“A twisty, captivating, edge-of-your-seat read.” —Megan Miranda, bestselling author of All the Missing Girls “Creepy and oh so clever!” —Alice Feeney, bestselling author of Sometimes I Lie A woman is forced to question her own identity in this riveting and emotionally charged thriller by the blockbuster bestselling author of The Good Girl, Mary Kubica Jessie Sloane is on the path to rebuilding her life after years of caring for her ailing mother. She rents a new apartment and applies for college. But when the college informs her that her social security number has raised a red flag, Jessie discovers a shocking detail that causes her to doubt everything she’s ever known. Finding herself suddenly at the center of a bizarre mystery, Jessie tumbles down a rabbit hole, which is only exacerbated by grief and a relentless lack of sleep. As days pass and the insomnia worsens, it plays with Jessie’s mind. Her judgment is blurred, her thoughts are hampered by fatigue. Jessie begins to see things until she can no longer tell the difference between what’s real and what she’s only imagined. Meanwhile, twenty years earlier and two hundred and fifty miles away, another woman’s split-second decision may hold the key to Jessie’s secret past. Has Jessie’s whole life been a lie or have her delusions gotten the best of her? Don't miss Mary Kubica's chilling upcoming novel, She's Not Sorry, where an ICU nurse accidentally uncovers a patient's frightening past... Look for these other edge-of-your-seat thrillers by New York Times bestselling author Mary Kubica: The Good Girl Pretty Baby Don’t You Cry Every Last Lie The Other Mrs. Local Woman Missing Just The Nicest Couple She's Not Sorry
From the New York Times bestselling author of the Tradd Street series comes a stunning novel about a young single mother who discovers that the nature of friendship is never what it seems.... Recently divorced, Merilee Talbot Dunlap moves with her two children to the Atlanta suburb of Sweet Apple, Georgia. It’s not her first time starting over, but her efforts at a new beginning aren’t helped by an anonymous local blog that dishes about the scandalous events that caused her marriage to fail. Merilee finds some measure of peace in the cottage she is renting from town matriarch Sugar Prescott. Though stubborn and irascible, Sugar sees something of herself in Merilee—something that allows her to open up about her own colorful past. Sugar’s stories give Merilee a different perspective on the town and its wealthy school moms in their tennis whites and shiny SUVs, and even on her new friendship with Heather Blackford. Merilee is charmed by the glamorous young mother’s seemingly perfect life and finds herself drawn into Heather's world. In a town like Sweet Apple, where sins and secrets are as likely to be found behind the walls of gated mansions as in the dark woods surrounding Merilee’s house, appearance is everything. But just how dangerous that deception can be will shock all three women....
Blackouts—whether they result from military planning, network failure, human error, or terrorism—offer snapshots of electricity's increasingly central role in American society. Where were you when the lights went out? At home during a thunderstorm? During the Great Northeastern Blackout of 1965? In California when rolling blackouts hit in 2000? In 2003, when a cascading power failure left fifty million people without electricity? We often remember vividly our time in the dark. In When the Lights Went Out, David Nye views power outages in America from 1935 to the present not simply as technical failures but variously as military tactic, social disruption, crisis in the networked city, outcome of political and economic decisions, sudden encounter with sublimity, and memories enshrined in photographs. Our electrically lit-up life is so natural to us that when the lights go off, the darkness seems abnormal. Nye looks at America's development of its electrical grid, which made large-scale power failures possible and a series of blackouts from military blackouts to the “greenout” (exemplified by the new tradition of “Earth Hour”), a voluntary reduction organized by environmental organizations. Blackouts, writes Nye, are breaks in the flow of social time that reveal much about the trajectory of American history. Each time one occurs, Americans confront their essential condition—not as isolated individuals, but as a community that increasingly binds itself together with electrical wires and signals.
