... Gives clear instructions for getting to each electronic destination, plus recommendations of personal favorites and sketches of local personalities.
Madness plays a vital role in many ancient epics: not only do characters go mad, but madness also often occupies a central thematic position in the texts. In this book, Debra Hershkowitz examines from a variety of theoretical angles the representation and poetic function of madness in Greek and Latin epic from Homer through the Flavians, including individual chapters devoted to the Iliad and Odyssey, Virgil's Aeneid, Ovid's Metamorphoses, Lucan's Bellum Civile, and Statius' Thebaid. The study also addresses the difficulty of defining madness, and discusses how each epic explores this problem in a different way, finding its own unique way of conceptualizing madness. Epic madness interacts with ancient models of madness, but also, even more importantly, with previous representations of madness in the literary tradition. Likewise, the reader's response to epic madness is influenced by both ancient and modern views of madness, as well as by an awareness of intertextuality.
Mena Harling learns shoddy maintenance caused ThriftJet crashes, one in which her brother died. Then a whistleblower is murdered, a note left by his corpse-Too risky to fly; deny that, you'll die; I'll watch your tears dry; your last sigh's my high. Aether. And TOETIFTSA, who desecrated Nora Kelly's church, continues killing Christians, leaving a note-Christian fundamentalism is not a righteous pursuit. So Maxine Kordell, Nora, Willi Mayers, and Haley join Mena. When Aether murders Cluster members, The Tracer asks for help, and reveals The Cluster killed Will Rogers, Amelia Earhart, and Glenn Miller. Then Aether attacks Dulles Airport and other iconic aerospace sites, as TOETIFTSA causes the crash of a plane carrying Christians, then tries to murder Nora. So Mena seeks help from a notorious serial killer, a psychiatrist living in Italy, who will profile Aether if the team agrees to a favor. Finally, events push Mena to become the determined protector of certain sociopaths just rewards.
Madness Triumphant: A Reading of Lucan’s Pharsalia offers the most detailed and comprehensive analysis of Lucan’s epic poem of the civil war between Caesar and Pompey to have appeared in English. In the manner of his previous books on Virgil and Ovid, Professor Fratantuono considers the Pharsalia as an epic investigation of the nature of fury and madness in Rome, this time during the increasing insanity of Nero’s reign.
As you read this, five million Americans are day-trading. Not since gold was discovered in California have more people dropped out of their old lives and come running for the promise of a big score. For a time, Joey Anuff was among them. He has emerged-enriched, enlightened, and exhausted-to share his story. In a marriage of Anuff's own experiences with the brilliant investigative work of his Wired and Suck colleague Gary Wolf, Dumb Money explores and explains the world of day-trading as has never been done before. No strategy is too crackpot to try, no news break too dubious to play off, no so-called guru too shady, no online chat room too pathetic. Using the rhythms of a day trader's typical day as its frame, Dumb Money is a dispatch from the front lines of the stock-market revolution, a brutally Darwinian battleground on which some become wildly rich and more become part of the body count. It is essential reading for online investors, off-line investors, voyeurs, concerned citizens, and adrenaline freaks alike.
Using this book can help the busy architect/engineer/contractor to optimize online time by determining the key sites to visit before connecting to the Internet. Topics are conveniently arranged by subject showing where to find the "index sites" together with details of many specialist sites.
To probe the literary representation of the alienated mind, Lillian Feder examines mad protagonists of literature and the work of writers for whom madness is a vehicle of self-revelation. Ranging from ancient Greek myth and tragedy to contemporary poetry, fiction, and drama, Professor Feder shows how literary interpretations of madness, as well as madness itself, reflect the very cultural assumptions, values, and prohibitions they challenge.