to America's shores, vastly enriching the fields of science, architecture, film, and arts and letters--the list includes Albert Einstein, Erwin Panofsky, Walter Gropius, George Grosz, André Kertész, Robert Capa, Thomas Mann, Hannah Arendt, Vladimir Nabokov, and John Lukacs. Reid draws a portrait of the frenzied, creative energy of a bohemian Greenwich Village, from the taverns to the salons. Revolutionaries, socialists, and intelligentsia in the 1910s were drawn to the highly provocative monthly magazine The Masses, which attracted the era's greatest talent, from John Reed to Sherwood Anderson, Djuna Barnes, John Sloan, and Stuart Davis. And summoned up is a chorus of witnesses to the ever-changing landscape of bohemia, from Malcolm Cowley to Anaïs Nin.


Midcentury Modern Art in Texas

Midcentury Modern Art in Texas

Author: Katie Robinson Edwards

Publisher: University of Texas Press

Published: 2014-07-01

Total Pages: 393

ISBN-13: 0292756593

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Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era's most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art's "Americans" exhibitions. The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.


Crystal Eastman

Crystal Eastman

Author: Amy Aronson

Publisher: Oxford University Press

Published: 2019-11-01

Total Pages: 409

ISBN-13: 0199948747

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In 1910, Crystal Eastman was one of the most conspicuous progressive reformers in America. By the 1920s, her ardent suffragism, insistent anti-militarism, gregarious internationalism, and uncompromising feminism branded her "the most dangerous woman in America" and led to her exile in England. Yet a century later, her legacy in shaping several defining movements of the modern era--labor, feminism, free speech, peace--is unquestioned. A founder of the ACLU and Woman's Peace Party, Eastman was a key player in a constellation of high-stakes public battles from the very beginning of her career. She first found employment investigating labor conditions--an endeavor that would produce her iconic publication, Work Accidents and the Law, a catalyst for the first workers' compensation law. She would go on to fight for the rights of women, penning the Equal Rights Amendment with Alice Paul. As a pacifist in the First World War era, she helped to found the Civil Liberties Bureau, which evolved into the ACLU. With her brother, the writer Max Eastman, she frequented the radical, socialist circles of Greenwich Village. She was also a radical of the politics of private life, bringing attention to cutting-edge issues such as reproductive rights, wages for housework, and single motherhood by choice. As the first biography of Eastman, this book gives renewed voice to a woman who spoke freely and passionately in debates still raging today -- gender equality and human rights, nationalism and globalization, political censorship and media control, worker benefits and family balance, and the monumental questions of war, sovereignty, and freedom.