Theatre and Autobiography

Theatre and Autobiography

Author: Sherrill Grace

Publisher: Talonbooks

Published: 2006

Total Pages: 364

ISBN-13:

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This groundbreaking exploration of a wide range of contemporary theorists and playwrights covers an extraordinary breadth of styles and performances.


John Gielgud

John Gielgud

Author: Sheridan Morley

Publisher: Simon and Schuster

Published: 2010-05-11

Total Pages: 524

ISBN-13: 1439116172

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Sir John Gielgud's career as an actor was perhaps the most distinguished of any of his generation, and, in a lifetime that spanned almost a century, he appeared in hundreds of theatrical productions and films, receiving virtually every honor given, including an Academy Award. Now, in this wonderfully insightful biography, fully authorized and written with first-ever access to Gielgud's personal letters and diaries, bestselling biographer Sheridan Morley not only traces the actor's fascinating career, but provides a fresh and remarkably frank look into John Gielgud the man, showing how his success as an actor in many ways came at the expense of his personal happiness. Born into a theatrical family, John Gielgud took to the stage as naturally as a duck to water, and almost from the beginning, those who saw him perform knew that they were experiencing something extraordinary. A determined actor, intent on learning and polishing his craft, he worked incessantly, taking on one role after another, the greater the challenge, the better. During his long and remarkable career, he took on every truly great and demanding role, including all of Shakespeare's major plays as well as many contemporary and experimental productions. At ease in both great drama and light comedy, he was blessed with a great range and a seemingly infinite capacity to inhabit whatever character he attempted. Basically a somewhat shy man offstage, however, Gielgud for the most part limited his friendships to those with whom he worked, and as a result the theater -- and later, film -- made up just about his entire life. That he was flesh and blood, however, was reflected in the fact that he did enter into two long-term relationships, the first with a man who eventually left him for another, but with whom Gielgud maintained a strong tie, and the second with a handsome, mysterious Hungarian who lived with him until he died, just a few months before Sir John. True scandal came into Gielgud's life only once. In 1953, just weeks after Gielgud had been knighted by the Queen, he was arrested in a public men's room and charged with solicitation. The British press had a field day, but Gielgud's friends and fellow actors rallied to his support, as did his thousands of fans, and the result was the eventual change of law in England regarding sex between consenting adults. While these and many other aspects of his personal life are discussed for the first time in this distinguished biography, it is Gielgud's career as an actor, of course, that receives the greatest attention. And while British audiences had the pleasure of seeing him perform in the theater for his entire life, Americans came to know him best for his work in the movies, and most especially for his Oscar-winning performance as Hobson the butler in the Dudley Moore film Arthur. As dramatic and captivating as one of Sir John's many performances, this authorized biography is an intimate and fully rounded portrait of an unforgettable actor and a remarkable man.


The Cambridge History of American Theatre

The Cambridge History of American Theatre

Author: Don B. Wilmeth

Publisher: Cambridge University Press

Published: 1998-02-28

Total Pages: 554

ISBN-13: 9780521472043

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The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.


As Much as I Dare

As Much as I Dare

Author: Arnold Wesker

Publisher: Random House (UK)

Published: 1994

Total Pages: 656

ISBN-13:

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The son of a Russian refugee father and a Hungarian mother, Arnold Wesker was born in 1932 in the East End of London. After a state school education, he was first apprenticed to a furniture maker, and became in turn a bookseller's assistant, a farm labourer, a kitchen porter, and a pastry cook, with a spell in the RAF before turning to playwriting while attending a school of film technique. Along with John Osborne and Harold Pinter, Wesker was part of the explosion of theatrical talent in the late 50s that revolutionized playwriting in Britain. His autobiography is a personal history from the inside of modern British theatre.


American and British Theatrical Biographies

American and British Theatrical Biographies

Author: J. P. Wearing

Publisher: Scarecrow Press

Published: 2012

Total Pages: 0

ISBN-13: 9780810882386

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This volume enables users to quickly locate biographical information about more than 90,000 figures--both major and minor--who are or were connected with the American and British theatre. Each entry cites names (including stage names and pseudonyms), birth and death dates, nationality, and theatrical occupation, as well as sources containing more extensive biographical information.


Peter Brook

Peter Brook

Author: Michael Kustow

Publisher: A&C Black

Published: 2013-10-17

Total Pages: 370

ISBN-13: 1408852284

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Peter Brook is one of the most influential directors of our time, whose productions are a byword for imagination, energy and innovation. He was born into a Russian émigré family in London and, after a turbulent time at Oxford University, he veered between directing West End comedy, new work from abroad and opera at Covent Garden. By the 1960s he was moving towards greater experimentation, with controversial works like The Marat/Sade, films like Lord of the Flies, and landmark stagings of Shakespeare of which the most famous was the 'white box' production of A Midsummer Night's Dream. In 1970, at the height of his success, he moved to Paris and immediately set off with a group of actors to Persia, Africa, Mexico and the USA in an attempt to discover a universal language of theatre. Since then, Brook has continued pushing at the boundaries of theatre and film. In this first authoritative biography, arising out of an association and friendship with Brook of more than forty years, Michael Kustow tells the revealing story of a man whose life has been a never-ending quest for meaning.


Maggie Smith

Maggie Smith

Author: Michael Coveney

Publisher: Macmillan + ORM

Published: 2015-12-29

Total Pages: 467

ISBN-13: 1466893397

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“Steeped in theater history” this biography “seamlessly melds Smith’s personal and professional lives into an engrossing narrative” (Kirkus Reviews). No one does glamour, severity, girlish charm or tight-lipped witticism better than Dame Maggie Smith. Michael Coveney’s biography shines a light on the life and career of a truly remarkable performer, one whose stage and screen career spans six decades. From her days as a West End star of comedy and revue, Dame Maggie’s path would cross with those of the greatest actors, playwrights and directors of the era. Whether stealing scenes from Richard Burton, answering back to Laurence Olivier, or playing opposite Judi Dench in Breath of Life, her career can be seen as a ‘Who’s Who’ of British theatre. Her film and television career has been just as starry. From the title character in The Prime of Miss Jean Brodie and the meddling chaperone in A Room With a View to the Harry Potter films in which she played Minerva McGonagall (as she put it ‘Miss Jean Brodie in a wizard’s hat’) and the Best Exotic Marigold Hotel films in which she played the wise Muriel Donnelly, Smith has thrilled, engaged and made audiences laugh. As Violet Crawley, the formidable Dowager Countess of Downton Abbey she conquered millions more. Paradoxically she remains an enigmatic figure, rarely appearing in public. Michael Coveney’s absorbing biography, written with the actress’s blessing and drawing on personal archives, as well as interviews with immediate family and close friends, is a portrait of one of the greatest actors of our time.