"On April 19, 1995, something terrible happened in Oklahoma City: a bomb exploded, and people were hurt and killed. But that was not the end of the story. Those who survived, and those who were forever changed, shared their stories and began to heal. Near the site of the bomb blast, an American elm tree began to heal as well. People took care of the tree just as they took care of each other. The tree and its seedlings now offer solace to people around the world grappling with tragedy and loss."--Provided by publisher.
Online sensation Grammar Girl makes grammar fun and easy in this New York Times bestseller Are you stumped by split infinitives? Terrified of using "who" when a "whom" is called for? Do you avoid the words "affect" and "effect" altogether? Grammar Girl is here to help! Mignon Fogarty, a.k.a. Grammar Girl, is determined to wipe out bad grammar—but she's also determined to make the process as painless as possible. A couple of years ago, she created a weekly podcast to tackle some of the most common mistakes people make while communicating. The podcasts have now been downloaded more than twenty million times, and Mignon has dispensed grammar tips on Oprah and appeared on the pages of The New York Times, The Wall Street Journal, and USA Today. Written with the wit, warmth, and accessibility that the podcasts are known for, Grammar Girl's Quick and Dirty Tips for Better Writing covers the grammar rules and word-choice guidelines that can confound even the best writers. From "between vs. among" and "although vs. while" to comma splices and misplaced modifiers, Mignon offers memory tricks and clear explanations that will help readers recall and apply those troublesome grammar rules. Chock-full of tips on style, business writing, and effective e-mailing, Grammar Girl's print debut deserves a spot on every communicator's desk.
The World Fantasy Award-winning thriller about a girl no one can remember, from the acclaimed author of The First Fifteen Lives of Harry August and 84K. My name is Hope Arden, and you won't know who I am. But we've met before -- a thousand times. It started when I was sixteen years old. A father forgetting to drive me to school. A mother setting the table for three, not four. A friend who looks at me and sees a stranger. No matter what I do, the words I say, the crimes I commit, you will never remember who I am. That makes my life difficult. It also makes me dangerous. The Sudden Appearance of Hope is a riveting and heartbreaking exploration of identity and existence, about a forgotten girl whose story will stay with you forever.
Painstakingly researched with copious citations from books, newspapers, and news magazines, this new edition has become the classic reference work praised by professional copy editors.
Collects definitions and synonyms of commonly used words, offering them in a format that presents both types of information for each word on the same page.
From the author of the million-copy bestselling The Art of Racing in the Raincomes the breathtaking and long-awaited new novel. This novel centres on four generations of a once terribly wealthy and influential timber family who have fallen from grace; a mysterious yet majestic mansion, crumbling slowy into the bluff overlooking Puget Sound in Seattle; a love affair so powerful it reaches across the planes of existence; and a young man who simply wants his parents to once again experience the moment they fell in love, hoping that if can feel that emotion again, maybe they won't get divorced after all.
Genius and breakthroughs appear to involve something magical. Andrew Robinson looks at what science does, and does not, know about exceptional creativity, and applied it to the stories of ten breakthroughs in the arts and sciences, including Curie's discovery of radium and Mozart's composing of The Marriage of Figaro.
"The accompanying audio disc features eleven original compositions by Rothenberg, none previously released on CD. Included are a duet with clarinet and white-crested laughing bird and a duet with clarinet and Samchillian TipTipTip Cheeepeeeee, and electronic computer instrument played by its inventor, Leon Gruenbaum. Also featured are multicultural works blending South Indian veena and Turkish G-clarinet with spoken text from the Upanishads; a piece commissioned by the Tanglewood Contemporary Music Festival with readings of texts by E.O. Wilson accompanied by clarinet and electronics; and improvisations based on Tibetan Buddhist music, Japanese shakuhachi music, and the image of a black crow on white snow."--BOOK JACKET.
Since the mid-nineties, contemporary art has been booming like never before. There is more of everything--more artists, more collectors, more galleries, more art fairs, more museums, more biennials, more interest, more industry, more pop, more hype. Some art professionals feel prompted by all this to reach for the revolvers of cultural pessimism: Mass Stupidity Is Killing Great Art! Others--often the same people a short while later--defect with all the greater abandon to the alleged enemy. The entrenched battle between defenders of art's autonomy and champions of its merging with entertainment culture continues. There is more of everything, with one exception: criteria. Criteria with which the art of the moment can be understood, judged, praised and, if need be, damned--without getting bogged down in this eternal trench warfare. In All of a Sudden: Things that Matter in Contemporary Art, Jörg Heiser provides a sharp summary of contemporary art since Marcel Duchamp. Using many artworks as example, the author shows that art is more than just a randomly chosen cultural field of activity in which to acquire a little specialist knowledge to show off with. "When it's good," he claims, "art hits where it hurts, striking at the heart of an ossified status quo by which it itself was brought forth. Perhaps this is something art since Modernism has in common with slapstick. Instead of just aiming to shock and outrage, it shows authority losing its grip. Instead of inflating itself, it deflates the pompous in the name of art." The Frankfurter Allgemeine Zeitung finds the book "astonishingly enlightening." The Frankfurter Rundschau praises Heiser for finally opening the eyes of his readers--something many of his colleagues have been unable to do. Jörg Heiser (*1968) lives in Berlin. He is co-editor of frieze magazine, writes for the national daily Süddeutsche Zeitung, and is a frequent contributor to art catalogues and publications. He curated the exhibitions "Romantic Conceptualism" (2007, Kunsthalle Nürnberg, BAWAG Foundation Vienna) and "Funky Lessons" (2004/2005, BüroFriedrich Berlin, BAWAG Foundation Vienna).
