From white trash mill village girl to Senior-Cinderella. In Alabama Blue, Toni K. Pacini, shares her tumultuous journey. A girl raised-up like an invasive weed in an Alabama cotton mill village where illiteracy, bigotry, religious fanaticism, and abuse were as commonplace as fried chicken on Sunday. From pillar to post, and coast to coast, she sought a dauntingly illusive refuge. Toni fled a life predestined for sorrow from cold cradle to cold crypt, and she made it! Her life needed a major re-write, and in Alabama Blue, she rewrote the hopelessness into hope, the sorrow into joy, and left the past to rest, as she moved forward into a new tomorrow.
Andrew Moore's new book, Blue Alabama, focuses on the American South, depicts the economic, social and cultural divisions that characterize the South and the love of history, tradition and land that binds its citizens. Following upon in-depth explorations of the economically ravaged city of Detroit (2007 - 2009) and the mythic high plains region along the 100th Meridian (2011 - 2014), Blue Alabama continues the artist's investigation of "the inner empire" of the United States.
You are crossing the Atlantic on a liner with your boyfriend who may or may not be planning to propose. You are fleeing the past - your ex-lover Arthur, the man who helped you dupe the vulnerable into believing loved ones were trying to make contact from beyond the grave. But there's a secret you've kept from Arthur, a deception about the two of you that threatens to emerge when you discover Arthur's presence on the boat.
Blue Aubergine tells the story of a young Egyptian woman, born in 1967, growing up in the wake of Egypt's defeat of that year, and maturing into womanhood against the social and political upheavals Egypt experienced during the final decades of the twentieth century. Physically and emotionally scarred by her parents and the events of her childhood, and incapable of relating to men, Nada, the 'Blue Aubergine,' fumbles through a series of dark and unsettling adventures, resorting first to full Islamic dress with niqab and gloves and then throwing it all off for the flowing hair and tight clothes of an emancipated young graduate student, in an ever more desperate and ultimately failed search for tenderness and affection. A frank assessment of the damage society wreaks by foisting unwise claustrophobic values on its children, this richly woven text shifts unpredictably through time and space like a sojourn in dream time. A mixed crowd of aunts and teachers, classmates and fellow students, Marxists and Islamicists are there to people the Blue Aubergine's bewildering journey to the knowledge that the maintenance of chastity and innocence and her naïve determination to cling to the threads of silk and lace that bind her to her past bring only misery and isolation.
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
A quest for the legendary Blue Manuscript of medieval Islam becomes a voyage of self-discovery for characters from east and west in this fascinating, many-layered novel. The Blue Manuscript is the ultimate prize for any collector of Islamic treasures. But does it still exist, and if so, can it be found? In search of answers to these questions, an assortment of archaeologists heads for a remote area of Egypt, where they work with local villagers to excavate a promising site.But as social and cultural preconceptions amongst both visitors and hosts start to unravel, the mystery seems only to deepen and darken ... What do the fables of the village storyteller mean for the westerners, and can their emotional equilibrium and scholarly integrity survive exposure to the realities of the world they have studied from afar? Interspersed with the testimony of the early medieval calligrapher who created the Blue Manuscript, Sabiha Al Khemir's subtle, graceful narrative builds into a rich tapestry of love, hope, despair, greed, fear and betrayal. Intensified at every turn by the uneasy relationship between Islam past and present, and between Islam and the West, The Blue Manuscript is a novel which will resonate long after the astonishing solution to its mystery has finally been revealed.
What kind of life exists for an iliterate ex-slave in Reconstruction-era Tennessee? What destiny awaits as he settles into a thicketed corner of Coffee County, Alabama? In "Red Dirt, Blue Blood: The Story of the Nances of Lower Alabama," Rahkia Nance, answers these questions and more as she tells the story of her ancestors. Nance weaves a decade of genealogical research with historical context to illustrate the makings of an extraordinary legacy that spans nearly 200 years.
Alcoholism is a family illness, and changed attitudes can aid recovery. This daily readings guide for family and friends of alcoholics provides meditations and reminder, and visualizations that can provide a measure of comfort, serenity, and a sense of achievement.
Author: United States. Congress. Senate. Committee on Appropriations. Subcommittee on Departments of Labor, and Health, Education, and Welfare, and Related Agencies
