All Art Is Political in the Sense That It Serves Someone's Politics

All Art Is Political in the Sense That It Serves Someone's Politics

Author: Lambda Designs

Publisher:

Published: 2020-08-18

Total Pages: 108

ISBN-13:

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This is a lined notebook (lined front and back). Simple and elegant. 108 pages, high quality cover and (6 x 9) inches in size. This Composition Notebook is perfect for note taking, journaling, writing poetry, daily planner, making to do lists, ideas, travel journal, organizer, diary, notepad, gratitude or your next book. Also, This would make a super cool souvenir idea for Family and Friends - mom, dad, husband, wife, best friend or neighbor. Great for special occasions like Christmas, Secret Santa, Mother's Day, or Father's Day... Sturdy cover and high quality paper is great for ink, marker, or gel pens or pencils of any type. Love this design but need a different quote? Just click on our brand "Lambda Designs" to find the rest of our selection! All art is political in the sense that it serves someone's politics.


The Different Faces of Politics in the Visual and Performative Arts

The Different Faces of Politics in the Visual and Performative Arts

Author: Mario Thomas Vassallo

Publisher: Taylor & Francis

Published: 2023-12-22

Total Pages: 240

ISBN-13: 1003817106

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This book highlights the linkages between politics and governance and the arts. The essays in the volume show how visual and performative arts have challenged those in power — or conversely patronised by them — been used for propaganda, stir up national fervour and found themselves at the receiving end of political censure. They focus on the tension and symbiosis between the politician and the artist foregrounding how they have always tried to influence, challenge, and, in some cases, undermine one another. This volume will serve as an indispensable source for researchers and academics in political science, the humanities and performing arts.


Back Roads and Better Angels

Back Roads and Better Angels

Author: Francis S. Barry

Publisher: Steerforth

Published: 2024-06-04

Total Pages: 561

ISBN-13: 1586423886

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“Enlightening and inspiring.” — Walter Isaacson “Barry probes the American soul, finding its biases, but also, nurtured by its complicated past, our better angels — with an opportunity to move forward.” — Ken Burns Bringing together two of America’s unifying loves — road trips and Abraham Lincoln — Frank Barry takes readers on a thought-provoking journey into the heart of our democracy and the soul of our country A year into his marriage and having never driven an RV, Frank and his wife Laurel set out from New York City in a Winnebago to drive the nation’s first transcontinental route, the Lincoln Highway, which zigzags through small towns and big cities from Times Square to San Francisco. Using the spirit of Abraham Lincoln to guide them across the land, they hope to see more clearly what holds the country together — and how we can keep it together, even amidst political divisions have grown increasingly rancorous, bitter, and exhausting. Along the way, Frank and Laurel meet Americans whose personal experiences help humanize the nation’s divisions, and they encounter historical figures and events whose legacies are still shaping our sense of national identity and the struggles over it. This unforgettable journey is full of what makes any great road trip memorable and enjoyable: music, conversation, and laughter. By the end, readers will have a clearer picture of how we have arrived at a period that carries echoes of the Civil War era, and — using Lincoln as a guide — where the path forward lies.


Imagining the Heartland

Imagining the Heartland

Author: Britt E. Halvorson

Publisher: Univ of California Press

Published: 2022-05-18

Total Pages: 233

ISBN-13: 0520387619

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Introduction -- The Midwest and white virtue -- Heartland histories -- Inside out : the global production of insular whiteness -- No place like home : the "ordinary" Midwest through popular fiction and fantasy -- Theater of whitness : mass media discourses on the Midwest region -- Conclusion -- Appendix A : bibliography of films referenced in chapter 4 -- Appendix B : bibliography of media articles referenced in chapter 5.


From Art to Politics

From Art to Politics

Author: Murray Edelman

Publisher: University of Chicago Press

Published: 1995

Total Pages: 163

ISBN-13: 0226184013

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Murray Edelman holds a unique and distinguished position in American political science. For decades one of the few serious scholars to question dominant rational-choice interpretations of politics, Edelman looked instead to the powerful influence of signs, spectacles, and symbols—of culture—on political behavior and political institutions. His first, now classic, book, The Symbolic Uses of Politics, created paths of inquiry in political science, communication studies, and sociology that are still being explored today. In this book, Edelman continues his quest to understand the influence of perception on the political process by turning to the role of art. He argues that political ideas, language, and actions cannot help but be based upon the images and narratives we take from literature, paintings, film, television, and other genres. Edelman believes art provides us with models, scenarios, narratives, and images we draw upon in order to make sense of political events, and he explores the different ways art can shape political perceptions and actions to both promote and inhibit diversity and democracy. "Elegantly written. . . . He brilliantly contends that art helps create the images from which opinion-molders and citizens construct the social realities of politics."—Choice "It is perhaps the freshness with which he puts his case that is what makes From Art to Politics, as well as his other works, so challenging and invigorating."—Philip Abbott, Review of Politics


