Featuring new techniques and a collection of sewing projects. This is a craft and lifestyle book all in one. Detailed instructions for the hand-sewing, quilting, embroidery, beading and stencilling techniques required to create the featured projects. Over 20 extraordinary couture fashion and home projects.
This sewing guide reveals a breakthrough method to simplify learning stitches of all kinds, with more than 100 stitches from the simple to the fanciful. As makers, we tend to learn different stitches over time without thinking much about how they relate to one another. But when Natalie Chanin and her teams at Alabama Chanin and The School of Making began to look at needlework closely, they realized all stitches are based on geometric grid systems. They also discovered that learning new stitches—even elaborate ones—became simple and easy when using grids as guides. In The Geometry of Hand-Sewing Chanin presents their breakthrough method, featuring illustrated instructions (for both right- and left-handed stitchers) for more than 100 stitches—from the basic straight and chain to complex feather and herringbone. Photos of both right and wrong sides are included, as well as guidelines for modifying stitches to increase one’s repertoire further. The book also offers downloads for two stitching cards with the grids on which every stitch in the book is based. These printable cards can be used as stencils for transferring grids to fabric.
A compendium for Alabama Chanin crafters collects all of the patterns from her first three books on an accompanying CD and offers illustrated instructions and patterns for 12 new skirts, dresses, tops and jackets. 20,000 first printing.
Includes 20 projects to make, designer and author demonstrates how she learned to sew and how she has learned that what she makes is important to the community where she grew up.
Designer Natalie Chanin blends embroidery and hand-sewing techniques with her own personal story in this empowering guide for all who love stitching and handcraft Embroidery: Threads and Stories from Alabama Chanin and The School of Making mixes lessons in sewing, design, and embroidery with Natalie Chanin's engaging, personal story of the evolution of Alabama Chanin and the indelible mark the techniques she pioneered and the company she founded have made on the sewing and fashion industry. Chapters explore design-related themes—craft, technique, relationship, repeat, and color—through images, instruction, and stories from Chanin about her life, Alabama Chanin, and the evolving view of craft and hand-sewing in the modern world. The book also explores how sewing and embroidery relate to wider concerns of sustainability, community, and women’s empowerment. As makers, we tend to learn different stitches over time without thinking much about how they relate to one another. Embroidery challenges us to go deeper by examining the history of a beloved company and cherished pastime.
A “soul-stirring debut,” Boys of Alabama tells the “bewitching” (Michelle Hart, O, The Oprah Magazine) tale of sixteen-year-old Max’s first year in America. “Daring, unusual . . . and startlingly fresh” (Don Noble, Alabama Public Radio), Boys of Alabama announced Genevieve Hudson’s place in the canon of the southern gothic alongside Donna Tartt and Harper Lee. Newly arrived in Alabama, Max falls in love, questions his faith, and navigates a strange power. Although his German parents don’t know what to make of a South pining for the past, shy Max thrives after being taken in by the football team. But when he meets fishnet-wearing Pan in physics class, they embark on a quixotic, consuming relationship. Writing in “prose that is always imaginative and sensual” (Sarah Neilson, Believer), Hudson offers a complex portrait of masculinity, religion, immigration, and the adolescent pressures that require total conformity.
On a warm summer’s night in Athens, Georgia, Patrik Keim stuck a pistol into his mouth and pulled the trigger. Keim was an artist, and the room in which he died was an assemblage of the tools of his particular trade: the floor and table were covered with images, while a pair of large scissors, glue, electrical tape, and some dentures shared space with a pile of old medical journals, butcher knives, and various other small objects. Keim had cleared a space on the floor, and the wall directly behind him was bare. His body completed the tableau. Art and artists often end in tragedy and obscurity, but Keim’s story doesn’t end with his death. A few years later, 180 miles away from Keim’s grave, a bulldozer operator uncovered a pine coffin in an old beaver swamp down the road from Allen C. Shelton’s farm. He quickly reburied it, but Shelton, a friend of Keim’s who had a suitcase of his unfinished projects, became convinced that his friend wasn’t dead and fixed in the ground, but moving between this world and the next in a traveling coffin in search of his incomplete work. In Where the North Sea Touches Alabama, Shelton ushers us into realms of fantasy, revelation, and reflection, paced with a slow unfurling of magical correspondences. Though he is trained as a sociologist, this is a genre-crossing work of literature, a two-sided ethnography: one from the world of the living and the other from the world of the dead. What follows isn’t a ghost story but an exciting and extraordinary kind of narrative. The psycho-sociological landscape that Shelton constructs for his reader is as evocative of Kafka, Bataille, and Benjamin as it is of Weber, Foucault, and Marx. Where the North Sea Touches Alabama is a work of sociological fictocriticism that explores not only the author’s relationship to the artist but his physical, historical, and social relationship to northeastern Alabama, in rare style.
Photographed over the course of a year in New York, Tennessee, India, and Sweden and organised by season, Jansdotter shares her sources of inspiration and how she and her friends mix and match her key pieces while working, playing, resting, and travelling.