The dreams of abundance, choice, and novelty that have fueled the growth of consumer culture in the United States would seem to have little place in the history of Mississippi--a state long associated with poverty, inequality, and rural life. But as Ted Ownby demonstrates in this innovative study, consumer goods and shopping have played important roles in the development of class, race, and gender relations in Mississippi from the antebellum era to the present. After examining the general and plantation stores of the nineteenth century, a period when shopping habits were stratified according to racial and class hierarchies, Ownby traces the development of new types of stores and buying patterns in the twentieth century, when women and African Americans began to wield new forms of economic power. Using sources as diverse as store ledgers, blues lyrics, and the writings of William Faulkner, Eudora Welty, Richard Wright, and Will Percy, he illuminates the changing relationships among race, rural life, and consumer goods and, in the process, offers a new way to understand the connection between power and culture in the American South.
Even in the decades before Mark Twain enthralled the world with his evocative representations of the Mississippi, the river played an essential role in American culture and consciousness. Throughout the antebellum era, the Mississippi acted as a powerful symbol of America's conception of itself -- and the world's conception of America. As Twain understood, "The Mississippi is well worth reading about." Thomas Ruys Smith's River of Dreams is an examination of the Mississippi's role in the antebellum imagination, exploring its cultural position in literature, art, thought, and national life. Presidents, politicians, authors, poets, painters, and international celebrities of every variety experienced the Mississippi in its Golden Age. They left an extraordinary collection of representations of the river in their wake, images that evolved as America itself changed. From Thomas Jefferson's vision for the Mississippi to Andrew Jackson and the rowdy river culture of the early nineteenth century, Smith charts the Mississippi's shifting importance in the making of the nation. He examines the accounts of European travelers, including Frances Trollope, Charles Dickens, and William Makepeace Thackeray, whose views of the river were heavily influenced by the world of the steamboat and plantation slavery. Smith discusses the growing importance of visual representations of the Mississippi as the antebellum period progressed, exploring the ways in which views of the river, particularly giant moving panoramas that toured the world, echoed notions of manifest destiny and the westward movement. He evokes the river in the late antebellum years as a place of crime and mystery, especially in popular writing, and most notably in Herman Melville's The Confidence-Man. An epilogue discusses the Mississippi during the Civil War, when possession of the river became vital, symbolically as well as militarily. The epilogue also provides an introduction to Mark Twain, a product of the antebellum river world who was to resurrect its imaginative potential for a post-war nation and produce an iconic Mississippi that still flows through a wide and fertile floodplain in American literature. From empire building in the Louisiana Purchase to the trauma of the Civil War, the Mississippi's dominant symbolic meanings tracked the essential forces operating within the nation. As Smith shows in this groundbreaking work, the story of the imagined Mississippi River is the story of antebellum America itself.
In this definitive work, two-time Pulitzer finalist Jason DeParle, author of A Good Provider Is One Who Leaves, cuts between the mean streets of Milwaukee and the corridors of Washington to produce a masterpiece of literary journalism. At the heart of the story are three cousins whose different lives follow similar trajectories. Leaving welfare, Angie puts her heart in her work. Jewell bets on an imprisoned man. Opal guards a tragic secret that threatens her kids and her life. DeParle traces their family history back six generations to slavery and weaves poor people, politicians, reformers, and rogues into a spellbinding epic. With a vivid sense of humanity, DeParle demonstrates that although we live in a country where anyone can make it, generation after generation some families don’t. To read American Dream is to understand why.
