The album Amicorum -- A Case Study: Michael van Meer's Album -- Landmarks of London -- Picturing the Lord Mayor of London -- Royal Images: Arms, and Autographs -- Who Owned the King's Album? -- Players: Indoors, Outdoors, and On the Road -- The Blind Water-carrier -- Other Curiosities -- Francis Segar and the International Network of Englishmen -- Appendices: A Selection of Additional Album Signatures -- Libraries Consulted -- Albums Cited.
For 250 years after its introduction to Europe around 1600, the method of decorating paper known as marbling reigned supreme as the chief means of embellishing the fine work of hand-bookbinders. Richard J. Wolfe reconstructs the rise and fall of the craft and offers the most comprehensive account available of its history, techniques, and patterns. A publication of the A.S.W. Rosenbach Fellowship in Bibliography Series
The study of medieval clothing and textiles reveals much about the history of our material culture, as well as social, economic and cultural history as a whole. This book makes use of archaeological finds and text references in order to examine this history, providing on overview of historic fashions.
Manuscript albums are oftentimes contradictory objects: ephemeral yet monumental, coherent yet inviting change. Collecting items made by others, owners form their albums as representations of their selves, their worlds, and their traditions. The volume's contributors - who come from musicology, European history, English literary studies, and Islamic art history - explore a set of these challenging manuscripts while addressing questions of manuscript studies through their respective disciplinary lenses. The albums under investigation range from Early Modern Stammbücher, or alba amicorum, to albums assembled jointly by nineteenth-century cultural elites, and from muraqqaʿs of the Persianate world to English and North American friendship albums, including some kept by women. This book is the first contribution to the comparative study of manuscript albums, focusing on their materiality and analysing the practices of all those involved in making and using them. Moreover, the collection introduces this hard-to-grasp type of written artefact to the field of cross-disciplinary manuscript studies and suggests albums as a touchstone for manuscriptological theories and terminologies.
This volume brings together some of the most exciting new scholarship on these themes, and thus pays tribute to the ground-breaking work of Charles Zika. Seventeen interdisciplinary essays offer new insights into the materiality and belief systems of early modern religious cultures as found in artworks, books, fragmentary texts and even in Protestant ‘relics’. Some contributions reassess communal and individual responses to cases of possession, others focus on witchcraft and manifestations of the disordered natural world. Canonical figures and events, from Martin Luther to the Salem witch trials, are looked at afresh. Collectively, these essays demonstrate how cultural and interdisciplinary trends in religious history illuminate the experiences of early modern Europeans. Contributors: Susan Broomhall, Heather Dalton, Dagmar Eichberger, Peter Howard, E. J. Kent, Brian P. Levack, Dolly MacKinnon, Louise Marshall, Donna Merwick, Leigh T.I. Penman, Shelley Perlove, Lyndal Roper, Peter Sherlock, Larry Silver, Patricia Simons, Jennifer Spinks, Hans de Waardt and Alexandra Walsham.
Awarded with the 15th ILAB Breslauer Prize for Bibliography 2010. This classic can be ranked among the well-known international standard works on the subject of bookbinding. The author, Dr. Jan Storm van Leeuwen, gives in this work an elaborate general historical introduction to his subject. It also contains a general introduction to each province, as they were known in the eigteenth century, and an extensive overall picture of the towns where luxury bindings were manufactured, describing the bookbinder's workshops and binderies of each town. The historical introduction is completed with a catalogue of the approximately 2000 relevant bindings in the collections of the Koninklijke Bibliotheek (National Library of the Netherlands) and its sister institution the Museum Meermanno-Westreenianum. About 1500 other bindings that the author studied over time in other collections are also described. But the most important feature of this work is that all (nearly 10.000) stamps on these bindings are represented by a picture. Never before so many bindings (3500) have been recorded, described and discussed in such detail and with the benefit of an established model and terminology. The print edition is available as a set of four volumes (9789061943693).
This bibliography provides descriptions of 432 manuscripts from Europe and the United States, of which 341 contain visual imagery in various media. The manuscripts feature tripartite emblems proper, as well as festivity books, hieroglyphic texts, proto-emblematic material, allegories, triumphs, symbolic source books, schemata, devotional handbooks, and libri amicorum with emblematic imagery.
