Aisthesis
Aisthesis

Author: Jacques Ranciere

Publisher: Verso Books

Published: 2013-06-04

Total Pages: 289

ISBN-13: 1781680892

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Composed in a series of scenes, Aisthesis–Rancière’s definitive statement on the aesthetic–takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarmé to the Folies-Bergère, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Rancière uses these sites and events—some famous, others forgotten—to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism.

Phenomenology and the Arts: Logos and Aisthesis
Phenomenology and the Arts: Logos and Aisthesis

Author: Kwok-Ying Lau

Publisher: Springer Nature

Published: 2020-01-30

Total Pages: 222

ISBN-13: 3030308669

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This volume examines the great varieties of artistic experience from first hand phenomenological descriptions. It features detailed and concrete analyses which provides readers with in-depth insights into each specific domain of artistic experience. Coverage includes phenomenological elucidation of the aesthetic attitude, the power of imagination, and the logic of sensibility. The essays also detail concrete phenomenological analyses of aesthetic experiences in poetry, painting, photography, drama, architecture, and urban aesthetics. The book contains essays from "Logos and Aisthesis: Phenomenology and the Arts," an international conference held at the Chinese University of Hong Kong. It brings together a team of top scholars from both the East and the West and offers readers a global perspective on this interesting topic. These innovative, yet accessible, essays, will benefit students and researchers in philosophy, aesthetics, the arts, and the humanities. They will also be of interest to specialists in phenomenology.

A Picture Held Us Captive
A Picture Held Us Captive

Author: Tea Lobo

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-05-20

Total Pages: 302

ISBN-13: 3110610566

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While there are publications on Wittgenstein’s interest in Dostoevsky’s novels and the recurring mentions of Wittgenstein in Sebald’s works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein’s treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky’s and Sebald’s works. Dostoevsky’s depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein’s account of interiority's interrelatedness with overt public practices and codes. In Sebald’s Austerlitz, Wittgenstein’s notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought.

Dialogical Imaginations
Dialogical Imaginations

Author: Michael F. Zimmermann

Publisher: Diaphanes

Published: 2023-02-23

Total Pages: 0

ISBN-13: 9783037349397

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We tend to think of imagination as private, originating from our innermost selves--and language as something that is created in communication. Turning this idea on its head, the contributors to Dialogical Imaginations start from the provocative premise that imagination and language are both inherently social constructs that determine how we perceive the world. In addition, the idea of imagination as a dialogical formation, where dialogue within the self can raise questions and can open up new topics for consideration, may also be applied to how societies as a whole perceive their own conditions. With contributors from a wide range of disciplines, including philosophy, media and film studies, art history, literature, and sociology, the book considers a wide variety of cultural manifestations of social perception. In the process, it offers a reevaluation of he concept of humanism, addressing key criticisms of by Foucault, Butler, and others.

The Sight of Death
The Sight of Death

Author: T. J. Clark

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 282

ISBN-13: 9780300117264

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Why do we keep returning to certain pictures? What is it we are looking for? How does our understanding of an image change over time? This investigates the nature of visual complexity, the capacity of certain images to sustain repeated attention, and how pictures respond and resist their viewers' wishes.

E-Co-Affectivity
E-Co-Affectivity

Author: Marjolein Oele

Publisher: SUNY Press

Published: 2020-04-01

Total Pages: 270

ISBN-13: 1438478615

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Offers an interdisciplinary investigation of affectivity in various forms of life. E-Co-Affectivity is a philosophical investigation of affectivity in various forms of life: photosynthesis and growth in plants, touch and trauma in bird feathers, the ontogenesis of human life through the placenta, the bare interface of human skin, and the porous materiality of soil. Combining biology, phenomenology, Ancient Greek thought, new materialisms, environmental philosophy, and affect studies, Marjolein Oele thinks through the concrete, living places that show the receptive, responsive power of living beings to be affected and to affect. She focuses on these localized interfaces to explain how affectivity emerges in places that are always evolving, creative, porous, and fluid. Every interface is material, but is also “more” than its current materiality in cocreating place, time, and being. After extensively describing the effects of the milieu and community within which each example of affectivity takes place, in the final chapter Oele adds a prescriptive, ethical lens that formulates a new epoch beyond the Anthropocene, one that is sensitive to the larger ecological, communal concerns at stake. “This is a very welcome contribution to environmental philosophy. The strikingly original thesis is evident in the book’s title: what we call ‘ecology’ is a co-affectivity—the mutuality of affecting and being affected on the part of species, biological kingdoms, ecosystems, etc. Here, Marjolein Oele melds biology and ontology in new and creative ways, enriching both fields. Her book performs the very theme it explores: it stages a co-affective relation between philosophy and the life sciences.” — Michael Marder, author of Plant-Thinking: A Philosophy of Vegetal Life

(Syn)aesthetics
(Syn)aesthetics

Author: J. Machon

Publisher: Springer

Published: 2009-04-28

Total Pages: 235

ISBN-13: 0230236952

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A timely book that identifies the practice of '(syn)aesthetics' in artistic style and audience response, which helps to articulate the power of experiential practice in the arts. This exciting new approach includes interviews with leading practitioners in of theatre, dance, site-specific work, live art and technological performance practice.