AMEDD Spectrum
Author: United States. Army Medical Department (1968- )
Publisher:
Published: 1974
Total Pages: 52
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: United States. Army Medical Department (1968- )
Publisher:
Published: 1974
Total Pages: 52
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard V. N. Ginn
Publisher: Defense Department
Published: 1997
Total Pages: 562
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1980
Total Pages: 1090
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 2010
Total Pages: 682
ISBN-13:
DOWNLOAD EBOOKAuthor: Walter Reed Army Institute of Research
Publisher:
Published: 1973
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: National Library of Medicine (U.S.)
Publisher:
Published: 1979
Total Pages: 1118
ISBN-13:
DOWNLOAD EBOOKA keyword listing of serial titles currently received by the National Library of Medicine.
Author:
Publisher:
Published: 1976
Total Pages: 1932
ISBN-13:
DOWNLOAD EBOOKAuthor: National Library of Medicine (U.S.)
Publisher:
Published: 1974
Total Pages: 1242
ISBN-13:
DOWNLOAD EBOOKFirst multi-year cumulation covers six years: 1965-70.
Author: Lori Maguire
Publisher: Cambridge Scholars Publishing
Published: 2016-08-17
Total Pages: 280
ISBN-13: 1443899259
DOWNLOAD EBOOKAn essential dimension of the Cold War took place in the realm of ideas and culture. While much work exists on cinema, relatively little research has been conducted on this subject in relation to television, despite the latter being a technology and popular cultural form that emerged during this period. This book rectifies that absence by examining the impact of the Cold War on entertainment television, and underlines the comparative aspect by studying programs from both blocs – without forgetting, of course, the outsize impact of American television. Although most of the focus is on the two main protagonists, the US and the USSR, chapters also consider programming from the UK, Czechoslovakia, Romania, and both East and West Germany. This book represents a contribution to the debate about the cultural Cold War through a rigorously comparative analysis of the two blocs. For this reason, the approach used is thematic. The study begins by considering the subject of censorship, and then goes on to look at the very particular case of the two Germanys. A series of comparative genre studies follow, including police and war, variety shows, and documentaries and docudramas. Perhaps surprisingly, the similarities are often greater than the differences between television in the two blocs.