Alexander Kosolapov
Alexander Kosolapov

Author: Carter Ratcliff

Publisher:

Published: 2018-06

Total Pages: 144

ISBN-13: 9783735604729

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Alexander Kosolapov (b. 1943) is one of the most remarkable 'go-betweeners' of contemporary art, constantly shifting between countries, ideologies, cultures, and aesthetic languages.His paintings and sculptures show us corporate logos, cartoon characters, portraits of Soviet leaders, self-portraits and figures borrowed from antiquity.Although his oeuvre displays an extraordinarily variety, there is still one theme present in each of Kosolapov's works: ideology.His works aren't images or objects, they are much more invisible concepts, that reveal ideological strategies with the help of advertising and religion.This new publication presents impressive works of the artist shown in the first retrospective in Russia at the Moscow Museum of Modern Art.Published on the occasion of the exhibition, Alexander Kosolapov: Lenin and Coca-Cola at Moscow Museum of Modern Art (MMOMA), 28 November 2017 - 11 February 2018.

History Becomes Form
History Becomes Form

Author: Boris Groys

Publisher: MIT Press

Published: 2013-09-13

Total Pages: 205

ISBN-13: 0262525089

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An insider's account of the art and artists of the most interesting Russian artistic phenomenon since the Russian Avant-Garde. In the 1970s and 1980s, a group of “unofficial” artists in Moscow—artists not recognized by the state, not covered by state-controlled media, and cut off from wider audiences—created artworks that gave artistic form to a certain historical moment: the experience of Soviet socialism. The Moscow conceptualists not only reflected and analyzed by artistic means a spectacle of Soviet life but also preserved its memory for a future that turned out to be different from the officially predicted one. They captured both the shabby austerity of everyday Soviet life and the utopian energy of Soviet culture. In History Becomes Form, Boris Groys offers a contemporary's account of what he calls the most interesting Russian artistic phenomenon since the Russian avant-garde. The book collects Groys's essays on Moscow conceptualism, most of them written after his emigration to the West in 1981. The individual artists of the group—including Ilya Kabakov, Lev Rubinstein, and Ivan Chuikov—became known in the West after perestroika, but until now the artistic movement as a whole has received little attention. Groys's account sheds light not only on the Moscow Conceptualists and their work but also on the dilemmas of Soviet artists during the cold war.

Profane
Profane

Author: Christopher S. Grenda

Publisher: Univ of California Press

Published: 2014-08-15

Total Pages: 364

ISBN-13: 0520277228

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Humans have been uttering profane words and incurring the consequences for millennia. But contemporary eventsÑfrom the violence in 2006 that followed Danish newspaper cartoons depicting the Prophet Mohammed to the 2012 furor over the Innocence of Muslims videoÑindicate that controversy concerning blasphemy has reemerged in explosive transnational form. In an age when electronic media transmit offense as rapidly as profane images and texts can be produced, blasphemy is bracingly relevant again. In this volume, a distinguished cast of international scholars examines the profound difficulties blasphemy raises for modern societies. Contributors examine how the sacred is formed and maintained, how sacrilegious expression is conceived and regulated, and how the resulting conflicts resist easy adjudication. Their studies range across art, history, politics, law, literature, and theology. Because of the global nature of the problem, the volumeÕs approach is comparative, examining blasphemy across cultural and geopolitical boundaries.

Rethinking Malevich
Rethinking Malevich

Author: Charlotte Douglas

Publisher: Pindar Press

Published: 2006-12-31

Total Pages: 413

ISBN-13: 1915837197

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The Russian artist Kazimir Malevich was one of the great figures of twentieth-century art, and a pioneer of abstraction, whose painting The Black Square of 1915 has become an icon of modernism. Yet he is a creative figure about whom much still remains to be elucidated. Soviet scholarship ignored him for decades, and Western scholars were inevitably only able to work with the limited visual and documentary material that was available to them. It was only after the fall of Communism in 1991 that access to such material became easier. This book represents the fruits of the research that has been conducted since then by a range of Russian and Western scholars who have been able to shed vital new light on the artist's life, his training, his art, his career, his relationships with other artists and movements, and his theories.

Revolution Today
Revolution Today

Author: Susan Buck-Morss

Publisher: Haymarket Books

Published: 2019-05-19

Total Pages: 149

ISBN-13: 1642591718

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Susan Buck-Morss asks: What does revolution look like today? How will the idea of revolution survive the inadequacy of the formula, “progress = modernization through industrialization,” to which it has owed its political life? Socialism plus computer technology, citizen resistance plus a global agenda of concerns, revolutionary commitment to practices that are socially experimental and inclusive of difference—these are new forces being mobilized to make another future possible. Revolution Today celebrates the new political subjects that are organizing thousands of grass roots movements to fight racial and gender violence, state-led terrorism, and capitalist exploitation of people and the planet worldwide. The twenty-first century has already witnessed unprecedented popular mobilizations. Unencumbered by old dogmas, mobilizations of opposition are not only happening, they are gaining support and developing a global consciousness in the process. They are themselves a chain of signifiers, creating solidarity across language, religion, ethnicity, gender, and every other difference. Trans-local solidarities exist. They came first. The right-wing authoritarianism and anti-immigrant upsurge that has followed is a reaction against the amazing visual power of millions of citizens occupying public space in defiance of state power. We cannot know how to act politically without seeing others act. This book provides photographic evidence of that fact, while making us aware of how much of the new revolutionary vernacular we already share. Susan Buck-Morss is distinguished professor of political philosophy at the CUNY Graduate Center, NYC. Her work crosses disciplines, including art history, architecture, comparative literature, cultural studies, German studies, philosophy, history, and visual culture.