Thurgood Marshall became a living icon of civil rights when he argued Brown v. Board of Education before the Supreme Court in 1954. Six years later, he was at a crossroads. A rising generation of activists were making sit-ins and demonstrations rather than lawsuits the hallmark of the civil rights movement. What role, he wondered, could he now play? When in 1960 Kenyan independence leaders asked him to help write their constitution, Marshall threw himself into their cause. Here was a new arena in which law might serve as the tool with which to forge a just society. In Exporting American Dreams , Mary Dudziak recounts with poignancy and power the untold story of Marshall's journey to Africa. African Americans were enslaved when the U.S. constitution was written. In Kenya, Marshall could become something that had not existed in his own country: a black man helping to found a nation. He became friends with Kenyan leaders Tom Mboya and Jomo Kenyatta, serving as advisor to the Kenyans, who needed to demonstrate to Great Britain and to the world that they would treat minority races (whites and Asians) fairly once Africans took power. He crafted a bill of rights, aiding constitutional negotiations that helped enable peaceful regime change, rather than violent resistance. Marshall's involvement with Kenya's foundation affirmed his faith in law, while also forcing him to understand how the struggle for justice could be compromised by the imperatives of sovereignty. Marshall's beliefs were most sorely tested later in the decade when he became a Supreme Court Justice, even as American cities erupted in flames and civil rights progress stalled. Kenya's first attempt at democracy faltered, but Marshall's African journey remained a cherished memory of a time and a place when all things seemed possible.
This fascinating history set in the Reconstruction South is a testament to African-American resilience, fortitude, and independence. It tells of three attempts to create an ideal community on the river bottom lands at Davis Bend south of Vicksburg. There Joseph Davis's effort to establish a cooperative community among the slaves on his plantation was doomed to fail as long as they remained in bondage. During the Civil War the Yankees tried with limited success to organize the freedmen into a model community without trusting them to manage their own affairs. After the war the intrepid Benjamin Montgomery and his family bought the land from Davis and established a very prosperous colony of their fellow freedmen. Their success at Davis Bend occurred when blacks were accorded the opportunity to pursue the American dream relatively free from the discrimination that prevailed in most of society. It is a story worthy of celebration. Janet Hermann writes here of two men--Joseph Davis, the slaveholder and brother of the president of the Confederacy, and Benjamin Montgomery, an educated freedman. In 1866 Montgomery began the experiment at Davis Bend. The Pursuit of a Dream, published in 1981, received the Robert F. Kennedy Award, the McLemore Prize of the Mississippi Historical Society, and the Silver Medal of the Commonwealth Club of California. Historical writing at its best . . . her research is impressive and is presented in balanced, ironic prose. --David Bradley, New York Times Book Review. A marvelous story for all readers with a taste for the ironies, the ambiguities, and the surprises of history. --C. Vann Woodward. Janet Sharp Hermann, a freelance writer and historian, is the author of Joseph E. Davis: Pioneer Patriarch (University Press of Mississippi).
Here are the stories of some of the men and women returning from World War II, and how their lives changed because of the G.I. Bill of Rights, and how this country changed because of them. The effects were immediate and enduring--the suburbs, the middle class, America's ever-increasing number of college graduates, the lunar landing--all are tied to the G.I. Bill.
Catfish Dream centers around the experiences, family, and struggles of Ed Scott Jr. (born in 1922), a prolific farmer in the Mississippi Delta and the first ever nonwhite owner and operator of a catfish plant in the nation. Both directly and indirectly, the economic and political realities of food and subsistence affect the everyday lives of Delta farmers and the people there. Ed’s own father, Edward Sr., was a former sharecropper turned landowner who was one of the first black men to grow rice in the state. Ed carries this mantle forth with his soybean and rice farming and later with his catfish operation, which fed the black community both physically and symbolically. He provides an example for economic mobility and activism in a region of the country that is one of the nation’s poorest and has one of the most drastic disparities in education and opportunity, a situation especially true for the Delta’s vast African American population. With Catfish Dream Julian Rankin provides a fascinating portrait of a place through his intimate biography of Scott, a hero at once so typical and so exceptional in his community.
River of Dark Dreams places the Cotton Kingdom at the center of worldwide webs of exchange and exploitation that extended across oceans and drove an insatiable hunger for new lands. This bold reaccounting dramatically alters our understanding of American slavery and its role in U.S. expansionism, global capitalism, and the upcoming Civil War.
“Consistently funny…Congratulations, Who Are You Again? will have readers looking for more from this talented author. — Kirkus Reviews “A keenly observed account of the publishing process…Hilarious and illuminating.” — Booklist “In his second act, he takes you through his process of realizing that dream with charm and wit, offering entertainment and practical insight for anyone with a seemingly pie-in-the-sky wish list.” — Good Housekeeping