On Art and Connoisseurship

On Art and Connoisseurship

Author: Max J. Friedlander

Publisher: Read Books Ltd

Published: 2011-11-29

Total Pages: 250

ISBN-13: 1447495381

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AMONG art historians of to-day there is hardly anyone who enjoys a position comparable to that of Dr. Max J. Friedländer. He is universally recognized as being probably the greatest living expert, notably, of course, on the early Netherlandish and German masters; and in normal times not a day passed on which pictures were not submitted to him for opinion from all parts of the world. But he is much more than the mere, if accomplished, expert, worried without respite by people eager for his verdict on their possessions: the list of his writings—all of them revealing the outlook of the born historian—makes a truly imposing series, culminating in his monumental History of Early Netherlandish Painting issued from 1924 onwards in fourteen substantial volumes. And for a long time the whole of this ceaseless activity had for its background Dr. Friedländer’s connection with the Berlin Picture Gallery and Print Room: their marvellous growth during the period in question owes in fact an enormous debt to the distinguished scholar, whose career as an official came to an end in 1933, when Dr. Friedländer relinquished the post as Head of the great Picture Gallery, to which he had been appointed as Wilhelm von Bode’s successor. It is, indeed, the very aroma of that institution in its best days which pervades the whole activity of one of the greatest of those who stand to it in the relation of at once alumnus and creator.


Contemporary American Drama

Contemporary American Drama

Author: Annette Saddik

Publisher: Edinburgh University Press

Published: 2007-09-13

Total Pages: 248

ISBN-13: 074863066X

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This book explores the development of contemporary theatre in the United States in its historical, political and theoretical dimensions. It focuses on representative plays and performance texts that experiment with form and content, discussing influential playwrights and performance artists such as Tennessee Williams, Adrienne Kennedy, Sam Shepard, Tony Kushner, Charles Ludlum, Anna Deavere Smith, Karen Finley and Will Power, alongside avant-garde theatre groups. Saddik traces the development of contemporary drama since 1945, and discusses the cross-cultural impact of postwar British and European innovations on American theatre from the 1950s to the present day in order to examine the performance of American identity. She argues that contemporary American theatre is primarily a postmodern drama of inclusion and diversity that destabilizes the notion of fixed identity and questions the nature of reality.


How I Learned What I Learned

How I Learned What I Learned

Author: August Wilson

Publisher: Samuel French, Incorporated

Published: 2018-05

Total Pages: 48

ISBN-13: 9780573705892

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From Pulitzer Prize-winning playwright August Wilson comes a one-man show that chronicles his life as a Black artist in the Hill District in Pittsburgh. From stories about his first jobs to his first loves and his experiences with racism, Wilson recounts his life from his roots to the completion of The American Century Cycle. How I Learned What I Learned gives an inside look into one of the most celebrated playwriting voices of the twentieth century.


The Image of Man in Selected Plays of August Wilson

The Image of Man in Selected Plays of August Wilson

Author: Shamal Abu-Baker Hussein

Publisher: AuthorHouse

Published: 2012-11-20

Total Pages: 182

ISBN-13: 9781477247037

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Wilson's approach can be seen as a communal romanticism, dealing with ordinary people, language, and problems, giving the priority to the feeling and human dignity over logic, power and money, putting freedom and equity as a pivotal concern, almost presenting women and children as victims, and highlighting the importance of heritage, identity, and culture. As his self-revision message, all those three plays demonstrate scenes of black self-review, showing the blacks' part of responsibility in the situation they live in. It is a project of self-rehabilitation for the blacks. Since American society is a multicultural spectrum, there is not any certain legibly ascribed American identity. That is why Wilson does not submit to the claims of the dominant cultural trend by some white critics like Brustein. Wilson confidently presents the blacks identity typified with self-fulfilment and contribution to the American culture, as his alternative contributory image of man against the white dominant models, or the violent black ones.


Aesthetics, Disinterestedness, and Effectiveness in Political Art

Aesthetics, Disinterestedness, and Effectiveness in Political Art

Author: Maria-Alina Asavei

Publisher: Rowman & Littlefield

Published: 2018-09-15

Total Pages: 195

ISBN-13: 1498566804

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Should politically concerned and engaged artistic production disregard questions or/and requirements of aesthetic reception and value? Whether art should be “aesthetic” or “political” is not a new question. Therefore, in spite of those several contemporary approaches of this issue, the answer is not set in stone and the debate is still going on. This volume aims to broaden these debates and it stems from numerous conversations with politically engaged artists and artist collectives on issues related to the “aesthetitzation of politics” versus the “politicization of art,” as well as the phenomenon of the so-called “unhealthy aestheticism” in political art. Thus, this study has three interrelated aims: Firstly, it aims to offer an interdisciplinary account of the relationship between art and politics and between aesthetics and the political. Secondly, it attempts to explore what exactly makes artistic production a strong – yet neglected – field of political critique when democratic political agency, history from below and identity politics are threatened. Finally, to illuminate the relationship between critical political theory, on the one hand, and the philosophy of art, on the other by highlighting artworks’ moral, political and epistemic abilities to reveal, criticize, problematize and intervene politically in our political reality.