Revolucion!
Revolucion!

Author: Lincoln Cushing

Publisher: Chronicle Books

Published: 2003

Total Pages: 140

ISBN-13: 9780811835824

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The poster was the popular art form in Cuba following the Cuban Revolution, when the government sponsored some 10,000 public posters on a fascinating range of cultural, social, and political themes. Revolucin!, produced with unprecedented access to Cuban national archives, assembles nearly 150 of these powerful but little—seen works of popular art. From the 1960s through the 1980s, the posters rallied the Cuban people to the huge task of building a new society, promoting massive sugar harvests and national literacy campaigns; opposing the U.S. war in Vietnam; celebrating films, music, dance, and baseball with a unique graphic wit and exuberant colorful style. With an introduction illuminating the rich social and artistic history of the posters, and rare biographical information on the artists themselves, this striking volume offers a window into the story of Cuba—and a truly revolutionary chapter in graphic design.

¡Printing the Revolution!
¡Printing the Revolution!

Author: Claudia E. Zapata

Publisher: Princeton University Press

Published: 2020-12

Total Pages: 326

ISBN-13: 0691210802

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Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.

Twentieth-Century American Art
Twentieth-Century American Art

Author: Erika Doss

Publisher: OUP Oxford

Published: 2002-04-26

Total Pages: 288

ISBN-13: 0191587745

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Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.

Coloring Time: An Exhibition from the Archive of Korean-American Artists Part One (1955-1989)
Coloring Time: An Exhibition from the Archive of Korean-American Artists Part One (1955-1989)

Author: Kyunghee Pyun

Publisher: Lulu.com

Published: 2013

Total Pages: 109

ISBN-13: 0989037800

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AHL Foundation and Korean Cultural Service of New York are proud to present some materials from the Archive of Korean-American Artists (AKAA). Korean artists such as Whanki Kim (1913-1974), John Pai (b. 1937), Nam June Paik (1932-2006) and Po Kim (b. 1917) started to settle down in New York in the 1960s while a large number of artists arrived here to study at various MFA programs in the 1980s. Byron Kim, Y. David Chung, Ik-joong Kang, Theresa Hak Kyung Cha and many talented young Korean-American artists lived and worked in New York in the 1980s. This exhibition catalogue presents a group of the first generations who set up their studios in the greater New York area in the 1960s to the 1980s. This exhibition catalogue of Coloring Time includes scholarly essays along with documents, photographs, drawings, and sketches of Korean-American artists as well as their early works classified into five themes in order to show a creative journey of Korean contemporary art transplanted in the US.

Chicano and Chicana Art
Chicano and Chicana Art

Author: Jennifer A. González

Publisher: Duke University Press

Published: 2019-01-15

Total Pages: 552

ISBN-13: 1478003405

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This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor

Art and Revolution in Latin America, 1910-1990
Art and Revolution in Latin America, 1910-1990

Author: David Craven

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 246

ISBN-13: 9780300120462

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In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals - in Mexico (1910-40), in Cuba (1959-89), and in Nicaragua (1979-90) - were defining moments in twentieth-century life in the Americas. Craven discusses the structural logic of each movement's artistic project - by whom, how, and for whom artworks were produced -- and assesses their legacies. In each case, he demonstrates how the consequences of the revolution reverberated in the arts and cultures far beyond national borders. The book not only examines specific artworks originating from each revolution's attempt to deal with the challenge of 'socializing the arts,' but also the engagement of the working classes in Mexico, Cuba, and Nicaragua with a tradition of the fine arts made newly accessible through social transformation. Craven considers how each revolution dealt with the pressing problem of creating a 'dialogical art' -- one that reconfigures the existing artistic resource rather than one that just reproduces a populist art to keep things as they were. In addition, the author charts the impact on the revolutionary processes of theories of art and education, articulated by such thinkers as John Dewey and Paulo Freire. The book provides a fascinating new view of the Latin American revolutionaries -- from artists to political leaders -- who defined art as a fundamental force for the transformation of society and who bequeathed new ways of thinking about the relations among art, ideology, and class, within a revolutionary process.