Craving the spotlight is in her blood. Ever since high school student Anastasija Parker discovered she was vampire royalty, her life has been sort of crazy. The half-vampire- half-witch just wants some normalcy, and trying out for the spring musical seems like the perfect fix. But when the ancient talisman that stands between vampire freedom and slavery to witches is stolen, Ana has to skip rehersal and track down the dangerous artifact before someone uses it to make this year's curtain call her last...
Most of the time, there is nothing remarkable about a movie theater today; but that wasn't always the case. When the great American movie palaces began opening in the early 20th century, they were some of the most lavish, stunning buildings ever seen. However, they wouldn't last -- with the advent of in-home television, theater companies found it harder and harder to keep them open. Some were demolished, some were converted, and some remain empty to this day. After the Final Curtain: The Fall of the American Movie Theatre will take you through 24 of these magnificent buildings, revealing the beauty that remains years after the last ticket was sold.
Twilight meets The Princess Diaries in the new series from the author of Honeymoon of the Dead On her sixteenth birthday, Anastasija Parker learns that her so-called deadbeat dad is actually a vampire king. And he wants Ana to assume her rightful position at his side, in spite of the fact that she has witch's blood running through her veins-from her mother's side. Too bad witches and vampires are mortal enemies. And now Ana's parents are at each other's throats over her future. It's up to Ana to make a choice, but deciding your eternal destiny is a pretty big deal for a girl who just wants to get through high school.
In the early 20th century the streets of small towns and cities across America were filled with the lights and sounds of movie theaters. The most opulent -- known as "movie palaces" -- were designed to make their patrons feel like royalty; people would dress up to visit. But as time went on it became harder and harder to fill the 2,000+ seat theaters and many were forced to close. Today, these palaces are illuminated only by the flicker of dying lights. The sound of water dripping from holes in the ceiling echoes through the auditoriums. In After the Final Curtain (Volume 2) internationally-renowned photographer Matt Lambros continues his travels across the United States, documenting these once elegant buildings. From the supposedly haunted Pacific Warner Theatre in Los Angeles to the Orpheum Theatre in New Bedford, MA -- which opened the same day the Titanic sank -- Lambros pulls back the curtain to reveal what is left, giving these palaces a chance to shine again.
"How could any successful, famous person who is rolling in money and who is surrounded by adoring fans be depressed? Happiness comes from what happens to us, and if good things are happening, we should be happy. So why the depression? That is the question that they and we ask ourselves. Why?" The World Health Organization says that 350,000,000 people suffer from depression. God provides answers as to why and how to stop this horrid trend We have been created to be social creatures, and knowing this can help us reach out to those suffering If you are suffering from depression or know someone who is, this book can help you find hope *Bonus Book included in the back "From the Ledge" From his bird’s eye view, he peered into the foggy bay, as if his solution might be out there just beyond his sight. Why was he hesitating to take his life? All he had to do was lean forward from the railing and simply free fall into the treacherous depths below, yet he felt as compelled to stay as he did to jump. Will the bystander approaching him be able to address the man’s true needs and talk him down? Would you be able to offer a ray of hope and some comfort to someone without any? Let this fictional encounter provide a way to reach those who walk on that ledge, needing the hope of God.
Shows the comedy thriller to be a singularly postmodern form. This work examines various elements of the thriller - openings, settings, characters, plot lines, the role of the audience, and endings - and shows how they work to overturn the conventions of realism in detective drama.
The 1910s shaped the future of the American musical. While many shows of the decade were imports of European operettas, and even original Broadway musicals were influenced by continental productions, the musicals of the 1910s found their own American voice. In The Complete Book of 1910s Broadway Musicals, Dan Dietz covers all 312 musicals that opened on Broadway during this decade. Among the shows discussed are The Balkan Princess, The Kiss Waltz, Naughty Marietta, The Firefly, Very Good Eddie, Leave It to Jane, Watch Your Step, See America First, and La-La-Lucille. Dietz places each musical in its historical context, including the women’s suffrage movement and the decade’s defining historical event, World War I. Each entry features the following: Plot summary Cast members Creative team, including writers, lyricists, composers, directors, choreographers, and producers Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Numerous appendixes include a chronology, discography, filmography, Gilbert and Sullivan productions, Princess Theatre musicals, musicals with World War I themes, and published scripts, making this book a comprehensive and significant resource. The Complete Book of 1910s Broadway Musicals will captivate and inform scholars, historians, and casual fans about this influential decade in musical theatre history.
A witty and warm-hearted memoir of abandoning fast-paced American days in favor of discovering the Italian secrets of food, community, and life. Moving across the globe meant Michelle Damiani soon found herself untangling Italian customs, delighting in glorious regional cuisine (recipes included), and creating lasting friendships. From grandmothers eager to teach the ancient art of pasta making, to bakers tossing bread into fiery ovens with a song, to butchers extolling the benefits of pork fat, Il Bel Centro is rich with captivating characters and cultural insights. Throw in clinking glasses of Umbrian red with the local communists and a village all-nighter decorating the cobblestone streets with flower petals; as well as embarrassing language minefields and a serious summons to the mayor’s office, and you have all the ingredients for a spellbinding travel tale. Exquisitely observed, Il Bel Centro is an intimate celebration of small town Italy, as well as a thoughtful look at raising a family in a new culture and a fascinating story of finding a home. Ultimately though, this is a story about how travel can change you when you’re ready to let it. With laugh-out-loud situations and wanderlust-inspiring storytelling, Il Bel Centro is a joyous and life-affirming read that will have readers rushing to renew their passports. “This is one of the most beautiful book I’ve ever read.” “I absolutely couldn’t get enough of this book.” “This book made me want to pack my bags.” “I loved, loved this book. Fabulously written, engaging, and entertaining.” “A magical read.”
One of the most prolific crime writers of the last century, Evan Hunter published more than 120 novels from 1952 to 2005 under a variety of pseudonymns. He also wrote several teleplays and screenplays, including Alfred Hitchcock's The Birds, and the 1954 novel The Blackboard Jungle. When the Mystery Writers of America named Hunter a Grand Master, he gave the designation to his alter ego, Ed McBain, best known for his long-running police procedural series about the detectives of the 87th Precinct. This comprehensive companion provides detailed information about all of Evan Hunter's/Ed McBain's works, characters, and recurring themes. From police detective and crime stories to dramatic novels and films, this reference celebrates the vast body of literature of this versatile writer.
Comparative insights on astronomy, divination, and medicine from ancient texts The contributions in this volume revolve around a set of interconnected topics in the ancient sciences: medicine, astronomy, astrology, and divination. Several essays present unpublished textual sources or editions of new source material on divination (e.g., dream interpretation, personal astrology, and Sothis divination) and medicine (e.g., dermatology, gynecology, and apotropaic incantations). Other contributions provide new insights into known corpora or texts, such as the Assyro-Babylonian omens, the Hippocratic treatise Places in Man, Greco-Egyptian medical texts, and the vast astronomical corpus of Greco-Roman Egypt. The interdisciplinary milieu in which these essays were generated, under the aegis of the international Scientific Papyri from Ancient Egypt (SciPap) project, means that many of the studies embrace an explicitly and well-researched cross-cultural and comparative approach, revealing similarities in both certain conceptualizations of disease and healing, and astronomical literature and divinatory practice, across the Mediterranean and Near East. This book will be of interest primarily to specialists in the history of medicine, science, divination, and magic, as well as to papyrologists, Egyptologists, and Assyriologists.
