For years, historians have argued that Catholicism in the United States stood decisively apart from papal politics in European society. Drawing on previously unexamined documents from Italian state collections and newly opened Vatican archives, Peter D'Agostino paints a starkly different portrait.
What went wrong in imperial Rome, and how we can avoid it: “If you want to understand where America stands in the world today, read this.” —Thomas E. Ricks The rise and fall of ancient Rome has been on American minds since the beginning of our republic. Depending on who’s doing the talking, the history of Rome serves as either a triumphal call to action—or a dire warning of imminent collapse. In this “provocative and lively” book, Cullen Murphy points out that today we focus less on the Roman Republic than on the empire that took its place, and reveals a wide array of similarities between the two societies (The New York Times). Looking at the blinkered, insular culture of our capitals; the debilitating effect of bribery in public life; the paradoxical issue of borders; and the weakening of the body politic through various forms of privatization, Murphy persuasively argues that we most resemble Rome in the burgeoning corruption of our government and in our arrogant ignorance of the world outside—two things that must be changed if we are to avoid Rome’s fate. “Are We Rome? is just about a perfect book. . . . I wish every politician would spend an evening with this book.” —James Fallows
“Wise and witty.”―Publishers Weekly “A charming story well told.”―Kirkus Reviews “Smart, funny, charming . . . full of astute insights into the way Italy works.”―Alexander Stille “A wonderfully fun read.”―Dr. Robert Sapolsky "As funny as it is poignant. A must read for anyone who thinks they understand medicine, Italy, or humanity.”―Barbie Latza Nadeau After completing her medical training in New York, Susan Levenstein set off for a one year adventure in Rome. Forty years later, she is still practicing medicine in the Eternal City. In Dottoressa: An American Doctor in Rome Levenstein writes, with love and exasperation, about navigating her career through the renowned Italian tangle of brilliance and ineptitude, sexism and tolerance, rigidity and chaos. Part memoir―starting with her epic quest for an Italian medical license―and part portrait of Italy from a unique point of view, Dottoressa is packed with vignettes that illuminate the national differences in character, lifestyle, health, and health care between her two countries. Levenstein, who has been called “the wittiest internist on earth,” covers everything from hookup culture to neighborhood madmen, Italian hands-off medical training, bidets, the ironies of expatriation, and why Italians always pay their doctor’s bills.
"This remarkable book examines the impact of Rome on American artists and writers from the earliest days of the new republic to the present. In volume I: Classical Rome Vance shows, for example, how the Forum and the Colosseum inspired American thoughts of ideal republics and how the Pantheon presented a pagan challenge to American ideas of divinity, beauty, and sexuality. In volume II: Catholic and Contemporary Rome, Vance begins by examining the three foremost Roman Catholic symbols: the bambino, the madonna, and the pope. In the section on contemporary Rome, he addresses American attitudes toward Rome's earliest attempts at democratization, toward its aristocratic social structures, and toward the political changes that occurred after World War II"--Publisher's website, viewed August 23, 2018.
An investigation of the America-Rome analogy that goes deeper than the facile comparisons made on talk shows and in glossy magazine articles. America's post–Cold War strategic dominance and its pre-recession affluence inspired pundits to make celebratory comparisons to ancient Rome at its most powerful. Now, with America no longer perceived as invulnerable, engaged in protracted fighting in Iraq and Afghanistan, and suffering the worst economic downturn since the Great Depression, comparisons are to the bloated, decadent, ineffectual later Empire. In Why America Is Not a New Rome, Vaclav Smil looks at these comparisons in detail, going deeper than the facile analogy-making of talk shows and glossy magazine articles. He finds profound differences. Smil, a scientist and a lifelong student of Roman history, focuses on several fundamental concerns: the very meaning of empire; the actual extent and nature of Roman and American power; the role of knowledge and innovation; and demographic and economic basics—population dynamics, illness, death, wealth, and misery. America is not a latter-day Rome, Smil finds, and we need to understand this in order to look ahead without the burden of counterproductive analogies. Superficial similarities do not imply long-term political, demographic, or economic outcomes identical to Rome's.
Mounting social inequality, the increased political polarization, and the republic's transformation into an empire of consumption - these are just a few of the similarities between modern America and ancient Rome. How does America relate to Europe, and how did the Romans see their Greek colonies - and vice versa? The parallels are striking. Is America likely to trace a comparable trajectory in the near future?
Ancient Rome and Modern America explores the vital role thenarratives and images of Rome have played in America’sunderstanding of itself and its history. Places America’s response to Rome in a historicalcontext, from the Revolutionary era to the present Looks at portrayals of Rome in different media: writing,architecture, theatre, painting, World’s Fairs andExpositions, and film Beautifully illustrated with over 40 high quality photographsand figures