Nineteenth-century writer Alexandre Dumas (1802-1870), author of The Three Musketeers and The Count of Monte Cristo, has been a controversial part of the French patrimony, and faced various forms of racial prejudice in France because of his biracial ancestry and due to being a descendant of a slave. During the late nineteenth century, the rise of scientific racism and aggressive European imperialism resulted in worldviews supporting European superiority and equated “European” with being “white.” Such developments complicated perceptions of Dumas as part of the French patrimony. French intellectuals and politicians from the late nineteenth-century onward created their own imaginative visions of what Dumas had represented in order to employ them ideologically to support or counter prevailing mainstream views of French history and identity. This collection traces the evolution of Dumas’s legacy as a controversial symbol of France since 1870, as the nation has struggled to deal with colonialism and its aftermath, and increased diversity and globalization.
Contemporary French writers have embarked on various quests for new sources of thematic and formal inspiration which are increasingly tied to issues of postcolonial legacies. However, French literature has never been consistently examined through the lens of race, ethnicity, and its relation to (post)coloniality. Fictions of Race in Contemporary French Literature is the first scholarly study to engage with the figure of the White writer and explore the White literary gaze in contemporary France. The book highlights the inherent postcoloniality of White Hexagonal literature in a context marked by institutionalized colour-blindness, and offers a reflection on responsible writing in and about postcolonial France. The book identifies a set of formal features, functions, and aesthetic dispositions which reveal the ways in which White writers grapple with postcolonial subjects. It focuses on seven case studies featuring texts by Marie Darrieussecq, Virginie Despentes, Annie Ernaux, Nicolas Fargues, Pierre Lemaitre, ?douard Louis, and Nicolas Mathieu. Achille and Pana?t? argue that it is imperative to recast the enduring boundedness of race and empire as a matter of equal concern to White and non-White writers.
Alexandre Dumas, author of The Three Musketeers, The Count of Monte Cristo, and The Man in the Iron Mask, is the most famous French writer of the nineteenth century. In 2002, his remains were transferred to the Panthéon, a mausoleum reserved for the greatest French citizens, amidst much national hype during his bicentennial. Contemporary France, struggling with the legacies of colonialism and growing diversity, has transformed Dumas, grandson of a slave from St. Domingue (now Haiti), into a symbol of the colonies and the larger francophone world in an attempt to integrate its immigrants and migrants from its former Caribbean, African, and Asian colonies to improve race relations and to promote French globality. Such a reconception of Dumas has made him a major figure in debates on French identity and colonial history. Ten tears after Dumas’s interment in the Panthéon, the time is ripe to re-evaluate Dumas within this context of being a representative of la Francophonie. The French re-evaluation of Dumas, therefore, invites a reassessment of his life, works, legacy, and previous scholarship. This interdisciplinary collection is the first major work to take up this task. It is unique for being the first scholarly work to bring Dumas into the center of debates about French identity and France’s relations with its former colonies. For the purposes of this collection, to analyze Dumas in a “francophone” context means to explore Dumas as a symbol of a “French” culture shaped by, and inclusive of, its (former) colonies and current overseas departments. The seven entries in this collection, which focus on providing new ways of interpreting The Three Musketeers, The Man in the Iron Mask, The Count of Monte Cristo, and Georges, are categorized into two broad groups. The first group focuses on Dumas’s relationship with the francophone colonial world during his lifetime, which was characterized by the slave trade, and provides a postcolonial re-examination of his work, which was impacted profoundly by his status as an individual of black colonial descent in metropolitan France. The second part of this collection, which is centered broadly around Dumas’s francophone legacy, examines the way he has been remembered in the larger French-speaking (postcolonial) world, which includes metropolitan France, in the past century to explore questions about French identity in an emerging global age.
