In After Aesop: Improvisations on Aesop's Fables, Steven Carter adds parody to his wide-ranging repertoire of literary genres. Aesop, perhaps the world's best-known author, produced hundreds of fables that have been re-told countless times, but rarely parodied on a one-to-one basis. By turns hilarious, poignant, and profound, the more than 200 entries in After Aesop are certain to instruct and entertain a diverse modern audience.
This book gathers together many of the principal essays of Richard Hunter, whose work has been fundamental in the modern re-evaluation of Greek literature after Alexander and its reception at Rome and elsewhere. At the heart of Hunter’s work lies the high poetry of Ptolemaic Alexandria (Callimachus, Theocritus, and Apollonius of Rhodes) and the narrative literature of later antiquity (‘the ancient novel’), but comedy, mime, didactic poetry and ancient literary criticism all fall within the scope of these studies. Principal recurrent themes are the uses and recreation of the past, the modes of poetic allusion, the moral purposes of literature, the intellectual context for ancient poetry, and the interaction of poetry and criticism. What emerges is not a literature shackled to the past and cowed by an ‘anxiety of influence’, but an energetic and constantly experimental engagement with both past and present.
Honoring the path of a slave, this dramatic picture-book biography and concise anthology of Aesop's most child-friendly fables tells how a child born into slavery in ancient Greece found a way to speak out against injustice by using the skill and wit of his storytelling--storytelling that has survived for 2,500 years. Stunningly illustrated by two-time Caldecott Honor winner Pamela Zagarenski. The Tortoise and the Hare. The Boy Who Cried Wolf. The Fox and the Crow. Each of Aesop's stories has a lesson to tell, but Aesop's true-life story is perhaps the most inspiring tale of them all. Gracefully revealing the genesis of his tales, this true story of Aesop shows how fables not only liberated him from captivity but spread wisdom over a millennium. This is the only children's book biography about him. Includes thirteen illustrated fables: The Lion and the Mouse, The Goose and the Golden Egg, The Fox and the Crow, Town Mouse and Country Mouse, The Ant and the Grasshopper, The Dog and the Wolf, The Lion and the Statue, The Tortoise and the Hare, The Boy Who Cried Wolf, The North Wind and the Sun, The Fox and the Grapes, The Dog and the Wolf, The Lion and the Boar.
This work is a large, powerfully illustrated interdisciplinary natural sciences volume, the first of its kind to examine the critically important nature of ecological paradox, through an abundance of lenses: the biological sciences, taxonomy, archaeology, geopolitical history, comparative ethics, literature, philosophy, the history of science, human geography, population ecology, epistemology, anthropology, demographics, and futurism. The ecological paradox suggests that the human biological–and from an insular perspective, successful–struggle to exist has come at the price of isolating H. sapiens from life-sustaining ecosystem services, and far too much of the biodiversity with which we find ourselves at crisis-level odds. It is a paradox dating back thousands of years, implicating millennia of human machinations that have been utterly ruinous to biological baselines. Those metrics are examined from numerous multidisciplinary approaches in this thoroughly original work, which aids readers, particularly natural history students, who aspire to grasp the far-reaching dimensions of the Anthropocene, as it affects every facet of human experience, past, present and future, and the rest of planetary sentience. With a Preface by Dr. Gerald Wayne Clough, former Secretary of the Smithsonian Institution and President Emeritus of the Georgia Institute of Technology. Foreword by Robert Gillespie, President of the non-profit, Population Communication.
This collection of essays offers a comprehensive examination of texts that traditionally have been excluded from the main corpus of the ancient Greek novel and confined to the margins of the genre, such as the Life of Aesop, the Life of Alexander the Great, and the Acts of the Christian Martyrs. Through comparison and contrast, intertextual analysis and close examination, the boundaries of the dichotomy between the “fringe” vs. the “canonical” or “erotic” novel are explored, and so the generic identity of the texts in each group is more clearly outlined. The collective outcome brings the “fringe” from the periphery of scholarly research to the centre of critical attention, and provides methodological tools for the exploration of other “fringe” texts.
Incorporating several kinds of scholarship on medieval authorship, the essays examine interrelated questions raised by the relationship between an author and a reader, the relationships between authors and their antecedents, and the ways in which authorship interacts with the physical presentation of texts in books.
This illustrated collection includes hundreds of fables that have influenced our world for centuries. The stories attributed to Aesop, a slave and storyteller who lived in Greece around 620–564 BCE, were originally passed on through oral tradition before first being transcribed several centuries after his death. Many of these fables use animals as the main characters to convey deeper meanings and morals that have become ingrained in our cultural and personal belief systems. This elegant leather-bound volume includes 488 fables, along with more than 100 illustrations by celebrated artists Arthur Rackham and Walter Crane. A scholarly introduction examines Aesop’s life and the oral tradition, providing readers with further insight into the world of the humble storyteller whose presence continues to touch us today.
The Aesop's Fable Paradigm is a collection of essays that explore the cutting-edge intersection of Folklore and Science. From moralizing fables to fantastic folktales, humans have been telling stories about animals—animals who can talk, feel, think, and make moral judgments just as we do—for a very long time. In contrast, scientific studies of the mental lives of animals have professed to be investigating the nature of animal minds slowly, cautiously, objectively, with no room for fanciful tales, fables, or myths. But recently, these folkloric and scientific traditions have merged in an unexpected and shocking way: scientists have attempted to prove that at least some animal fables are actually true. These interdisciplinary chapters examine how science has targeted the well-known Aesop's fable "The Crow and the Pitcher" as their starting point. They explore the ever-growing set of experimental studies which purport to prove that crows possess an understanding of higher-order concepts like weight, mass, and even Archimedes' insight about the physics of water displacement. The Aesop's Fable Paradigm explores how these scientific studies are doomed to accomplish little more than to mirror anthropomorphic representations of animals in human folklore and reveal that the problem of folkloric projection extends far beyond the "Aesop's Fable Paradigm" into every nook and cranny of research on animal cognition.
