John Dunn was born in Ireland to a large Irish Catholic family. They all migrated to Boston when he was a teenager and worked hard to make a new life in the USA. How could he have imagined as a child, when his biggest dream was to become an altar boy, that his life would take such a tragic turn? When a long-ago buried family secret with connections to the IRA resurfaces, his thirst for revenge draws him in to a dark world of blackmail and murder.
Danny Boy grew up on one of the most influential record labels in the history of rap music. As the adopted son of Suge Knight, Danny rubbed elbows with the best of the best in the music industry. He sang for Teena Marie, collaborated with Lisa Left Eye Lopes, and formed a friendship with Jodeci members, K-Ci and JoJo. He witnessed both the rise and fall of Death Row Records, traveled with Suge and Tupac, and performed with some of the greatest musicians of all times. Danny is probably most widely known for "I Ain't Mad at Cha," the iconic song he recorded with the late Tupac Shakur. But there's more to his story. In this autobiography, he shares his secrets, his heartaches, and loves; he takes the reader on a journey that is unforgettable.
Bestselling Irish-American author Malachy McCourt takes a fascinating historical look at the traditional folk song, Danny Boy, discovering its origin, lyricist, and the moving heritage that has grown around it. Everyone can hum this haunting Irish ballad that inevitably brings a tear to the eye. The most requested Irish song, it has been recorded by a variety of performers ranging from Elvis Presley, Bing Crosby, and Kate Smith to the Pogues. The complete story of this moving tune has been shrouded in mystery until now. Where did "Danny Boy" originate, who actually wrote the lyrics, and is it even Irish? Acclaimed novelist, actor, memoirist, screenwriter, playwright, and raconteur, Malachy McCourt, turns his Irish eye to the song's complex history and myths in an eloquent ode to this classic. He traces the evolution of the music, which is one of more than 100 songs composed to the very same tune, including the familiar "Londonderry Air," and explores the enduring mystique of "Danny Boy" in an unforgettable tribute that brilliantly weaves history with folklore.
During a seven-decade career that spanned from 19th century Vienna to 1920s Broadway to the golden age of Hollywood, three-time Academy Award winner Max Steiner did more than any other composer to introduce and establish the language of film music. Indeed, revered contemporary film composers like John Williams and Danny Elfman use the same techniques that Steiner himself perfected in his iconic work for such classics as Casablanca, King Kong, Gone with the Wind, The Searchers, Now, Voyager, the Astaire-Rogers musicals, and over 200 other titles. And Steiner's private life was a drama all its own. Born into a legendary Austrian theatrical dynasty, he became one of Hollywood's top-paid composers. But he was also constantly in debt--the inevitable result of gambling, financial mismanagement, four marriages, and the actions of his emotionally troubled son. Throughout his chaotic life, Steiner was buoyed by an innate optimism, a quick wit, and an instinctive gift for melody, all of which would come to the fore as he met and worked with luminaries like Richard Strauss, George Gershwin, Irving Berlin, the Warner Bros., David O. Selznick, Bette Davis, Frank Sinatra, and Frank Capra. In Music by Max Steiner, the first full biography of Steiner, author Steven C. Smith interweaves the dramatic incidents of Steiner's personal life with an accessible exploration of his composing methods and experiences, bringing to life the previously untold story of a musical pioneer and master dramatist who helped create a vital new art with some of the greatest film scores in cinema history.
Is white-collar crime victimless? Often, it becomes a very deadly game when the powerful become greedy.This is the story of two young beginning reporters trying to survive in 1959. Together, they fight heroically, wade into the murky waters of widespread official fraud, corruption, murder, and engage in a new war against domestic abuse and violence!On his 19th birthday, Toby Miller has already experienced a lifetime of tragedy. There are always consequences to actions, and destiny has a difficult road for this engineering hopeful turned journalist, and his beautiful partner.Mob danger lurks around every corner, and professional challenges are a daily occurrence in a pressure-packed environment.Steering through the daily pitfalls of a new career and the dangers created by a deadly criminal enterprise, make Danny Boy Stories--120 Letters an exciting romantic adventure.
What happened to the young woman who went to pick up a pizza in Miami and disappeared? Was she murdered? Or abducted, never to be seen again? That’s what her father—young physician Matthew Paine’s colleague—desperately wants to know as they rush to search for her, racing against an unseen clock. Miami is a big place and fast action is critical… Initially, staff members at the mission—where she was volunteering for the summer—weren’t worried because bars in Miami are open all night. But when a day turned into two, everyone became concerned. Encountering challenges, shady characters, and trouble at every turn, they discover other women missing. Are their disappearances connected? The makeshift search team traverses the roadways and waterways around Miami to track her last known whereabouts. Can they find her in time? You’ll love MIA—the hot third book in Lee Clark’s Matthew Paine Mystery series—because everyone enjoys a classic mystery with an unexpected trip, and twists and turns galore. Get it now.
Marc Blitzstein was one of the 20th century's most important American composers, lyricists, and critics, often credited with having virtually invented opera in the American vernacular. Called the father of American opera in the vernacular by luminaries Aaron Copland and Leonard Bernstein, Blitzstein was a masterful pianist, coach, and accompanist, though, ironically, he made more money on the lyrics to one song—Mack the Knife—than on everything else he ever did. Blitzstein's brilliant career was cut short in 1964 when he died at the age of 58. This book catalogs Blitzstein's own writings and writings about him, followed by detailed listings (chronological, alphabetical, and genre), analysis, a comprehensive performance history, and summaries of all known critiques of his 128 original musical works and 18 texts set to the music of others. Shown in detail are the ways in which Blitzstein took music from his earlier works and developed it in later works, a process that Lehrman utilized in completing (with Bernstein's and the Estate's approval) 20 Blitzstein works for performance, including The Cradle Will Rock, I've Got the Tune, No for an Answer, Idiots First, and Sacco and Vanzetti, which Blitzstein believed would be his magnum opus. The book provides a unique and full perspective on the works of one of America's greatest composers—one who deserves to be better known.
Three exciting adventures in one volume. Action, Romance, Cops, Killers, Journalist, all define the meaning of "Hero".Black 'till Daylight--A police officer, eluding cop killers, faces a fate worse than death itself.Old Man, Cop--Features cop tales, told by an Old Man, while small town officers elude death at the hands of a gunman bent on massacring church school children, a quarreling couple, and a sniper.Josh Jones, An Unwilling Hero--Our most popular E-book, features a small town journalist who unwittingly falls into deadly situation after situation. Poignant and Romantic.All three novellas are available as separate E-books.
Five stories following members of the same graduating class into their future. Romance, Adventure, Mob Crime, all part of these five stories. Inspired by real events. "The Trickster"; "Music Maestro"; "Quiet One"; "Limelight"; "Cup O' Music".
Short subject films have a long history in American cinemas. These could be anywhere from 2 to 40 minutes long and were used as a "filler" in a picture show that would include a cartoon, a newsreel, possibly a serial and a short before launching into the feature film. Shorts could tackle any topic of interest: an unusual travelogue, a comedy, musical revues, sports, nature or popular vaudeville acts. With the advent of sound-on-film in the mid-to-late 1920s, makers of earlier silent short subjects began experimenting with the short films, using them as a testing ground for the use of sound in feature movies. After the Second World War, and the rising popularity of television, short subject films became far too expensive to produce and they had mostly disappeared from the screens by the late 1950s. This encyclopedia offers comprehensive listings of American short subject films from the 1920s through the 1950s.