Providing an up-to-date synthesis of the history of an extraordinary nation--one that has been shrouded in myths, many of its own making--France and Its Empire Since 1870 seeks both to understand these myths and to uncover the complicated and often contradictory realities that underpin them. It situates modern French history in transnational and global contexts and also integrates the themes of imperialism and immigration into the traditional narrative. Authors Alice L. Conklin, Sarah Fishman, and Robert Zaretsky begin with the premise that while France and the U.S. are sister republics, they also exhibit profound differences that are as compelling as their apparent similarities. The authors frame the book around the contested emergence of the French Republic--a form of government that finally appears to have a permanent status in France--but whose birth pangs were much more protracted than those of the American Republic. Presenting a lively and coherent narrative of the major developments in France's tumultuous history since 1870, the authors organize the chapters around the country's many turning points and confrontations. They also offer detailed analyses of politics, society, and culture, considering the diverse viewpoints of men and women from every background including the working class and the bourgeoisie, immigrants, Catholics, Jews and Muslims, Bretons and Algerians, rebellious youth, and gays and lesbians.
During his lifetime, Alexandre Dumas (1802-1870)--grandson of a Caribbean slave and author of The Three Musketeers and The Count of Monte Cristo--faced racial prejudice in his homeland of France and constantly strove to find a sense of belonging. For him, "Monte Cristo" was a symbol of this elusive quest. It proved equally elusive for those struggling to overcome slavery and its legacy in the former French colonies. Exiled to the margins of society, 19th and 20th century black intellectuals from the Caribbean and Africa drew on Dumas' work and celebrity to renegotiate their full acceptance as French citizens. Their efforts were influenced by earlier struggles of African Americans in the decades after the Civil War, who celebrated Dumas as a black American hero.
This carefully crafted ebook: "THE BLACK TULIP (Historical Adventure Novel)” is formatted for your eReader with a functional and detailed table of contents. The story begins with the 1672 lynching of the Dutch Grand Pensionary Johan de Witt and his brother Cornelis by a wild mob of their own countrymen, considered by many as one of the most painful episodes in Dutch history, described by Dumas with a dramatic intensity. The city of Haarlem, Netherlands, has set a prize of ƒ100, 000 to the person who can grow a black tulip, sparking competition between the country's best gardeners to win the money, honor and fame. Only the city's oldest citizens remember the Tulip Mania thirty years prior, and the citizens throw themselves into the competition. The young and bourgeois Cornelius van Baerle has almost succeeded but is suddenly thrown into the Loevestein prison… Alexandre Dumas, père (1802-1870) was a French writer whose works have been translated into nearly 100 languages and he is one of the most widely read French authors. His most famous works are The Count of Monte Cristo and The Three Musketeers.
First published in 2005. A cookery book by the author of The Three Muskateers and The Count of Monte Cristo may seen an improbability. Yet Alexandre Dumas was an expert cook- his love of food was said to be equalled only by his love of women - and his Great Dictionary of Cuisine, written to be read by worldly people and used by professionals and published posthumously in 1873, it is a masterpiece in its own right. This abridged version of the Dictionary is designed to be both useful and entertaining. A glance at the Index will show that there are hundreds of recipes - for sauces, soups, meat, fish, eggs, poultry and game - not all kitchen-tested with modern ingredients, but well within the scope of an experienced and imaginative cook.
The French Revolution, politics and the modern nation -- French and the civilizing mission -- Paris and magnetic appeal -- France stirs up the melting pot -- France hurtles into the future.
