Alphaville
Alphaville

Author: Chris Darke

Publisher: University of Illinois Press

Published: 2005

Total Pages: 132

ISBN-13: 9780252073298

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It uses new interviews with Godard's main collaborators on the film to reveal new aspects and explores its multiple influences, on 'Blade Runner', for example, or 'Code 46'. This is the first ever full appraisal of Godard's highly influential classic of sci-fi noir. Chris Darke writes about how, working without sets, special effects, or even a script, Godard made a dystopian vision of a technocratic future city. He explores the film's unique combination of genres and styles, its remarkable creation the secret agent Lemmy Caution, and uses his new interviews with the director's collaborators to chronicle the film's production. He also relates Alphaville to Godard's later work, setting it in the context of his wider career and of its influence on other filmmakers and artists. .

Alphaville (Jean-Luc Godard, 1965)
Alphaville (Jean-Luc Godard, 1965)

Author: Chris Darke

Publisher: University of Illinois Press

Published: 2005

Total Pages: 136

ISBN-13: 9780252030888

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It uses new interviews with Godard's main collaborators on the film to reveal new aspects and explores its multiple influences, on 'Blade Runner', for example, or 'Code 46'. This is the first ever full appraisal of Godard's highly influential classic of sci-fi noir. Chris Darke writes about how, working without sets, special effects, or even a script, Godard made a dystopian vision of a technocratic future city. He explores the film's unique combination of genres and styles, its remarkable creation the secret agent Lemmy Caution, and uses his new interviews with the director's collaborators to chronicle the film's production. He also relates Alphaville to Godard's later work, setting it in the context of his wider career and of its influence on other filmmakers and artists. .

Zeroville
Zeroville

Author: Steve Erickson

Publisher: Open Road Media

Published: 2013-04-30

Total Pages: 380

ISBN-13: 1480409995

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The novel that inspired the film starring James Franco and Seth Rogen: “One of a kind . . . a funny, unnervingly surreal page turner” (Newsweek). Named one of the Best Books of the Year by the Washington Post Book World, Newsweek, and the Los Angeles Times Book Review Zeroville centers on the story of Vikar, a young architecture student so enthralled with the movies that his friends call him “cinéautistic.” With an intensely religious childhood behind him, and tattoos of Elizabeth Taylor and Montgomery Clift on his head, he arrives in Hollywood—where he’s mistaken for a member of the Manson family and eventually scores a job as a film editor. Vikar discovers the frames of a secret film within the reels of every movie ever made, and sets about splicing them together—a task that takes on frightening theological dimensions. Electrifying and “darkly funny,” Zeroville dives into the renegade American cinema of the 1970s and ’80s and emerges into an era for which we have no name (Publishers Weekly). “Funny, disturbing, daring . . . dreamlike and sometimes nightmarish.” —The New York Times Book Review “Magnificent.” —The Believer “[A] writer who has been compared to Vladimir Nabokov, Don DeLillo, and Thomas Pynchon.” —Bookmarks Magazine “Erickson is as unique and vital and pure a voice as American fiction has produced.” —Jonathan Lethem

The Utopia of Film
The Utopia of Film

Author: Christopher Pavsek

Publisher: Columbia University Press

Published: 2013-01-29

Total Pages: 305

ISBN-13: 0231530811

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The German filmmaker Alexander Kluge has long promoted cinema's relationship with the goals of human emancipation. Jean-Luc Godard and Filipino director Kidlat Tahimik also believe in cinema's ability to bring about what Theodor W. Adorno once called a "redeemed world." Situating the films of Godard, Tahimik, and Kluge within debates over social revolution, utopian ideals, and the unrealized potential of utopian thought and action, Christopher Pavsek showcases the strengths, weaknesses, and undeniable impact of their utopian visions on film's political evolution. He discusses Godard's Alphaville (1965) against Germany Year 90 Nine-Zero (1991) and JLG/JLG: Self-portrait in December (1994), and he conducts the first scholarly reading of Film Socialisme (2010). He considers Tahimik's virtually unknown masterpiece, I Am Furious Yellow (1981–1991), along with Perfumed Nightmare (1977) and Turumba (1983); and he constructs a dialogue between Kluge's Brutality in Stone (1961) and Yesterday Girl (1965) and his later The Assault of the Present on the Rest of Time (1985) and Fruits of Trust (2009).

