African Art in Transit

African Art in Transit

Author: Christopher B. Steiner

Publisher: Cambridge University Press

Published: 1994-01-27

Total Pages: 244

ISBN-13: 9780521457521

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African Art in Transit is an absorbing account of the commodification and circulation of African art objects in the international art market. Christopher Steiner's analysis of the role of the African middleman in linking those who produce and supply works of art in Africa with those who buy and collect so-called 'primitive' art in Europe and America is based on extensive field research among the art traders in Côte d'Ivoire. Steiner provides a lucid interpretation which reveals not only a complex economic network with its own internal logic and rules, but also an elaborate process of transcultural valuation and exchange. By focusing directly on the intermediaries in the African art trade, he unveils a critical new perspective on how symbolic codes and economic values are mediated in the context of shifting geographic and cultural domains. He questions conventional definitions of authenticity in African art by demonstrating how the categories 'authentic' and 'traditional' are continually redefined.


Transporting Visions

Transporting Visions

Author: Jennifer L. Roberts

Publisher: Univ of California Press

Published: 2014-01-17

Total Pages: 238

ISBN-13: 0520251849

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"Published with the assistance of the Getty Foundation."


Unpacking Culture

Unpacking Culture

Author: Ruth B. Phillips

Publisher: Univ of California Press

Published: 1999-01-30

Total Pages: 444

ISBN-13: 9780520207974

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"An outstanding set of studies that work well with each other to produce truly substantial and rich insights into the making and consuming of art in the colonial and post-colonial world."—Susan S. Bean, Curator, Peabody Essex Museum


Metropolitan Fetish

Metropolitan Fetish

Author: John Warne Monroe

Publisher: Cornell University Press

Published: 2019-09-15

Total Pages: 375

ISBN-13: 1501736361

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From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels from sub-Saharan Africa to Parisian art galleries; from the pages of fashion magazines, through the doors of the Louvre, to world fairs and international auction rooms; into the apartments of avant-garde critics and poets; to the streets of Harlem, and then full-circle back to colonial museums and schools in Dakar, Bamako, and Abidjan. John Warne Monroe guides us on this journey, one that goes far beyond the world of Picasso, Matisse, and Braque, to show how the Modernist avant-garde and the European colonial project influenced each other in profound and unexpected ways. Metropolitan Fetish reveals the complex trajectory of African material culture in the West and provides a map of that passage, tracing the interaction of cultural and imperial power. A broad and far-reaching history of the French reception of African art, it brings to life an era in which the aesthetic category of "primitive art" was invented.


In Senghor's Shadow

In Senghor's Shadow

Author: Elizabeth Harney

Publisher: Duke University Press

Published: 2004-11-23

Total Pages: 356

ISBN-13: 9780822333951

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DIVA study of art in post-independence Senegal./div


Perspectives on Africa

Perspectives on Africa

Author: Roy Richard Grinker

Publisher: John Wiley & Sons

Published: 2010-05-17

Total Pages: 713

ISBN-13: 1444335227

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The second edition of Perspectives on Africa: A Reader in Culture, History, and Representation is both an introduction to the cultures of Africa and a history of the interpretations of those cultures. Key essays explore the major issues and debates through a combination of classic articles and the newest research in the field. Explores the dynamic processes by and through which scholars have described and understood African history and culture Includes selections from anthropologists, historians, philosophers, and critics who collectively reveal the interpenetration of ideas and concepts within and across disciplines, regions, and historical periods Offers a combined focus on ethnography and theory, giving students the means to link theory with data and perspective with practice Newly revised and updated edition of this popular text with 14 brand new chapters and two new sections: Conflict and Violent Transformations; and Development, Governance and Globalization


Drown

Drown

Author: Junot Díaz

Publisher: Penguin

Published: 1997-07-01

Total Pages: 228

ISBN-13: 1101147148

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From the beloved and award-winning author Junot Díaz, a spellbinding saga of a family’s journey through the New World. A coming-of-age story of unparalleled power, Drown introduced the world to Junot Díaz's exhilarating talents. It also introduced an unforgettable narrator— Yunior, the haunted, brilliant young man who tracks his family’s precarious journey from the barrios of Santo Domingo to the tenements of industrial New Jersey, and their epic passage from hope to loss to something like love. Here is the soulful, unsparing book that made Díaz a literary sensation.


The Scramble for Art in Central Africa

The Scramble for Art in Central Africa

Author: Enid Schildkrout

Publisher: Cambridge University Press

Published: 1998-03-28

Total Pages: 274

ISBN-13: 9780521586788

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Western attitudes to Africa have been influenced to an extraordinary degree by the arts and artefacts that were brought back by the early collectors, exhibited in museums, and celebrated by scholars and artists in the metropolitan centres. The contributors to this volume trace the life history of artefacts that were brought to Europe and America from Congo towards the end of the nineteenth century, and became the subjects of museum displays. They also present fascinating case studies of the pioneering collectors, including such major figures as Frobenius and Torday. They discuss the complex and sensitive issues involved in the business of 'collecting', and show how the collections and exhibitions influenced academic debates about the categories of art and artefact, and the notion of authenticity, and challenged conventional aesthetic values, as modern Western artists began to draw on African models.