After the Apocalypse
After the Apocalypse

Author: Srećko Horvat

Publisher: John Wiley & Sons

Published: 2021-02-11

Total Pages: 107

ISBN-13: 1509540091

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In this post-apocalyptic rollercoaster ride, philosopher Srećko Horvat invites us to explore the Apocalypse in terms of ‘revelation’ (rather than as the ‘end’ itself). He argues that the only way to prevent the end – i.e., extinction – is to engage in a close reading of various interconnected threats, such as climate crisis, the nuclear age and the ongoing pandemic. Drawing on the work of neglected philosopher Günther Anders, this book outlines a philosophical approach to deal with what Horvat, borrowing a term from climate science and giving it a theological twist, calls ‘eschatological tipping points’. These are no longer just the nuclear age or climate crisis, but their collision, conjoined with various other major threats – not only pandemics, but also the viruses of capitalism and fascism. In his investigation of the future of places such as Chernobyl, the Mediterranean and the Marshall Islands, as well as many others affected by COVID-19, Horvat contends that the ‘revelation’ appears simple and unprecedented: the alternatives are no longer socialism or barbarism – our only alternatives today are a radical reinvention of the world, or mass extinction. After the Apocalypse is an urgent call not only to mourn tomorrow’s dead today but to struggle for our future while we can.

Pop Art
Pop Art

Author: Susie Brooks

Publisher: Compass Point Books

Published: 2019-08

Total Pages: 49

ISBN-13: 0756562384

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"Pop Art burst onto the scene in the mid-20th century, filling the gray post-World War II years with life, color, and fun! Pop artists from Andy Warhol to David Hockney strived to make art accessible for everyone, celebrating the popular symbols fo the modern age--from cars to hamburgers--in their work. In the process they changes the face of art forever."--

Heritage and Debt
Heritage and Debt

Author: David Joselit

Publisher: MIT Press

Published: 2020-03-10

Total Pages: 344

ISBN-13: 0262043696

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How global contemporary art reanimates the past as a resource for the present, combating modern art's legacy of Eurocentrism. If European modernism was premised on the new—on surpassing the past, often by assigning it to the “traditional” societies of the Global South—global contemporary art reanimates the past as a resource for the present. In this account of what globalization means for contemporary art, David Joselit argues that the creative use of tradition by artists from around the world serves as a means of combatting modern art's legacy of Eurocentrism. Modernism claimed to live in the future and relegated the rest of the world to the past. Global contemporary art shatters this myth by reactivating various forms of heritage—from literati ink painting in China to Aboriginal painting in Australia—in order to propose new and different futures. Joselit analyzes not only how heritage becomes contemporary through the practice of individual artists but also how a cultural infrastructure of museums, biennials, and art fairs worldwide has emerged as a means of generating economic value, attracting capital and tourist dollars. Joselit traces three distinct forms of modernism that developed outside the West, in opposition to Euro-American modernism: postcolonial, socialist realism, and the underground. He argues that these modern genealogies are synchronized with one another and with Western modernism to produce global contemporary art. Joselit discusses curation and what he terms “the curatorial episteme,” which, through its acts of framing or curating, can become a means of recalibrating hierarchies of knowledge—and can contribute to the dual projects of decolonization and deimperialization.

Caviar with Rum
Caviar with Rum

Author: J. Loss

Publisher: Springer

Published: 2012-09-05

Total Pages: 260

ISBN-13: 1137027983

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Consisting of sixteen essays by renowned writers and artists, Caviar with Rum: Cuba-USSR and the Post-Soviet Experience is the first book of its kind to bring to life how and why the Soviet period is revisited in Cuban memory these days and what that means for creative production and the future of geopolitics.

Caviar with Rum
Caviar with Rum

Author: Jacqueline Loss

Publisher: Springer

Published: 2012-09-06

Total Pages: 280

ISBN-13: 1137031344

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No country in Latin America has escaped the symbolic influence of the United States to the extent that Revolutionary Cuba has. This resistance meant that for approximately three decades the Soviet Union had an invitation to intervene in practically all Cuban spheres. With sixteen essays by renowned writers and artists, Caviar with Rum: Cuba-USSR and the Post-Soviet Experience is the first book of its kind to bring to life how and why the Soviet period is revisited these days and what this means for creative production and the future of geopolitics.