Speaking about Godard
Speaking about Godard

Author: Kaja Silverman

Publisher: NYU Press

Published: 1998-07

Total Pages: 259

ISBN-13: 0814780660

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A filmmaker and a film theorist construct a dialogue around a close reading of eight Godard films, in chronological order, beginning with My Life to Live (1962) and ending with New Wave (1990). Their close reading follows the unfolding of the films as if the two were sitting at a flatbed, with the benefit of a filmmaker's eye for the formal issues of shooting and editing and a theorist's attention to the relations of text and interpretation. Includes bandw photos. Annotation copyrighted by Book News, Inc., Portland, OR

Cinesonica
Cinesonica

Author: Andy Birtwistle

Publisher: Manchester University Press

Published: 2021-06-15

Total Pages: 403

ISBN-13: 1526162814

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Cinesonica: sounding film and video explores previously neglected and under-theorised aspects of film and video sound, drawing on detailed case study analyses of Hollywood cinema, art cinema, animated cartoons, and avant-garde film and video. Adopting an interdisciplinary approach to the study of the soundtrack, and breaking away from the focus on narrative and signification that has tended to dominate the study of film sound, the book examines the way in which sound’s materiality figures within audiovisual experience. Through a close examination of sound-image relations in a range of film and video forms and genres – including Warner Bros. cartoons, scratch video, and artist’s film and video – Cinesonica recasts the film and video text as the meeting point of audio and visual materialities, cultural practices and perceptual activity. The interdisciplinary approach adopted by the book makes its discussion of sound of interest to those studying and working in a range of subject disciplines, including film studies, sound studies, sonic arts, cultural studies, music and art history.

Inscribing a Square
Inscribing a Square

Author: Dietmar Offenhuber

Publisher: Springer

Published: 2012-06-12

Total Pages: 0

ISBN-13: 9783709110539

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The mental image of the city has become complex. Since mobile phones have become geo-social devices, location-based data is increasingly shaping the way we experience public space. Until recently, the physical and the virtual spaces have been separate domains, now they are tightly packed together into what Malcolm McCullough calls the “Ambient Commons” – the collectively shared domain of environmental information. Media art practices have played an important role in shaping this development. This book investigates the potential of experimental and artistic forms of inquiry for helping us making sense of the city. The sections explore the sensory, structural and cultural aspects of new urban systems literacy – a re-examination of what constitutes public space in the real-time city.

Paris Hollywood
Paris Hollywood

Author: Peter Wollen

Publisher: Verso Books

Published: 2020-05-05

Total Pages: 485

ISBN-13: 1789608155

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In this new collection of essays on film, all written over the last ten years, Peter Wollen explores an extraordinarily wide range of topics, stretching from an analysis of 'Time in Film and Video Art' to a study of 'Riff-Raff Realism' in British films. There are provocative discussions of the works of established auteur directors such as Howard Hawks and Alfred Hitchcock and of the film-making careers of such experimental movie-makers as William Burroughs and Viking Eggeling, the dadaist pioneer of abstract film. The collection also includes fascinating studies of a number of film classics, such as John Huston's Freud, Jean Renoir's Rules of the Game and Ridley Scott's Blade Runner. Other essays deal with the relationship of film to the other arts, such as dance and architecture, and explore the interaction between film and anthropology. This is not a theoretical book but it is one that suggests many new approaches to thinking about film and many unexpected connections between film studies and the history of such strangely related activities as espionage, psychoanalysis, Stalinism, love of speed and digital technology. Full of fascinating new insights, Peter Wollen's new book is based on the premise that there are no fixed ways of writing about film but, rather, a plethora of paths leading in very different directions, each contributing to a new understanding of the twentieth century's major art-form.