When scholarship presents the histories, belief systems, and ritual patterns of specific religious groups, it often privileges victorious and élite fractions of those communities to the detriment and neglect of alternative, dissonant, and resurgent voices. The contributions in this volume, which include case studies on various religious and academic contexts, illustrate the importance of listening to those alternative voices for the study of religion.
Bringing together new and classic work by Tony Harcup, this book considers the development of alternative journalism from the 1970s up until today. Bringing theory and practice together, Harcup builds an understanding of alternative media through the use of detailed case studies and surveys. Including opinions of journalists who have worked in both mainstream and alternative media, he considers the motivations, practices and roles of alternative journalism as well as delving into ethical considerations. Moving from the history of alternative journalism, Harcup considers the recent spread of 'citizen journalism' and the use of social media, and asks what the role of alternative journalism is today.
This edited volume presents Alternative Voices in the contexts of present-day and historical globalisation, the emergence of the knowledge society, increased global-local or glocal migration flows, the explosion of social media, and disparate regional growth that have both impacted and shaped the sociocultural fabric of geopolitical spaces across the world. The volume builds upon twenty-seven contributions that focus upon issues related to language, culture and identity from a multidisciplinary nexus of historical, philosophical and empirically-based traditions. Positioned in post-colonial emic heritage, the research presented here challenges the “monolingual (including monocultural) bias” and the “linguacentric bias” in the Language Sciences. This volume is an important contribution in terms of analyzing and demonstrating issues related to the complexity of culture and language, and their links with social, political, economic forces, particularly the tensions related to glocal identity positions that are evoked and played out in geopolitically heterogeneous spaces. Given its multidisciplinary nature, this volume presents individual comprehensive accounts of complexities that have been poorly understood and inadequately covered in the existing literature – both in Southern and Northern contexts.
According to some observers, Southeast Asian Islam is undergoing a conservative turn. This means voices that champion humanist, progressive or moderate ideas are located on the fringes of society. Is this assessment accurate for a region that used to be known for promoting the “smiling face of Islam”? Alternative Voices in Muslim Southeast Asia examines the challenges facing progressive voices in Indonesia, Malaysia and Singapore today. It examines their discourses, which delve into how multiculturalism and secularism are the way forward for the diverse societies of these three countries. Moreover, it analyses the avenues employed by these voices in articulating their views amidst the dominance of state and quasi-state religious officials who seek to restrict and discipline them. Contributors to the volume include scholars, activists and observers, some of whom are victims of repression and discrimination. While most of the chapters cover developments of the last decade, some of them go back to the previous century, capturing the emergence of modernist thinkers influenced by parallel movements in the Middle East and the wider region. Others respond to recent developments concerning Islam and Muslims in the three countries: the Pakatan Harapan coalition victory in the 2018 Malaysian election, the re-election of Joko Widodo as Indonesia’s president in 2019, and recent religious rulings passed in Singapore. Readers should come not only to reflect on the struggles faced by this group but also to appreciate the humanist traditions essential for the development of the societies of these countries in the midst of change.
This book examines why study abroad is a marginal activity in American higher education and evaluates the role gender has played in the development and maintenance of this marginality.
Istvan Anhalt, himself a composer of many vocal works, has written an interdisciplinary study of the innovative vocal and choral music that has emerged in Europe and North America since the Second World War. This music has amazed, confused, sometimes shocked, and often deeply moved its listeners, and the author probes its very roots. Anhalt sketches briefly the antecedents of this revolutionary music and then illustrates the subject by looking closely at works by three of the greatest composers of modern vocal and choral music: Luciano Berio’s Sequenza III for female solo voice, Gyӧrgy Ligeti’s Nouvelles Aventures for three solo voices and small instrumental ensemble, and Witold Lutoslawski’s Trois Poèmes d’Henri Michaux for large chorus and orchestra. The author next seeks to formulate a conceptual framework to explain post-war vocal composition. He discusses relationships between poetry and music, speaking and singing, theatre and music, and composers and performers. He identifies and examines recurring themes in his corpus, including hallowed and cursed names, repetition as a mythical and/or mystical technique, the arcane, magical elements in music and language, and music as spectacle or celebration and as a search for the past. Anhalt also considers the structural elements and compositional procedures used in creating this type of music. The complex associations with other creative activities that typify modern vocal composition help to make it, as Anhalt shows clearly, an extraordinary rich mosaic of alternative voices.
Ranging from medieval music to Madonna and beyond, this book covers in detail the many aspects of the voice. The volume is divided into four broad areas. Popular Traditions begins with an overview of singing traditions in world music and continues with aspects of rock, rap and jazz. The Voice in the Theatre includes both opera singing from the beginnings to the present day and twentieth-century stage and screen entertainers. Choral Music and Song features a history of the art song, essential hints on singing in a larger choir, the English cathedral tradition and a history of the choral movement in the United States. The final substantial section on performance practices ranges from the voice in the Middle Ages and the interpretation of early singing treatises to contemporary vocal techniques, ensemble singing, the teaching of singing, children's choirs, and a comprehensive exposition of vocal acoustics.
This book introduces radically alternative models of civil society that have been developed outside the liberal democratic frame of reference, models which suggest that civil society does offer new and non-statist democratic possibilities. Drawing on a wide range of civil society theory-practice from Eastern Europe and Latin America (including the Zapatistas in Mexico), and from visions of global civil society too, this book is uniquely positioned to consider the questions posed by these alternative voices for democratic theory and practice. * Are there alternatives to the liberal democratic vision of civil society? * Is a democracy located in civil society rather than the state either possible or desirable? * How and why has the concept of civil society come to be used so widely today? * Can global civil society further the struggle for democracy initiated by national civil societies?
The poetry of the First World War has determined our perception of the war itself. This volume features poetry drawn from old newspapers and journals, trench and hospital magazines, individual volumes of verse, gift books, postcards, and a manuscript magazine put together by conscientious objectors.
