"This book, a full-scale treatment of Mucha's entire oeuvre, includes discussions and reproductions of paintings, posters, decorative panels, pastels, drawings, photographs, jewelry, and illustrations from throughout his career ... 248 color plates, 112 black-and-white illustrations"--Dustjacket.
Bring the ink to life! Mucha's distinctive style evoked a beautiful, spiritual life, and these gorgeous Art Nouveau masterpieces will provide hours of pleasure. Calming and relaxing, almost every type of pen, ink and pencil can be used to bring joy to a fabulous journey of colouring. Each page is perforated, ready for you to frame.
Full-color and black-and-white works by virtually every key artist of the Art Nouveau movement, including Mucha, Seguy, Beardsley, and Verneuil. Includes material from rare books, portfolios, and major periodicals, plus bibliographies and artist biographies.
Though very much an individual and spiritual artist, Alphonse Mucha was a defining figure of the Art Nouveau era and is loved for his distinctive lush style and images of beautiful women in arabesque poses among the plethora of paintings, posters, advertisements and designs he produced. Admire a whole range of his work here in its full glory with succinct accompanying text.
Czech artist and Art Nouveau master Alphonse Mucha (1860-1939) defined the look of the fin-de-siecle. In shades of peach, gold, ochre and olive, his compositions of patterns, flowers and women became a mainstay of illustration, posters, postcards, and advertising designs of the day. Mucha also harbored committed nationalist beliefs. With works such as The Slav Epic, he expressed his support for Pan-Slavism, promoting the political independence of the Czech and Slavic nations from the Austro-Hungarian Empire
Syd Barrett was an English composer and purveyor of some of the most intriguing music ever written. Famous before his twentieth birthday, Barrett led the charge of psychedelia onstage at London's famed UFO club. With a Fender Telecaster and a primitive Binson echo unit, Barrett liberated the guitar from being, in critic Simon Reynolds' words, 'a riff machine, and turned it into a texture and timbre generator.' His inspired celestial flights of improvisation, and his more structured and whimsical short songs indicated a mind of unusual inventiveness. Chief in Barrett's mind was a Zen-like insistence on spontaneity; each performance had to be unique, and Barrett strived to push his music farther and farther out into the zone of complete abstraction. This in-depth analysis of Pink Floyd founding member Syd Barrett's life and work is the product of years of extensive research. Lost in the Woods traces Syd's swift evolution from precocious young art student to acid-fuelled psychedelic rock star, and examines the myriad musical and literary influences that he utilised in composing his hypnotic, groundbreaking songs. A never-forgotten casualty of the excesses, innovations, and idealism of the 1960s, Syd Barrett is one of the most heavily mythologized men in rock, and Lost in the Woods offers a rare portrayal of a unique spirit in freefall.
This volume combines two rare and important early 20th-century portfolios to present nearly 200 full-color stained glass designs. Chiefly works by Arnold Lyongrün; includes designs by Bacard, Beauclair, Geyling, others.