Alsop and Stormer continually explore form colour function social and behavioural issues in their architecture. This monograph illustrates William Alsop's strength as an architect as well as an artist.
Responsible for Le Grand Bleu in Marseille and North Greenwich Station on the Jubilee Line extension, among others, Alsop was one of four architects chosen to represent Britain at the Venice Biennale. This volume examines his creative process.
Focusing on the refreshing process of design with which Will Alsop engages, Tom Porter reveals and traces the process, from public consultation to the privacy of Alsop’s painting studio, from paint to line to model, and in doing so uncovers a treasure trove of ideas for transforming the process of architectural design.
Reviews the position of Alsop and Stoermer as one of Europe's leading architectural practices. Alsop's developmental paintings are featured throughout and tell of the organic processes involved, of the goal to create space that is indeterminant.
Guest-edited by Samantha Hardingham This issue of AD celebrates the extraordinary life and work of British architect Will Alsop (1947–2018) – a career and portfolio that is both literally and metaphorically steeped in colour. Characterised as a maverickarchitect, Alsop was in truth an individualist who was all for the collective, and a non-conformist. His design aim was to replace ‘a little misery in the world with a little joy and delight’. Far from diminutive in ambition, many of his built projects caused big shifts in thinking about ways for citizens to perceive, occupy and enjoy their cities. He believed deeply in the active participation of clients to explore their architectural ideas, involving them in workshops and the making of films to help them to see and better understand what design could positively do for them. His buildings and artworks are as contentious as they have been highly acclaimed, but never fail to amaze and inspire. His continuous engagement in teaching, lecturing and exhibiting throughout his career, with academic posts held in the UK, Germany, Austria, Australia and the US, meant he always remained in touch and was a consistent source of encouragement to new generations of architects entering the profession. This AD aims to harness that creative energy, commitment and camaraderie. Contributors: Ollie Alsop, Thomas Aquilina, Nigel Coates, Peter Cook, Paul Finch, Mark Garcia, Clare Hamman, John Lyall, Bruce McLean, Will McLean, Kester Rattenbury, Marcos Rosello, and Neil Thomas.
It is the only book available that covers all types of architecture and building in Wales over a period of two thousand years, from Roman times to the present. The book is illustrated by 254 colour and black & white photographs, drawings and plans. The book has fourteen specially-drawn maps illustrating ranges of building types. The book is intended for the general reader as well as architectural specialists.
Part 1: Introduction - Background - Text - Graphics - Images - Manipulation - Facilities management - Financial accounting and modelling - Database activities - Data manipulation and Statistical analysis - CAD/CAM/CAE and multi-media - Telecommunications and networks Part 2: Case studies of organisations - Architectural and engineering practices including some of the biggest names in the industry in the UK; covering different sizes, structures, philosophies, working methodologies, and different services offered to clients in different markets Part 3: Conclusions - Comments about IT in action - Emerging views - Future developments
In recent years there has been a remarkable evolution in the design of hotels, with mainstream hotel chains rejecting characterless functionalism in favour of style-led individualism. This book gathers together over 40 of the best examples of hotel architecture and interiors from around the world, illustrating the impressive diversity of styles and forms. Identifying the latest industry trends, Riewoldt makes plain how both chains and independents have adopted individual design strategies to enhance their brand image in an increasingly global marketplace. It featuers the work of Michael Graves, Jean Nouvel and Philippe Starck amongst other big names.
It is some of the recent branches of science and biomathematics which provide a platform for a theory of aesthetics which transcends the subjective without undermining subjectivity." "Beauty is not arbitrary; there is a logic which informs its infinite variety of manifestations. It is not enough just to know what we like; the experience of beauty is that much richer when we know why we like it."--Jacket.