AMERICA ARRIBA! is a comedy/satire about Don Quijote and Sancho Panza in the 21st century. A giant American fast food company convinces the author, Miguel Cervantes, to permit the famous duo to advertise burgers in South America. After the duo are educated In the realities of the modern world, they set about their tasks only to find every plan of Naches Fast Foods backfires in one comic episode after another.
During the 20th-century, Spaniards and African-Americans shared significant cultural memories forged by the profound impact that various artistic and historical events had on each other. Addressing three crucial periods (the Harlem Renaissance and Jazz Age, the Spanish Civil War, and Franco's dictatorship), this collection of essays explores the transnational bond and the intercultural exchanges between these two communities, using race as a fundamental critical category. The study of travelogues, memoirs, documentaries, interviews, press coverage, comics, literary works, music, and performances by iconic figures such as Josephine Baker, Langston Hughes, and Ramón Gómez de la Serna, as well as the experiences of ordinary individuals such as African American nurse Salaria Kea, invite an examination of the ambiguities and paradoxes that underlie this relationship: among them, the questionable and, at times, surprising racial representations of blacks in Spanish avant-garde texts and in the press during the years of Franco’s dictatorship; African Americans very unique view of the Spanish Civil War in light of their racial identity; and the oscillation between fascination and anxiety when these two communities look at each other.
This is the definitive one-volume guide to the Indian tribes of North America, and it covers all groupings such as nations, confederations, tribes, subtribes, clans, and bands. It is a digest of all Indian groups and their historical locations throughout the continent. Formatted as a dictionary, or gazetteer, and organized by state, it includes all known tribal groupings within the state and the many villages where they were located. Using the year 1650 to determine the general location of most of the tribes, Swanton has drawn four over-sized fold-out maps, each depicting a different quadrant of North America and the location of the various tribes therein, including not only the tribes of the United States, Canada, Greenland, Mexico, and Central America, but the Caribbean islands as well. According to the author, the gazetteer and the maps are "intended to inform the general reader what Indian tribes occupied the territory of his State and to add enough data to indicate the place they occupied among the tribal groups of the continent and the part they played in the early period of our history. . . ." Accordingly, the bulk of the text includes such facts as the origin of the tribal name and a brief list of the more important synonyms; the linguistic connections of the tribe; its location; a brief sketch of its history; its population at different periods; and the extent to which its name has been perpetuated geographically.--From publisher description.
The Code of federal regulations is the codification of the general and permanent rules published in the Federal register by the executive departments and agencies of the federal government.
Latinos have contributed a tremendous amount to American cultural heritage, injecting energy, a unique style, and piquant flavor. This set profiles the big names from this century and the last who represent the highest achievement in their field and who have inspired, led, educated, informed, and entertained us. A diverse representation from the world of sports, entertainment, education, music, journalism, literature, and labor is offered. Biographical essays engagingly tell the story behind the icon, with background including family and education, career trajectory and highlights, and contributions and circumstances that have led to icon status. Along with these famous figures, several essays on other types of Latino pop culture icons—iconic characters from cartoons and comics and film and even iconic Latino foods—are included. Entertaining side bars and classic photos complement the essays. Perfect for student reports and browsing, with more in-depth coverage than an encyclopedia entry but less than a full biography, there is something fascinating and informative here for everyone. Readers will find that that a number of the icons profiled were influenced by other icons profiled or have an important connection to one another. For example, Tito Puente and Celia Cruz performed together for many years. Actress Jennifer Lopez portrayed the singer Selena in a biopic. Cesar Chavez and Dolores Huerta made the United Farm Workers union a reality. Furthermore, in telling the story of these icons, each essay relates so much of the historical and social issues of the times. Thus, together, these essays offer a good sense of recent Latino and Latin American history and progress. Icons include Desi Arnaz; Ruben Blades; Fabiola Cabeza de Baca; Cesar Chavez; Chiles, Tortillas, and the Mexican Food Explosion; Sandra Cisneros; Roberto Clemente; Celia Cruz; Placido Domingo; Jaime Escalante; Gordo, Speedy Gonzales, Dora the Explorer, Bondo, and La Cucaracha; Dolores Huerta; Jennifer Lopez; Rita Moreno; Edward James Olmos; Tito Puente; Ruben Salazar; Carlos Santana; Cristina Saralegui; Selena; Lee Trevino; Luis Valdez; Ritchie Valens; and Zorro.
America Alienation Nation: Alienation Machination Poetry By: Edward R. Ingram BA, MA Credentialed Teacher America Alienation Nation: Alienation Machination Poetry is about the horror good patriotic Americans face as a result of the utter chaos caused to this great country by the disaster that is Donald Trump—spoon-fed lies, hatred, deception, negligence, corruption. He was impeached twice, causing the worst attack on the American government (January 6th) since the Civil War. Our lives, freedoms, right to vote, to work and prosper are under assault from within our union. We now see democracy is fragile and needs a booster shot, more people talking truth to power. Edward R. Ingram’s message to his readers is to speak out against GOP Authoritarianism as unsustainable and destructive.
This volume provides a comprehensive catalog of how various ethnic groups in the United States of America have differently shaped their cultural landscape. Author John Cross links an overview of the spatial distributions of many of the ethnic populations of the United States with highly detailed discussions of specific local cultural landscapes associated with various ethnic groups. This book provides coverage of several ethnic groups that were omitted from previous literature, including Italian-Americans, Chinese-Americans, Japanese-Americans, and Arab-Americans, plus several smaller European ethnic populations. The book is organized to provide an overview of each of the substantive ethnic landscapes in the United States. Between its introduction and conclusion, which looks towards the future, the chapters on the various ethnic landscapes are arranged roughly in chronological order, such that the timing of the earliest significant surviving landscape contribution determines the order the groups will be viewed. Within each chapter the contemporary and historical spatial distribution of the ethnic groups are described, the historical geography of the group’s settlement is reviewed, and the salient aspects of material culture that characterize or distinguish the group’s ethnic landscape are discussed. Ethnics Landscapes of America is designed for use in the classroom as a textbook or as a reader in a North American regional course or a cultural geography course. This volume also can function as a detailed summary reference that should be of interest to geographers, historians, ethnic scholars, other social scientists, and the educated public who wish to understand the visible elements of material culture that various ethnic populations have created on the landscape.
