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In the history of science the opening up of a new observational or experimental window is always followed by an increase in knowledge of the subject concerned. This is also the case with the subject of this book, ultraviolet radiation (hereafter UV). In principle, the ultraviolet range might be just one more of these windows, of no particular importance. However, the energy per UV photon provides the main peculiarity, its magnitude being great enough to produce important ch- ical reactions in the atmospheres of planets and satellites, thereby a?ecting the transmission of this radiation to the ground. The Sun is the main natural source of UV radiation in the Solar System and our planet is the body where its in?uences can be best tested and the only one where its relation with life can be studied. However, the terrestrial atmosphere blocksmostofthephotonsinthiselectromagneticrangeandastronomershavehad to develop various techniques (balloons, planes and rockets) to cross this barrier and access the information. These tools have been used in parallel to investigate the physical properties of the terrestrial atmosphere and the interaction of its constituents with light. This book will addresses most of these topics.
...fills another important need for art researchers. New Deal art is the product of the largest publicly funded arts program in American history and as such, holds a special attraction for collectors... --ANTIQUE WEEK ...a valuable reference resource. Highly recommended for all research collections serving American history and art.--LIBRARY JOURNAL
This publication documents the exhibition "Free as Air and Water" at The Cooper Union.Additionally the publication contains two transcriptions of symposia held at The Cooper Union.Allora & Calzadilla, Amy Balkin, Robert Bordo, The Bruce High Quality Foundation, Ross Cisneros, Amy Franceschini and Free Soil, Andrea Geyer, Hans Haacke, Paul Ramirez Jonas, Runo Lagomarsino, Andrea Polli, Marjetica Potrc, Simon Starling, Temporary Services, Oscar Tuazon, Lidwien Van de Ven, with additional contributions by Doug Ashford and Yates Mckee.The exhibition takes Peter Cooper's quote that "Education should be Free as Air and Water" as a starting point. The exhibition addresses the spirit of this statement by recognizing the difference between then (1859) and now (2009). Today, air, water, land, an all are all subordinated to the logic of privatization impacting the environment in challenging ways. As the past few decades have witnessed how global power has systematically distributed the world's resources in unfair ways, concerns such as human rights become increasingly tied to issues involving land, space, and environmental justice.Free as Air and Water poses these questions for our contemporary moment linking a broad set of issues such as public access to resources, political ecology, and governmentality within a group exhibition that features a diverse array of artistic operations and tactics. Featuring projects that are rigorous and poetic in its conceptual processes, the exhibition provides a needed density when one discusses the role of art in relation to ecology.
