You already know his name, now meet the man who inspired the song that took the world by storm: “Alejandro” “Hot Like Mexico” “Don't wanna touch, don't wanna kiss” “Just gonna kill that fagg*t and hush” Alejandro If you are a Truth-Seeker, look no further >>>>This book is a Nonfiction True Crime Autobiographical Memoir about the 2009 Homicide of film producer Michael Goss. --->Alejandro writes it like he says. ------>He doesn't spoon feed you bite size pieces of information. --------->He submerses you with hard reality. ----------->This book is not for a general audience. ------------->If you are easily offended, you won't be for long. --------------->the truth in this book affects every American Citizen. It is not meant to be pleasant. No one is safe so what would you do, if you came home tomorrow evening and found yourself locked out by strangers? Would you call the police? Perhaps you might call your significant other. What if you find out, they are dead? Lady Gaga song "Alejandro" was inspired by this real life "SexMonster." The most unbelievable aspect of this nonfiction book is the fact it's a 100% true story, about real people still alive today; Alejandro has NOT changed any of the names and every individual referenced in this publication has made the decision not to take legal action which means they fully consent to everything Alejandro claims. This book might be the most controversial piece of literature to date. In addition to Alejandro's investigative research, he had made God tangible in the process. ******* Do you think you can handle it? ********
You already know his name; now meet the man who inspired the song that took the world by storm:"Alejandro""Hot Like Mexico""Don't wanna touch, don't wanna kiss""Just gonna kill that faggot and hush"AlejandroIf you are a Truth-Seeker, look no further.””This book is a True Crime Nonfiction Autobiographical Memoir about the 2009 Homicide of film producer Michael Goss.--->Alejandro writes it like he says.------>He doesn't spoon feed you bite size pieces of information.--------->He submerses you with hard reality.----------->This book is not for a general audience.------------->If you are easily offended, you won't be for long.--------------->the truth in this book affects every American Citizen. It is not meant to be pleasant.If you make the choice not to read this book, you might find yourself, repeating history on the one side of your security gate you never thought you would be on. No one is safe.
Alejandro has written an autobiographical memoir which he feels has the potential to greatly benefit society. Unfortunately his message does not agree with the current "agenda" and he has been blacklisted by the United States media. On the morning of December 14, 2012, the nation found out the reason why Alejandro was such a threat because the effect from this corruption resulted in the tragic events at Sandy Hook Elementary and thus, every American Citizen is indirectly affected by the information contained in this publication. The reality is that if the Vatican would have acknowledged Alejandro's warning, those events could have been prevented. It was in February 2009 when Alejandro returned home from a short hiatus and discovered he had been locked out by strangers. His partner, well-known porn director Michael Goss, was dead and Alejandro knew something was horribly wrong. He went to the Los Angeles Sheriffs for help, but instead, they publicly humiliated him. When the Santa Monica based attorney, Jan Morrison, filed for probate on behalf of her client, Thomas Proechel, Alejandro submitted a formal allegation against him for the murder of Michael Goss, which the authorities completely ignored. Eight months later, music artist Lady Gaga released the song "Alejandro." She has stated her inspiration was from a "Sex Monster" and the reason is because Michael Goss's media company Goss Productions, produced male fetish pornography. Lady Gaga allegedly knows the individual responsible for killing Michael Goss; that individual is a member of the Royal Arch degree of Freemasonry. His Masonic brother, Steve Cooley, happens to be the District Attorney for Los Angeles and when Alejandro confronted Mr. Cooley alleging R. William Rheinschild for the murder of Michael Goss, the response from the DA's office informed him that Michael Goss's estate, which was valued at approximately $10 Million, "did not meet the preliminary requirement of the Major Fraud division to consider investigating"; the requirement was a total property loss of at least $300,000.00. As an insult, Mr. Cooley's office redirected Alejandro back to the local authorities. The truth is, local and federal authorities have refused to help Alejandro. His career has been ruined by defamation. In December 2010 he filed a declaration which presented the evidence that proved Michael Goss was murdered. A month later an attempt to murder him failed and the LAPD censored his police report and in March 2012, Alejandro's image appeared without his consent in an advertisement for BluMedia Group which was posted on an adult pay-per-view networking website. His image was manipulated to appear as if he was being raped and was entitled "The Predator and the Prey." After confronting a representative for Katz Media Group in New York City, the Vice President of Public Relations suggested he write a book. The intention was to stall time so Alejandro's statute of limitations would run out but to everyone's surprise, Alejandro finished his book within a week and submitted it to the Library of Congress in August 2012 and in fact, Alejandro has dedicated his book to the VP of PR for Katz Media. Since person responsible for killing Michael Goss has corrupted local government in his favor and because Alejandro has exhausted every avenue for recourse, he had no other choice but to elevate his case to God's divine jurisdiction. The reason why this book is significant is because Alejandro exposes the root of social injustice and in the last chapter he makes some very specific statements that came to fruition in October 2012 when hurricane Sandy hit the northeastern United States. Do not pass this book up because Alejandro's message just might be our salvation against the Beast called Freemasonry.
