Alter Icons

Alter Icons

Author: Jefferson J. A. Gatrall

Publisher: Penn State Press

Published: 2010

Total Pages: 304

ISBN-13: 027103677X

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"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.


ReVisioning

ReVisioning

Author: James Romaine

Publisher: Wipf and Stock Publishers

Published: 2014-05-20

Total Pages: 395

ISBN-13: 1630871826

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ReVisioning: Critical Methods of Seeing Christianity in the History of Art examines the application of art historical methods to the history of Christianity and art. As methods of art history have become more interdisciplinary, there has been a notable emergence of discussions of religion in art history as well as related fields such as visual culture and theology. This book represents the first critical examination of scholarly methodologies applied to the study of Christian subjects, themes, and contexts in art. ReVisioning contains original work from a range of scholars, each of whom has addressed the question, in regard to a well-known work of art or body of work, "How have particular methods of art history been applied, and with what effect?" The study moves from the third century to the present, providing extensive treatment and analysis of art historical methods applied to the history of Christianity and art.


The Icon and the Square

The Icon and the Square

Author: Maria Taroutina

Publisher: Penn State Press

Published: 2018-11-26

Total Pages: 761

ISBN-13: 0271082550

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In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.


Mother of the Lamb

Mother of the Lamb

Author: Matthew J. Milliner

Publisher: Fortress Press

Published: 2022-10-04

Total Pages: 313

ISBN-13: 150647876X

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Mother of the Lamb tells the remarkable story of a Byzantine image that emerged from the losing side of the Crusades. Called the Virgin of the Passion in the East and Our Lady of Perpetual Help in the West, the icon has expanded beyond its Byzantine origins to become one of the most pervasive images of our time. It boasts multiple major shrines on nearly every continent and is reflected in every epoch of art history since its origin, even making an appearance at the Olympics in 2012. Matthew Milliner first chronicles the story of the icon's creation and emergence in the immediate aftermath of the Third Crusade, whereupon the icon became a surprising emblem of defeat, its own fame expanding in inverse proportion to Christendom's political contraction. Originally born as a Christian response to the Christian violence of the Crusades, it marked the moment when Mary's ministry of suffering love truly began. Having traced the icon's origin and ubiquity, Milliner teases out the painting's theological depth, and continues the story of the icon's evolution and significance from its origins to the present day. As the story of the icon moves well beyond Byzantine art history, both temporally and thematically, it engages religion, politics, contemporary art, and feminist concerns at once. Always, though, the icon exemplifies dignity in suffering, a lesson that--through this image--Byzantium bequeathed to the wider world. Encapsulating eleven centuries of development of the mourning Mary in Byzantium, the Virgin of the Passion emerges as a commendable icon of humility, a perennial watchword signaling the perils of imagined political glory. The Virgin of the Passion, emblemizing political humility, the powerful agency of women, and the value of inter-Christian and extra-Christian concord, is an exemplary Marian image for the fledgling twenty-first century.


Byzantine Art

Byzantine Art

Author: Robin Cormack

Publisher: Oxford University Press

Published: 2018-03-10

Total Pages: 264

ISBN-13: 0191084468

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The opulence of Byzantine art, with its extravagant use of gold and silver, is well known. Highly skilled artists created powerful representations reflecting and promoting this society and its values in icons, illuminated manuscripts, and mosaics and wallpaintings placed in domed churches and public buildings. This complete introduction to the whole period and range of Byzantine art combines immense breadth with interesting historical detail. Robin Cormack overturns the myth that Byzantine art remained constant from the inauguration of Constantinople, its artistic centre, in the year 330 until the fall of the city to the Ottomans in 1453. He shows how the many political and religious upheavals of this period produced a wide range of styles and developments in art. This updated, colour edition includes new discoveries, a revised bibliography, and, in a new epilogue, a rethinking of Byzantine Art for the present day.


Graphics and Multimedia for the Web with Adobe Creative Cloud

Graphics and Multimedia for the Web with Adobe Creative Cloud

Author: Jennifer Harder

Publisher: Apress

Published: 2018-11-16

Total Pages: 1015

ISBN-13: 1484238230

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Upgrade your skills in Adobe Creative Cloud and enhance your corporate or personal website with multimedia and graphics. In this book you'll look at the latest versions of five core Adobe programs: Photoshop, Illustrator, Animate (formerly Flash), Media Encoder and Dreamweaver. As you work with each of these programs to create images, animations, audio and video you will see how each one can help you complete and finally integrate your multimedia files into a final mobile friendly website. Adding new multimedia features to your website does not have to be difficult or confusing. If you plan your route and goals correctly, along the way you will see how each software has its own use, but ultimately, how they can all work together for a common goal. This book also shows you how additional Creative Cloud software can be used with the core five programs should you want to add further interactivity. What You'll Learn:Use Adobe Creative Cloud software to create graphics and multimedia for a websiteRender images in various formatsWork with video, HTML5 Canvas and audio files for the websiteDiscover new features of HTML5 and CSS3 and how to work with them in Dreamweaver CCWho This Book Is For Graphic designers who are creating websites; students in the classroom; instructors wanting to upgrade their Adobe Creative Cloud skills.


Vision and Communism

Vision and Communism

Author: Viktor Koret︠s︡kiĭ

Publisher: The New Press

Published: 2011

Total Pages: 186

ISBN-13: 1595586253

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Issued in connection with an exhibition held Sept. 29, 2011-Jan. 22, 2012, Smart Museum of Art, the University of Chicago.


QuickBooks 2005

QuickBooks 2005

Author: Bonnie Biafore

Publisher: "O'Reilly Media, Inc."

Published: 2005-02-24

Total Pages: 607

ISBN-13: 0596009011

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Explains how to use QuickBooks to set-up and manage bookkeeping systems, track invoices, pay bills, manage payroll, generate reports, and determine job costs.


Fatal Words

Fatal Words

Author: Steven Cushing

Publisher: University of Chicago Press

Published: 1997-05-15

Total Pages: 176

ISBN-13: 0226132013

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On March 27, 1977, 583 people died when KLM and Pan Am 747s collided on a crowded, foggy runway in Tenerife, the Canary Islands. The cause, a miscommunication between the pilot and the air traffic controller. The pilot radioed, "We are now at takeoff," meaning that the plane was lifting off, but the tower controller misunderstood and thought the plane was waiting on the runway. In Fatal Words, Steven Cushing explains how miscommunication has led to dozens of aircraft disasters, and he proposes innovative solutions for preventing them. He examines ambiguities in language when aviation jargon and colloquial English are mixed, when a word is used that has different meanings, and when different words are used that sound alike. To remedy these problems, Cushing proposes a visual communication system and a computerized voice mechanism to help clear up confusing language. Fatal Words is an accessible explanation of some of the most notorious aircraft tragedies of our time, and it will appeal to scholars in communications, linguistics, and cognitive science, to aviation experts, and to general readers.


Modernism and the Spiritual in Russian Art

Modernism and the Spiritual in Russian Art

Author: Louise Hardiman

Publisher: Open Book Publishers

Published: 2017-11-13

Total Pages: 243

ISBN-13: 1783743417

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In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.