Confronting an urban nightmare of drugs, violence, and despair, a leading American Buddhist tests her faith in non-violence by putting spirituality to work where it really counts--in the community.
Through careful analysis of Levertov's social verse, she demonstrates that there is a consistency and pattern in what the artist herself has termed the "poems of engagement." Denise Levertov began her career in England as a lyric poet in the Romantic mode, but even then was touched by the reductive nature of war, revealed in her first published poem, "Listening to Distant Guns." During the mid-1960s Levertov's social conscience, notably her strong antiwar sentiment, was reawakened by the Vietnam War. This reawakening resulted in several volumes of poetry that mirrored her concerns with the war (and political activism at home) and her perplexity at the nature of human beings - often great and compassionate, but at times cruel and insensitive. There exists a common thread in Levertov's pilgrimage from her beginning as a lyric poet to her status as an artist definitively in the world: she has always responded to everything within the compass of her experience.
Confronting an urban nightmare of drugs, violence, and despair, a leading American Buddhist tests her faith in non-violence by putting spirituality to work where it really counts--in the community.
Altars in the Street is the personal chronicle of Melody Ermachild Chavis, who bought a house in what was a quiet interracial neighborhood on the south side of Berkeley, California, but which became a place where drugs and violence were growth industries. It is about the life of a mother trying with other mothers to raise children in a dangerous world. It is also the inspiring story of how she and her neighbors found ways of working with each other, the youngsters, the elderly, the unemployed, the addicts, the drunks, and even the police and the drug dealers--in a courageous effort to preserve their homes and their lives. It teaches community action we can all adopt, such as tutoring at local schools, encouraging teenagers to start a gardening project, and accompanying them to court when they find themselves in trouble. This book illustrates our collective responsibility for bringing about healing. It is a brave and wonderful wake-up call, full of the nitty-gritty of how each of us can make a difference when push really does come to shove. Drawing on deep reserves of good humor, common sense, and practical experience of nonviolent action, Melody Ermachild Chavis has written a moving testament to the power of spirit in today's often cynical world. Altars in the Street is for people who live in cities and those who have fled them. It will speak to anyone who cares about the future of our children, our neighborhoods, and our nation, anyone who wants to look truthfully at the relationship between poverty and prisons, and between community and education. It is also for those who seek to put spirituality to work where it really counts--on the street where we live. From the Hardcover edition.
Meena founded the Revolutionary Association of the Women of Afghanistan in 1977 as a twenty-year-old Kabul University student. She was assassinated in 1987 at age thirty, and lives on in the hearts of all progressive Muslim women. Her voice, speaking for freedom, has never been silenced. The compelling story of Meena's struggle for democracy and women's rights in Afghanistan will inspire young women the world over. Meena, Heroine of Afghanistan is a portrait of a courageous mother, poet and leader who symbolizes an entire movement of women that can influence the fate of nations. It is also a riveting account of a singular political career whose legacy has been inherited by RAWA, the women who hold the keys to a peaceful future for Afghanistan. RAWA has authorized this first-ever biography of their martyred founder.
Guest-edited by Jill Stoner and Ozayr Saloojee Over the past decade, and in a more concentrated form over the past two years, there has been increasing recognition of architecture’s systemic complicity in constructing and upholding hierarchies of race and class, and privileging colonial paradigms that perpetuate spatial and economic inequity. This AD issue reveals how designers, practitioners, scholars and architects are participating in dismantling the major canons of Western architecture. The work is both literal and figural: taking buildings apart and reconstituting them, and challenging mythologies that include drawing-as-analogue, building-as object, architect-as-hero and nature-as-other. Architecture has both potential and responsibility for political agency in the public realm. The contributions to this issue foreground emancipatory spatial ideas and practices from around the world, demonstrating that refusal is no longer just absence and denial, but a constructive mode of resistance and action that needs to be approached through subversive urban works, design pedagogy and alliances across multiple disciplines. Contributors: Piper Bernbaum, Carwil Bjork-James, Thiresh Govender, Lucia Jalón Oyarzun, Jennifer Newsom and Tom Carruthers, Cong Chi Nguyen, Quilian Riano, Hannah Le Roux, Alberto de Salvatierra, Cathy Smith, Chat Travieso, and Ilze Wolff.
Every day Roman urbanites took to the street for myriad tasks, from hawking vegetables and worshipping local deities to simply loitering and socializing. Hartnett takes readers into this thicket of activity as he repopulates Roman streets with their full range of sensations, participants, and events that stretched far beyond simple movement. As everyone from slave to senator met in this communal space, city dwellers found unparalleled opportunities for self-aggrandizing display and the negotiation of social and political tensions. Hartnett charts how Romans preened and paraded in the street, and how they exploited the street's collective space to lob insults and respond to personal rebukes. Combining textual evidence, comparative historical material, and contemporary urban theory with architectural and art historical analysis, The Roman Street offers a social and cultural history of urban spaces that restores them to their rightful place as primary venues for social performance in the ancient world.