After Iris, and Other Poems

After Iris, and Other Poems

Author: Jay Appleton

Publisher: Wildhern Press

Published: 2011-10-01

Total Pages: 128

ISBN-13: 9781848303362

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A new collection of poems, both thought-provoking and humorous, from the author of "Enter the Fat Lady," "A Love Affair with Landscape" and other volumes.


Blue Iris

Blue Iris

Author: Mary Oliver

Publisher: Beacon Press

Published: 2004-09-15

Total Pages: 88

ISBN-13: 0807096601

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For poet Mary Oliver, nature is full of mystery and miracle. From the excitation of birds in the sky to the flowers and plants that are "the simple garments" of the earth, the natural world is her text of both the earth's changes and its permanence. In Blue Iris, Mary Oliver collects ten new poems, two dozen of her poems written over the last two decades, and two previously unpublished essays on the beauty and wonder of plants. The poet considers roses, of course, as well as poppies and peonies; lilies and morning glories; the thick-bodied black oak and the fragrant white pine; the tall sunflower and the slender bean. James Dickey has said of her, "Far beneath the surface-flash of linguistic effect, Mary Oliver works her quiet and mysterious spell. It is a true spell, unlike any other poet's, the enchantment of the true maker." In Blue Iris, she has captured with breathtaking clarity the true enchantment and mysterious spell of flowers and plants of all sorts and their magnetic hold on us.


The Wild Iris

The Wild Iris

Author: Louise Gluck

Publisher: HarperCollins

Published: 2022-01-04

Total Pages: 80

ISBN-13: 0063117649

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Winner of the Nobel Prize in Literature Winner of the Pulitzer Prize From Pulitzer Prize-winning poet Louise Glück, a stunningly beautiful collection of poems that encompasses the natural, human, and spiritual realms Bound together by the universal themes of time and mortality and with clarity and sureness of craft, Louise Glück's poetry questions, explores, and finally celebrates the ordeal of being alive.


Poems 1962-2012

Poems 1962-2012

Author: Louise Glück

Publisher: Macmillan

Published: 2012-11-13

Total Pages: 657

ISBN-13: 0374126089

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Glck's poetry resists collection. With each successive book her drive to leave behind what came before has grown more fierce. She invented a form to accommodate this need, the book-length sequence of poems.


After the Death of Poetry

After the Death of Poetry

Author: Vernon Lionel Shetley

Publisher:

Published: 1993

Total Pages: 232

ISBN-13:

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In this deft analysis, Vernon Shetley shows how writers and readers of poetry, operating under very different conventions and expectations, have drifted apart, stranding the once-vital poetic enterprise on the distant margins of contemporary culture. Along with a clear understanding of where American poetry stands and how it got there, After the Death of Poetry offers a compelling set of prescriptions for its future, prescriptions that might enable the art to regain its lost stature in our intellectual life. In exemplary case studies, Shetley identifies the very different ways in which three postwar poets--Elizabeth Bishop, James Merrill, and John Ashbery--try to restore some of the challenge and risk that characterized modernist poetry's relation to its first readers. Sure to be controversial, this cogent analysis offers poets and readers a clear sense of direction and purpose, and so, the hope of reaching each other again.


Winter Recipes from the Collective

Winter Recipes from the Collective

Author: Louise Glück

Publisher: Farrar, Straus and Giroux

Published: 2021-10-26

Total Pages: 49

ISBN-13: 0374604118

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WINNER OF THE NOBEL PRIZE IN LITERATURE A haunting book by a poet whose voice speaks of all our lifetimes Louise Glück’s thirteenth book is among her most haunting. Here as in the Wild Iris there is a chorus, but the speakers are entirely human, simultaneously spectral and ancient. Winter Recipes from the Collective is chamber music, an invitation into that privileged realm small enough for the individual instrument to make itself heard, dolente, its line sustained, carried, and then taken up by the next instrument, spirited, animoso, while at the same time being large enough to contain a whole lifetime, the inconceivable gifts and losses of old age, the little princesses rattling in the back of a car, an abandoned passport, the ingredients of an invigorating winter sandwich, a sister’s death, the joyful presence of the sun, its brightness measured by the darkness it casts. “Some of you will know what I mean,” the poet says, by which she means, some of you will follow me. Hers is the sustaining presence, the voice containing all our lifetimes, “all the worlds, each more beautiful than the last.” This magnificent book couldn’t have been written by anyone else, nor could it have been written by the poet at any other time in her life.