Afro-modernist Aesthetics & the Poetry of Sterling A. Brown

Afro-modernist Aesthetics & the Poetry of Sterling A. Brown

Author: Mark A. Sanders

Publisher: University of Georgia Press

Published: 1999

Total Pages: 244

ISBN-13: 9780820320502

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Sterling A. Brown’s poetry and aesthetics are central to a proper understanding of African American art and politics of the early twentieth century. This study redefines the relationship between modernism and the New Negro era in light of Brown’s uniquely hybrid poetry and vision of a heterodox, pluralist modernism. Brown, also a folklorist and critic, saw the Harlem Renaissance and modernism as interactive rather than mutually exclusive and perceived the New Negro era as the dawning of African American modernity. Reading Brown’s three collections of poetry in light of their respective historical contexts, Sanders examines the ways in which Brown reconfigured black being and created alternative conceptual space for African Americans amid the prevailing racial discourses of American culture. Brown’s poetics call for revised conceptions of the Harlem Renaissance, black identity, artistic expression, and modernity that recognize the range, depth, and complexity of African American life.


The Collected Poems of Sterling A. Brown

The Collected Poems of Sterling A. Brown

Author: Sterling A. Brown

Publisher: Northwestern University Press

Published: 1996

Total Pages: 284

ISBN-13: 9780810150454

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Arguably the greatest African American poet of the century, Sterling Brown was instrumental in bringing the traditions of African American folk life to readers all over the world. This is the definitive collection of Brown's poems, and the only edition available in the United States.


The Collected Poems of Sterling A. Brown

The Collected Poems of Sterling A. Brown

Author: Sterling Allen Brown

Publisher: HarperCollins Publishers

Published: 1980

Total Pages: 278

ISBN-13:

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Arguably the greatest African-American poet of the century, and one of the most important American poets, Sterling A. Brown was a contemporary of Langston Hughes, Claude McKay, and Jean Toomer; as a part of this group, and individually, he has been instrumental in bringing the traditions of African-American folklife to readers all over the world. Copyright © Libri GmbH. All rights reserved.


Sterling A. Brown

Sterling A. Brown

Author: Joanne V. Gabbin

Publisher: University of Virginia Press

Published: 1994

Total Pages: 268

ISBN-13: 9780813915319

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Sterling A. Brown's achievement and influence in the field of American literature and culture are unquestionably significant. His poetry has been translated into Spanish, French, German, and Russian and has been read in literary circles throughout the world. He is also one of the principal architects of black criticism. His critical essays and books are seminal works that give an insider's perspective of literature by and about blacks. Leopold Sedar Senghor, who became familiar with Brown's poetry and criticism in the 1920s and 1930s, called him "an original militant of Negritude, a precursor of our movement." Yet Joanne V. Gabbin's book, originally published in 1985, remains the only study of Brown's work and influence. Gabbin sketches Brown's life, drawing on personal interviews and viewing his achievements as a poet, critic, and cultural griot. She analyzes in depth the formal and thematic qualities of his poetry, revealing his subtle adaptation of song forms, especially the blues. To articulate the aesthetic principles Brown recognized in the writings of black authors, Gabbin explores his identification of the various elements that have come together to create American culture.


Cather Studies, Volume 12

Cather Studies, Volume 12

Author: Cather Studies

Publisher: U of Nebraska Press

Published: 2020-01-01

Total Pages: 240

ISBN-13: 1496217640

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Over the five decades of her writing career Willa Cather responded to, and entered into dialogue with, shifts in the terrain of American life. These cultural encounters informed her work as much as the historical past in which much of her writing is based. Cather was a multifaceted cultural critic, immersing herself in the arts, broadly defined: theater and opera, art, narrative, craft production. Willa Cather and the Arts shows that Cather repeatedly engaged with multiple forms of art, and that even when writing about the past she was often addressing contemporary questions. The essays in this volume are informed by new modes of contextualization, including the increasingly popular view of Cather as a pivotal or transitional figure working between and across very different cultural periods and by the recent publication of Cather’s correspondence. The collection begins by exploring the ways Cather encountered and represented high and low cultures, including Cather’s use of “racialized vernacular” in Sapphira and the Slave Girl. The next set of essays demonstrates how historical research, often focusing on local features in Cather’s fiction, contributes to our understanding of American culture, from musicological sources to the cultural development of Pittsburgh. The final trio of essays highlights current Cather scholarship, including a food studies approach to O Pioneers! and an examination of Cather’s use of ancient philosophy in The Professor’s House. Together the essays reassess Cather’s lifelong encounter with, and interpretation and reimagining of, the arts.


Cultivation and Catastrophe

Cultivation and Catastrophe

Author: Sonya Posmentier

Publisher: JHU Press

Published: 2017-06-30

Total Pages: 299

ISBN-13: 1421422662

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A transformative literary history of black environmental writing. Winner, William Sanders Scarborough Prize by the Modern Language Association At the intersection of social and environmental history there has emerged a rich body of Black literary response to natural and agricultural experiences, whether the legacy of enforced agricultural labor or the destruction and displacement brought about by a hurricane. In Cultivation and Catastrophe, Sonya Posmentier uncovers a vivid diasporic tradition of Black environmental writing that responds to the aftermath of plantation slavery, urbanization, and free and forced migrations. While humanist discourses of African American and postcolonial studies often sustain a line between nature and culture, this book instead emphasizes the relationship between them, offering an innovative environmental history of modern black literature.


Cather Among the Moderns

Cather Among the Moderns

Author: Janis P. Stout

Publisher: University Alabama Press

Published: 2019-03-19

Total Pages: 281

ISBN-13: 0817320148

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A masterful study by a preeminent scholar that situates Cather as a visionary practitioner of literary modernism


Invisible Giants

Invisible Giants

Author: Mark Christopher Carnes

Publisher: Oxford University Press, USA

Published: 2003-09-15

Total Pages: 334

ISBN-13: 9780195168839

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Highlights Our Country'S Rich biographical history. Fifty notable people have selected a person from the past whom they admire, but feel they have not received the infamy they deserve.


The Cambridge Companion to Modern American Poetry

The Cambridge Companion to Modern American Poetry

Author: Walter Kalaidjian

Publisher: Cambridge University Press

Published: 2015-01-19

Total Pages: 309

ISBN-13: 1107040361

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The Cambridge Companion to Modern American Poetry offers a critical overview of major and emerging American poets of the twentieth century.


Afro-blue

Afro-blue

Author: Tony Bolden

Publisher: University of Illinois Press

Published: 2004

Total Pages: 196

ISBN-13: 9780252028748

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In Afro-Blue, Tony Bolden traces the ways innovations in black music and poetry have driven the evolution of a variety of other American vernacular artistic forms. The blues tradition, Bolden demonstrates, plays a key role in the relationship between poetry and vernacular expressive forms. Through an analysis of the formal qualities of black poetry and music, Afro-Blue shows that they function as a form of resistance, affirming the values and style of life that oppose bourgeois morality. Even before the term blues had cultural currency, the inscriptions of style and resistance embodied in the blues tradition were already a prominent feature of black poetics. Bolden delineates this interrelation, examining how poets extend and reshape a variety of other verbal folk forms in the same way as blues musicians play with other musical genres. He identifies three distinct bodies of blues poetics: some poets mimic and riff on oral forms, another group fuse their dedication to vernacular culture with a concern for literary conventions, while still others opt to embody the blues poetics by becoming blues musicians - and some combine elements of all three.