A harrowing and spellbinding story about family, the complications of mixed-race relationships, misplaced loyalties, and the price athletes pay to entertain—from the critically acclaimed author of Three-Fifths Xavier “Scarecrow” Wallace, a mixed-race MMA fighter on the wrong side of thirty, is facing the fight of his life. Xavier can no longer deny he is losing his battle with chronic traumatic encephalopathy (CTE), or pugilistic dementia. Through the fog of memory loss, migraines, and paranoia, Xavier does his best to stay in shape by training at the Philadelphia gym owned by his cousin-cum-manager, Shot, a retired champion boxer to whom Xavier owes an unpayable debt. Xavier makes ends meet while he waits for the call that will reinstate him after a year-long suspension by teaching youth classes at Shot’s gym and by living rent-free in the house of his white father, whom Xavier was forced to commit to a nursing home. The progress of Sam Wallace’s end-stage Alzheimer’s has revealed his latent racism, and Xavier finally gains insight into why his Black mother left the family years ago. Then Xavier is offered a chance at redemption: a last-minute high-profile comeback fight. If he can get himself back in the game, he’ll be able to clear his name and begin to pay off Shot. With his memory in shreds and his life crumbling around him, can Xavier hold on to the focus he needs to survive? John Vercher, author of the Edgar and Anthony Award–nominated Three-Fifths, offers a gripping, psychologically astute, and explosive tour de force about race, entertainment, and healthcare in America, and about one man’s battle against himself.
'After the Lights Go Out is a terrifying yet hope-filled story of disaster, deceit, love, sacrifice and survival.' - Fleur Ferris Seventeen-year-old Pru Palmer lives with her twin sisters, Grace and Blythe, and their father, Rick, on the outskirts of an isolated mining community. The Palmers are doomsday preppers. They have a bunker filled with non-perishable food and a year's worth of water. One day while Rick is at the mine, the power goes out. At the Palmers' house, and in the town. All communication is cut. No one knows why. It doesn't take long for everything to unravel. In town, supplies run out and people get desperate. The sisters decide to keep their bunker a secret. The world is different; the rules are different. Survival is everything, and family comes first. 'A gripping portrait of catastrophe at the edge of the world, love in extremis, and the lengths that survival can drive us to.' - Justine Larbalestier
I Was Here meets Suicide Notes from Beautiful Girls in this story of seven friends, five years of silence, and the one mystery that will bring them back together again. It's been five years since Marley Bricket died by accidental gunshot. On the night of the annual memorial, Olivia Stanton, the only witness to Marley's death, gets an unexpected visitor in the form of Nick Cline. He's the boy who pulled the trigger on what he didn't know was a loaded gun. Since then, nothing in the quiet desert town of Cadence, California has ever been the same. Nick's surprise reappearance puts all the Kids of Albany Lane in one place for the first time since Marley died. The once-inseparable group of neighborhood friends, formerly led by Marley herself, has disbanded. But when Olivia discovers a scavenger hunt orchestrated by Marley before she died, the group must come together again to complete it, reopening old wounds and unearthing new questions about what really happened. Most importantly, did Marley know the gun was loaded? "A thrilling, adventure-filled story that captures the anguish of losing a friend."—Kirkus
'A powerful and truthful story about hope and how to find it' The Times 'A gem of a book' Emily Maitlis Emma's husband Chris is fretting about starvation and societal collapse. He's turned off the heating and is stockpiling off-label medicines and tins of baked beans. Chris, certain that society will soon spiral to its doom, finds Emma's optimism exasperating. Emma finds Chris's obsession with disaster relentless. She's beginning to wonder whether relationships, like mortgages, should be conducted in five-year increments. But when Chris's mother turns up for a visit, the cracks begin to show. Will Emma and Chris be able to find their way back to each other?
From the award-winning author, “the kind of collection that lodges in your brain like a malignant grain of an evil dream” (Laird Barron, author of The Imago Sequence). Winner of the This Is Horror Award Finalist for the Shirley Jackson Award Finalist for the Bram Stoker Award This is not your cookie-cutter horror collection. Stephen Graham Jones has taken nightmarish visions from his fevered imagination and crafted them into pieces of literary genius. If the absolute fear doesn’t sweep you away, his lyrical and haunting prose will. As Joe R. Lansdale states in the introduction, “You need this book. If you like anything close to horror, and also like your stories to have elements other than just standing in the darkness with a bloody knife, you have the right book. Enjoy.” Does holding your breath for two minutes during the scariest part of a horror movie invite the terror in? Just ask the kids who go to the local theater in “Thirteen.” In “Doc’s Story,” even the most beloved family tales have teeth—that’s what happens when you’re born into a werewolf pack. And a father doesn’t have to think twice when he’s given one chance to make the ultimate sacrifice in “Snow Monsters.” In these fifteen stories, Jones coaxes our greatest fears from the shadowy corners of our minds, and we can’t turn away. “With razor-sharp prose . . . he pummels us in a full-court press of discomfort, paranoia, and a desire to keep the lights on.” —Pantheon Magazine “Jones is a true master of the horror short story. Inventive, quirky, unexpected and masterful.” —Jonathan Maberry, New York Times–bestselling author