As early as 1914, in his pivotal essay "The World Problem of the Color Line," W. E. B. Du Bois was charting a search for Afro-Asian solidarity and for an international anticolonialism. Bill Mullen traces the tradition of revolutionary thought and writing developed by African American and Asian American artists and intellectuals in response to Du Bois's challenge.
A collection of writing on the historical alliances, cultural connections, and shared political strategies linking African Americans and Asian Americans.
Helen Heran Jun explores how the history of U.S. citizenshiphas positioned Asian Americans and African Americans in interlocking socio-political relationships since the mid nineteenth century. Rejecting the conventional emphasis on ‘inter-racial prejudice,’ Jun demonstrates how a politics of inclusion has constituted a racial Other within Asian American and African American discourses of national identity. Race for Citizenship examines three salient moments when African American and Asian American citizenship become acutely visible as related crises: the ‘Negro Problem’ and the ‘Yellow Question’ in the mid- to late 19th century; World War II-era questions around race, loyalty, and national identity in the context of internment and Jim Crow segregation; and post-Civil Rights discourses of disenfranchisement and national belonging under globalization. Taking up a range of cultural texts—the 19th century black press, the writings of black feminist Anna Julia Cooper, Asian American novels, African American and Asian American commercial film and documentary—Jun does not seek to document signs of cross-racial identification, but instead demonstrates how the logic of citizenship compels racialized subjects to produce developmental narratives of inclusion in the effort to achieve political, economic, and social incorporation. Race for Citizenship provides a new model of comparative race studies by situating contemporary questions of differential racial formations within a long genealogy of anti-racist discourse constrained by liberal notions of inclusion.
After Japan's defeat of Russia in the 1904 territorial war, W. E. B. Du Bois declared, “The Color Line in civilization has been crossed in modern times as it was in the great past. The awakening of the yellow races is certain. That the awakening of the brown and black races will follow in time, no unprejudiced student of history can doubt.” Du Bois's lifelong certitude that Asia would play a central role in determining the fates of races, nations, and world systems of power has not until now been made fully available. W. E. B. Du Bois on Asia captures in unprecedented detail Du Bois's first-person experiences of and responses to Indian nationalism, the war between China and Japan, the life of Mahatma Gandhi, colonialism in Malaysia and Burma, and the promise of China's Communist Revolution. It also provides critical understanding of Du Bois's obsession with the eternal relationship between Asia and Africa dating from antiquity to the postcolonial era. The Du Bois of this collection emerges as a forerunner of post colonialist thought, a lifelong internationalist, and the most important African American reader of Asia's place in the making of the modern world.
Resounding Afro Asia examines black-Asian musical collaborations as part of a genealogy of cross-racial culture and politics in the U.S. Roberts argues these projects offer a glimpse into how artists live multiracial lives that inhabit yet exceed multicultural frameworks built on racial essentialism and segregation.
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.
Deploys martial arts as a lens to analyze performance, power, and identity within the evolving fusion of Black and Asian American cultures in history and media.
The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe’s distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, nineteenth-century photographers were able to mass-produce images to incite and satisfy the demands of the region’s burgeoning tourist industry and the appetites of armchair travelers in Europe. In this way, the evolution of modern photography fueled an interest in visual contact with the rest of the world. Photography’s Orientalism offers the first in-depth cultural study of the works of European and non- European photographers active in the Middle East and India, focusing on the relationship between photographic, literary, and historical representations of this region and beyond. The essays explore the relationship between art and politics by considering the connection between the European presence there and aesthetic representations produced by traveling and resident photographers, thereby contributing to how the history of photography is understood.
