The American artists John La Farge preceded Gauguin to the Pacific, and in their time his reputation as the modern Pacific painter far overshadowed that of the Frenchman. This remarkable work is the record of a year-long artistic odyssey through the South Seas, during which La Farge braved the volcanoes of Hawaii, visited Robert Louis Stevenson in Samoa, was adopted by a noble Tahitian family and journeyed through the wild hills of Fiji, painting and sketching lyrical studies of island life. Lavishly illustrated with his work, this account of the Polynesian adventures that La Farge shared with his friend the historian Henry Adams is an important contribution to the literary and artistic heritage of the Pacific and a revealing insight into the life of a complex and fascinating man.
"For over 200 years, artists have been inspired to capture the beauty, violence, poetry and transformative power of the sea in American life. Oceans play a key role in American society no matter where we live, and the sea continues to inspire painters today to capture its mystery and power. In American Waters reveals that marine painting is so much more than ship portraits. In this exhibition, visitors will also discover the sea as an expansive way to reflect on American culture and environment, learn how coastal and maritime symbols moved inland across the United States, and question what it means to be "in American waters." Be transported across time and water on the wave of a diverse range of modern and historical artists including Georgia O'Keeffe, Amy Sherald, Kay WalkingStick, Norman Rockwell, Hale Woodruff, Paul Cadmus, Thomas Hart Benton, Jacob Lawrence, Valerie Hegarty, Stuart Davis, and many others"--Publisher's website
From the first European contact with Tahiti in 1767, the myth of the South Sea maiden has endured through many incarnations. Although the maiden frequently provided an idealized antidote to Western women's self-assertion, the South Pacific also afforded a space where boundaries between the sexes could be relaxed and transgressed. From James Cook and Captain Bligh to James Michener and Margaret Mead, the Island girl has occupied a special place in the erotic imagination of the West. In a sweeping study that embraces history, literature, visual arts, anthropology and film, this study gives fresh insight into the myths and reality of a Western icon. While women from far off lands have always been presented as exotic and alluring, the South Sea maiden has come to symbolize feminine sexuality, as an integral part of the adventure, sensuality, and romance of the South Pacific. Everyone from early explorers to 19th century writers and artists to latter day anthropologists, film makers, and tourism promoters have extolled their virtues and their bodies. Sturma looks behind the popular clich^D'es to reveal how the myth-making process reflected not only Western desires, but the cut and thrust of changing sexual politics. The result is an intriguing look at both South Sea image-makers and the women whom they found so seductive.
Long before Magellan entered the Pacific in 1521 Westerners entertained ideas of undiscovered oceans, mighty continents, and paradisal islands at the far ends of the earth. First set down by Egyptian storytellers, Greek philosophers, and Latin poets, such ideas would have a long life and a deep impact in both the Pacific and the West. With the discovery of Tahiti in 1767 another powerful myth was added to this collection: the noble savage. For the first time Westerners were confronted by a people who seemed happier than themselves. This revolution in the human sciences was accompanied by one in the natural sciences as the region revealed gaps and anomalies in the "great chain of being" that Charles Darwin would begin to address after his momentous visit to the Galapagos Islands. The Pacific produced similar challenges for nineteenth-century researchers on race and culture, and for those intent on exporting their religions to this immense quarter of the globe. Although most missionary efforts ultimately met with success, others ended in ignominious retreat. As the century wore on, the region presented opportunities and dilemmas for the imperial powers, leading to a guilty desire on the part of some to pull out, along with an equally guilty desire on the part of others to stay and help. This process was accelerated by the Pacific War between 1941 and 1945. After more than two millennia of fantasies, the story of the West’s fascination with the insular Pacific graduated to a marked sense of disillusion that is equally visible in the paintings of Gauguin and the journalism of the nuclear Pacific. Strangers in the South Seas recounts and illustrates this story using a wealth of primary texts. It includes generous excerpts from the work of explorers, soldiers, naturalists, anthropologists, artists, and writers--some famous, some obscure. It begins in 1521 with an account of Guam by Antonio Pigafetta (one of the few men to survive Magellan's circumnavigation voyage), and ends in the late 1980s with the writing of an American woman, Joana McIntyre Varawa, as she faces the personal and cultural insecurities of marriage and settlement in Fiji. It shows how "the Great South Sea" has been an irreplaceable "distant mirror" of the West and its intellectual obsessions since the Renaissance. Comprehensively illustrated and annotated, this anthology will introduce readers to a region central to the development of modern Western ideas. "This is a carefully conceived anthology covering an excellent range of subjects. The selections are well chosen and interesting, and the introductory materials are both scholarly and accessible. It should be widely used in university courses dealing with almost any aspect of the Pacific." —Rod Edmond, University of Kent at Canterbury
When the first European explorers ventured into the unknown Pacific Ocean, their minds were filled with tales of remote, paradisiacal islands. Hopeful ideas of noble savages, ecological balance, and immense riches gave them the courage to search for a new world – even when faced with the unimaginable. The South Sea Island – A Geography of Pleasure is a journey through the history of ideas and literature over three centuries of European and American narratives about islands, oceans, and archipelagos. Literary scholar Frits Andersen reads and analyses travel accounts, paintings, films, and novels from the 18th century up until the present day by visual artists and authors including Paul Gauguin, Herman Melville, Robert Louis Stevenson, Jules Verne, and Thor Heyerdahl. These readings, combined with Andersen’s eye for pleasure, sense, and longing, give rise to a novel literary history of the disappearing Pacific islands. At the same time, the book offers historical models that we can use today to enhance our understanding of, and find new answers to, global political and climate-related challenges. Frits Andersen is a professor of Comparative Literature at Aarhus University, Denmark. His previous works include The Dark Continent? Images of Africa in European Narratives about the Congo (2016). The Danish edition of this book, entitled Sydhavsøen. Nydelsens geografi received the Georg Brandes Prize.
Driven to the South Seas by ill health, Stevenson could not close his eyes to the impact of colonialism, the ‘stirabout of epochs and races, barbarisms and civilisations, virtues and crimes’. Setting his imaginative writings within the social and political contexts of his letters and essays from the South Seas, reveals the deepening and broadening of Stevenson’s genius and his growing awareness of and anger at white exploitation. It was a society in which his love of adventure, his awareness of the extremes of human nature, and his fascination with good and evil, could find full release. Tales of the South Seas gathers together all of Stevenson’s South Sea fiction and a selection of prose and letters provides not only a vivid portrait of a colourful and exotic world, but also a full and rounded picture of a superb writer at the height of his powers.
A collection of writings on travels undertaken in the Victorian era. The texts collected in these volumes show how 19th century travel literature served the interests of empire by promoting British political and economic values that translated into manufacturing goods.
The American artists John La Farge preceded Gauguin to the Pacific, and in their time his reputation as the modern Pacific painter far overshadowed that of the Frenchman. This remarkable work is the record of a year-long artistic odyssey through the South Seas, during which La Farge braved the volcanoes of Hawaii, visited Robert Louis Stevenson in Samoa, was adopted by a noble Tahitian family and journeyed through the wild hills of Fiji, painting and sketching lyrical studies of island life. Lavishly illustrated with his work, this account of the Polynesian adventures that La Farge shared with his friend the historian Henry Adams is an important contribution to the literary and artistic heritage of the Pacific and a revealing insight into the life of a complex and fascinating man.