Decadence and Literature explains how the concept of decadence developed since Roman times into a major cultural trope with broad explanatory power. No longer just a term of opprobrium for mannered art or immoral behaviour, decadence today describes complex cultural and social responses to modernity in all its forms. From the Roman emperor's indulgence in luxurious excess as both personal vice and political control, to the Enlightenment libertine's rational pursuit of hedonism, to the nineteenth-century dandy's simultaneous delight and distaste with modern urban life, decadence has emerged as a way of taking cultural stock of major social changes. These changes include the role of women in forms of artistic expression and social participation formerly reserved for men, as well as the increasing acceptance of LGBTQ+ relationships, a development with a direct relationship to decadence. Today, decadence seems more important than ever to an informed understanding of contemporary anxieties and uncertainties.
The Routledge Companion to Remix Studies comprises contemporary texts by key authors and artists who are active in the emerging field of remix studies. As an organic international movement, remix culture originated in the popular music culture of the 1970s, and has since grown into a rich cultural activity encompassing numerous forms of media. The act of recombining pre-existing material brings up pressing questions of authenticity, reception, authorship, copyright, and the techno-politics of media activism. This book approaches remix studies from various angles, including sections on history, aesthetics, ethics, politics, and practice, and presents theoretical chapters alongside case studies of remix projects. The Routledge Companion to Remix Studies is a valuable resource for both researchers and remix practitioners, as well as a teaching tool for instructors using remix practices in the classroom.
"Humanities through the Arts" is intended for introductory-level, interdisciplinary courses offered across the curriculum in the Humanities, Philosophy, Art, English, Music, and Education departments. Arranged topically by art form from painting, sculpture, photography, and architecture to literature, music, theater, film, and dance. This beautifully illustrated text helps students learn how to actively engage a work of art. The new sixth edition retains the popular focus on the arts as an expression of cultural and personal values..
When David Horovitz emigrated from England to Israel in 1983, it was the fulfillment of a dream. But today, a husband and a father, he is torn between hope and despair, between the desire to make a difference and fear for his family's safety, between staying and going. In this candid and powerful book, Horovitz confronts the heart-wrenching question of whether to continue raising his three children amid the uncertainty and danger that is Israeli daily life. In answering that question he provides us with an often surprising, myth-shattering, and shockingly immediate view of a country perpetually at a crossroads, yet fundamentally different than it was a generation ago. The Israel that Horovitz describes is at once supremely satisfying and unremittingly harsh. It is a land of beauty and spirit, where the Jewish nation has undergone remarkable renewal and a vibrant society is constantly being reshaped. But Horovitz also describes how the unrelenting tension has produced a people that smokes too much, drives too fast, and spends far too much of its time arguing with itself. He makes clear the lasting effects of Yitzhak Rabin's assassination; the increasing incursions by the ultra-Orthodox into the domain of daily life; the anxieties that beset parents as their children approach the age of mandatory military service; and the constant fear of violent attack by fundamentalist extremists. (The book in fact opens, hauntingly, with a description of the aftermath of a bombing just outside a Jerusalem restaurant -- the very place where Horovitz had eaten lunch the day before.) As Americans wrestle with their feelings toward Israel, and as Israel struggles with the question of whether a Jewish state and the principles of democracy are truly compatible, Horovitz illuminates the myriad quotidian experiences -- both good and bad -- that define the country at this volatile time. Here is the moving, mordantly funny, and uncompromising account of one Israeli's life.