It is impossible to understand America without understanding the history of African Americans. In nearly seven hundred entries, the Encyclopedia of African American History, 1619-1895 documents the full range of the African American experience during that period - from the arrival of the first slave ship to the death of Frederick Douglass - and shows how all aspects of American culture, history, and national identity have been profoundly influenced by the experience of African Americans.The Encyclopedia covers an extraordinary range of subjects. Major topics such as "Abolitionism," "Black Nationalism," the "Civil War," the "Dred Scott case," "Reconstruction," "Slave Rebellions and Insurrections," the "Underground Railroad," and "Voting Rights" are given the in-depth treatment one would expect. But the encyclopedia also contains hundreds of fascinating entries on less obvious subjects, such as the "African Grove Theatre," "Black Seafarers," "Buffalo Soldiers," the "Catholic Church and African Americans," "Cemeteries and Burials," "Gender," "Midwifery," "New York African Free Schools," "Oratory and Verbal Arts," "Religion and Slavery," the "Secret Six," and much more. In addition, the Encyclopedia offers brief biographies of important African Americans - as well as white Americans who have played a significant role in African American history - from Crispus Attucks, John Brown, and Henry Ward Beecher to Olaudah Equiano, Frederick Douglass, Sarah Grimke, Sojourner Truth, Nat Turner, Phillis Wheatley, and many others.All of the Encyclopedia's alphabetically arranged entries are accessibly written and free of jargon and technical terms. To facilitate ease of use, many composite entries gather similar topics under one headword. The entry for Slave Narratives, for example, includes three subentries: The Slave Narrative in America from the Colonial Period to the Civil War, Interpreting Slave Narratives, and African and British Slave Narratives. A headnote detailing the various subentries introduces each composite entry. Selective bibliographies and cross-references appear at the end of each article to direct readers to related articles within the Encyclopedia and to primary sources and scholarly works beyond it. A topical outline, chronology of major events, nearly 300 black and white illustrations, and comprehensive index further enhance the work's usefulness.
This premium quality large print edition contains the complete and unabridged classic version of The Three Musketeers, printed on heavyweight, bright white paper in a large 7.44"x9.69" format, with a fully laminated full-color cover featuring an original design. One of the most widely-read and best-known historical adventure novels of all time, The Three Musketeers has delighted readers for generations since it first appeared in 1844. Filled with action and adventure, the novel depicts actual historical events more closely than most would imagine. Dumas' wit and sense of humor is woven throughout, creating a highly entertaining and thoroughly enjoyable tale which has become a truly timeless classic with readers around the world. The year is 1625 and France is ruled by King Louis XIII, weak, indecisive, and heavily influenced by his Minister, Cardinal Richelieu. Young D'Artagnan, brash and provincial, arrives in Paris hoping to become a member of the King's Musketeers, and almost immediately offends three members of that elite corps, Porthos, Aramis, and Athos. Arranging separate but virtually simultaneous duels with each, the four meet but instead of dueling among themselves they band together when attacked by the Cardinal's guards. The four become fast friends, and, when asked by D'Artagnan's landlord to find his missing wife, embark upon a series of adventures that embroils them in the intrigues of the Royal Court and the machinations of Cardinal Richelieu and his most dangerous agent, a beautiful young spy known simply as "Milady," who will stop at nothing to disgrace the Queen, advance the agenda of her master, and take her revenge upon the four friends who have interfered with her schemes. Alexandre Dumas (born Dumas Davy de la Pailleterie, 1802-1870), was a French playwright, novelist, essayist and magazine and travelogue writer. One of the most widely read French authors, his works have been translated into nearly 100 languages. Best known today for his historical adventure novels, including The Count of Monte Cristo and The Three Musketeers, his works, comprising some 100,000 pages, have been the basis for nearly 200 films. Dumas' father, a General born in Saint-Domingue (present-day Haiti) to a French nobleman and an African slave, used his aristocratic rank to help Alexandre secure a position with Louis-Philippe, Duke of Orl�ans. With the accession of Louis-Napol�on in 1851, Dumas fell out of favor, moving to Belgium for several years before relocating to Russia and then Italy before returning to Paris in 1864. The married Dumas carried on numerous affairs, perhaps with as many as forty different women, fathering at least four and possibly as many as seven illegitimate children, including a boy named after him. This son, a successful novelist and playwright, became known as Alexandre Dumas, fils (son), while the father became known as Alexandre Dumas, p�re (father). His last novel, The Knight of Sainte-Hermine, unfinished at his death, was completed by another writer and published in 2005, becoming a bestseller. In 2008 a translation was published in English as The Last Cavalier.
