American Adonis

American Adonis

Author: John Massey

Publisher: Universe Publishing(NY)

Published: 2004

Total Pages: 148

ISBN-13:

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"Anthony Sansone (1905-1987), the first male physique icon and the most admired bodybuilder of his time. Like his contemporary Rudolph Valentino, Sansone was one of the first to make male beauty a desirable commodity. Through innumerable reproductions of his photographs, his fitness program publications, and the three gyms he founded, Sansone set and shaped the physical ideal that a whole generation of men would follow." "Tony Sansone moved within a number of worlds and interacted with some illustrious characters: art (Gertrude Whitney), bodybuilding (Charles Atlas), dance (Alexandre Gavrilov), Hollywood (Johnny Weissmuller), theater (David Belasco), and photography (Nickolas Muray). American Adonis uncovers the lost story of Sansone's life along with reproductions of his sculpted, godlike body, many of which have not been seen in more than fifty years."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Clayton

Clayton

Author: Verda S. Corbin

Publisher: Arcadia Publishing

Published: 1998

Total Pages: 132

ISBN-13: 9780752412504

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Mr. America

Mr. America

Author: John D. Fair

Publisher: University of Texas Press

Published: 2015-01-05

Total Pages: 474

ISBN-13: 0292760825

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For most of the twentieth century, the “Mr. America” image epitomized muscular manhood. From humble beginnings in 1939 at a small gym in Schenectady, New York, the Mr. America Contest became the world’s premier bodybuilding event over the next thirty years. Rooted in ancient Greek virtues of health, fitness, beauty, and athleticism, it showcased some of the finest specimens of American masculinity. Interviewing nearly one hundred major figures in the physical culture movement (including twenty-five Mr. Americas) and incorporating copious printed and manuscript sources, John D. Fair has created the definitive study of this iconic phenomenon. Revealing the ways in which the contest provided a model of functional and fit manhood, Mr. America captures the event’s path to idealism and its slow descent into obscurity. As the 1960s marked a turbulent transition in American society—from the civil rights movement to the rise of feminism and increasing acceptance of homosexuality—Mr. America changed as well. Exploring the influence of other bodily displays, such as the Mr. Universe and Mr. Olympia contests and the Miss America Pageant, Fair focuses on commercialism, size obsession, and drugs that corrupted the competition’s original intent. Accessible and engaging, Mr. America is a compelling portrayal of the glory days of American muscle.


Negro Building

Negro Building

Author: Mabel O. Wilson

Publisher: Univ of California Press

Published: 2023-09-01

Total Pages: 462

ISBN-13: 0520952499

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Focusing on Black Americans' participation in world’s fairs, Emancipation expositions, and early Black grassroots museums, Negro Building traces the evolution of Black public history from the Civil War through the civil rights movement of the 1960s. Mabel O. Wilson gives voice to the figures who conceived the curatorial content: Booker T. Washington, W. E. B. Du Bois, Ida B. Wells, A. Philip Randolph, Horace Cayton, and Margaret Burroughs. Originally published in 2012, the book reveals why the Black cities of Chicago and Detroit became the sites of major Black historical museums rather than the nation's capital, which would eventually become home for the Smithsonian's National Museum of African American History and Culture, which opened in 2016.


Gatecrashers

Gatecrashers

Author: Katherine Jentleson

Publisher: University of California Press

Published: 2020-04-07

Total Pages: 264

ISBN-13: 0520303423

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After World War I, artists without formal training “crashed the gates” of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.