This is the first scholarly collection of articles focused on the cultural astronomy of the African continent. It weaves together astronomy, anthropology, and Africa and it includes African myths and legends about the sky, alignments to celestial bodies found at archaeological sites and at places of worship, rock art with celestial imagery, and scientific thinking revealed in local astronomy traditions including ethnomathematics and the creation of calendars.
A groundbreaking scholarly publication, accompanying an exhibition organized by the National Museum of African Art, Smithsonian Institution, African Cosmos: Stellar Arts brings together exceptional works of art, dating from ancient times to the present, and essays by leading scholars and contemporary artists to consider African cultural astronomy: creativity and artistic practice in Africa as it is linked to celestial bodies and atmospheric phenomena. African concepts of the universe are intensely personal, placing human beings in relation to the earth and sky, and with the sun, moon, and stars. At the core of creation myths and the foundation of moral values, celestial bodies are often accorded sacred capacities and are part of the “cosmological map” that allows humans to chart their course through life.
This is the first scholarly collection of articles focused on the cultural astronomy of the African continent. It weaves together astronomy, anthropology, and Africa and it includes African myths and legends about the sky, alignments to celestial bodies found at archaeological sites and at places of worship, rock art with celestial imagery, and scientific thinking revealed in local astronomy traditions including ethnomathematics and the creation of calendars.
How human communities interpret what they perceive in the sky is vital in fulfilling humankind’s most basic need to comprehend the universe it inhabits, both from a modern scientific perspective and from countless other cultural standpoints, extending right back to early prehistory. Archaeoastronomy, which is concerned with cultural perceptions and understandings of astronomical phenomena, is a rich cross-disciplinary field. The central aim of “Handbook of Archaeoastronomy” is to provide a reliable source for theory, method, interpretation and best practices that will give a definitive picture of the state of the art research in this field for serious scholars regardless of the discipline(s) in which they are qualified. It will be equally suitable for those already contributing to the field and those interested in entering it. Also included are studies in ethnoastronomy, which is concerned with contemporary practices related to astronomy, particularly among modern indigenous societies. A major part of this MRW is comprised of a set of wide-ranging archaeoastronomical case studies both geographically and through time, stretching right back to Palaeolithic days, and also in terms of the types of human society and nature of their astronomical ideas and practices. However, these are chosen in order to best illuminate broader issues and themes, rather than to attempt, for example, to provide systematic coverage of recent ‘discoveries.’ Thematic articles cover general themes such as cosmologies, calendars, navigation, orientations and alignments, and ancient perceptions of space and time. They also highlight various aspects of the social context of astronomy (its relationship to social power, warfare, etc) and how we interpret astronomical practices within the framework of conceptual approaches. There are also discussions of broad issues such as ethnocentrism, nationalism, and astronomical dating. The “methods and practices” articles cover topics from field methodology and survey procedures to social theory, as well as providing broad definitions and explanations of key concepts. We are also including a number of “disciplinary perspectives” on approaches to archaeoastronomy written by leading figures in the constituent fields. These articles cover material that, generally speaking, would be familiar to graduates in the relevant discipline but, critically, not so to those with different backgrounds.
Throughout the Indian subcontinent there are territories and areas wherein culture, geography, and the archetypal cosmos interact with each other to create a sacredscape that is infused with meaning, cultural performances and transcendent power. These sacred sites possess extensive mythological associations where believed that spirit can cross between different realms. In a broad perspective such studies falls within the realm of cultural astronomy, which has two broad areas, viz. archaeoastronomy, concerned with the study of the use of astronomy and its role in ancient cultures and civilizations; and ethnoastronomy that studies the use of astronomy and its role in contemporary cultures. The seven essays in this volume deals with the critical appraisal of studying cultural astronomy and cosmic order and its implications in India, illustrated with case studies like heritagescape of Khajuraho, where stone speaks; manescape of Gaya, where manes come and bless the devotees; Deviscape of Vindhyachal, where goddess resorts; Shivascape of Kashi, where Shiva dances in making order; Shaktiscape of Kashi, that possesses the spatial ordering of goddesses; and Naturscape of Chitrakut, where mother earth blesses.
Astronomy Across Cultures: A History of Non-Western Astronomy consists of essays dealing with the astronomical knowledge and beliefs of cultures outside the United States and Europe. In addition to articles surveying Islamic, Chinese, Native American, Aboriginal Australian, Polynesian, Egyptian and Tibetan astronomy, among others, the book includes essays on Sky Tales and Why We Tell Them and Astronomy and Prehistory, and Astronomy and Astrology. The essays address the connections between science and culture and relate astronomical practices to the cultures which produced them. Each essay is well illustrated and contains an extensive bibliography. Because the geographic range is global, the book fills a gap in both the history of science and in cultural studies. It should find a place on the bookshelves of advanced undergraduate students, graduate students, and scholars, as well as in libraries serving those groups.
When you think of astrology, you may think of the horoscope section in your local paper, or of Nancy Reagan's consultations with an astrologer in the White House in the 1980s. Yet almost every religion uses some form of astrology: some way of thinking about the sun, moon, stars, and planets and how they hold significance for human lives on earth. Astrology and Cosmology in the World’s Religions offers an accessible overview of the astrologies of the world's religions, placing them into context within theories of how the wider universe came into being and operates. Campion traces beliefs about the heavens among peoples ranging from ancient Egypt and China, to Australia and Polynesia, and India and the Islamic world. Addressing each religion in a separate chapter, Campion outlines how, by observing the celestial bodies, people have engaged with the divine, managed the future, and attempted to understand events here on earth. This fascinating text offers a unique way to delve into comparative religions and will also appeal to those intrigued by New Age topics.
This edited volume contains 24 different research papers by members of the History and Heritage Working Group of the Southeast Asian Astronomy Network. The chapters were prepared by astronomers from Australia, France, Germany, India, Indonesia, Japan, Malaysia, the Philippines, Scotland, Sweden, Thailand and Vietnam. They represent the latest understanding of cultural and scientific interchange in the region over time, from ethnoastronomy to archaeoastronomy and more. Gathering together researchers from various locales, this volume enabled new connections to be made in service of building a more holistic vision of astronomical history in Southeast Asia, which boasts a proud and deep tradition.
"Life is fundamentally a process of perpetual and mutual communication; and to communicate is to emit and to receive waves and radiations (minika ye minienie). This process of, receiving and releasing or passing them on (tambula ye tambikisa) is the key to human beings game of survival. A person is perpetually bathed by radiations' weight, (zitu kia minienie). The weight (zitu/demo) of radiations may have a negative as well as positive impact on any tiny being, for example a person who represents the most vibrating: "kolo" (knot) of relationships." "The following expressions are very common among the Bantu, in general, and among the Kongo in particular, which prove to us the antiquity of these concepts in the African continent; Our businesses are waved/shaken; our health is waved/shaken; what we possess is waved/shaken; the communities are waved/shaken: Where are these (negative) waves coming from (Salu bieto bieti nikunwa; mavimpi nikunwa; biltuvwidi nikunwa; makanda nikunwa: Kwe kutukanga minika miami)?" "For the Bantu, a person lives and moves within an ocean of waves/radiations. One is sensitive or immune to them. To be sensitive to waves is to be able to react negatively or positively to those waves/forces. But to be immune to surrounding waves/forces, is to be less reactive to them or not at all. These differences account for varying degrees in the process of knowing/learning among individuals" --BOOK Cover.
