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Author: Deborah Cartmell
Publisher: Pluto Press
Published: 1997
Total Pages: 180
ISBN-13: 9780745312026
DOWNLOAD EBOOKPatterns of production and consumption are foundation stones of contemporary media studies. Trash Aesthetics takes the audience as its starting point in a collection which explores aspects of audience response, interaction and manipulation.
Author: Jozef Kovalčik
Publisher: Slovart Publishing, Limited
Published: 2014
Total Pages: 0
ISBN-13: 9788089259861
DOWNLOAD EBOOKDiscussing popular culture is one of the keys for understanding arts and more broadly culture. This is something which seems to be shared by the scholars who have contributed to this book. Their essays on popular culture and/or the aesthetics of popular culture serve as a platform for discussing cultural, ethical and political issues. Popular culture and its philosophical reflection also help to unlock themes in law, children's literature, everyday aesthetics, high-cultural heritage, the internet, and material culture. In the Interviews section editors discuss some of the roots of these issues with two thinkers who represent the cream of the discussion. With Richard Shusterman, we delve into his theory of popular culture, and with Gianni Vattimo, the popular goes hand in hand with a discussion that more broadly touches on culture and the arts.
Author: Christofer Jost
Publisher: Waxmann Verlag
Published: 2023
Total Pages: 267
ISBN-13: 3830997701
DOWNLOAD EBOOKPopular culture today manifests itself in a dense network of styles and genres, while the aesthetic preferences of the audience are highly differentiated. Besides, popular culture also implies a diversity of aesthetic strategies, discourses and value systems that traverse the symbolic demarcations between styles and genres and are effective across different artistic fields and individual media. Aesthetic concepts such as camp, retro or trash are expressions of a transgressive mode of production that facilitates a multitude of cross-connections between aesthetic spaces of experience. The volume brings together authors from different disciplines who approach aesthetic concepts in popular culture on a historical, theoretical and methodological level, analyze them on the basis of various aesthetic phenomena, or discuss aspects relevant to their theoretical contextualization, such as the emergence and establishment of artistic practices and aesthetic value systems.
Author: Mehita Iqani
Publisher: State University of New York Press
Published: 2020-11-01
Total Pages: 257
ISBN-13: 1438480199
DOWNLOAD EBOOKGarbage in Popular Culture is the first book to explicitly link media discourse, consumer culture and the cultural politics of garbage in contemporary global society. It makes an original contribution to the areas of consumer culture studies, visual culture, media and communications, and cultural theory through a critical analysis of the ways in which waste and garbage are visually communicated in the public realm. Mehita Iqani examines three key themes evident in the global representation of garbage: questions of agency and activism, cultures of hedonism and luxury, and anxieties about devastation and its affect. Each theme is explored through a number of case studies, including zero-waste recycling campaigns communicated on Instagram, to fine art made with waste, popular entertainment festivals, tropical beach tourism, and films about oil spills and plastic waste in oceans. Iqani argues that we need a new vocabulary to think about what it means to be human in this new age of consumption-produced waste, and reflects on what rubbish allows us to learn about our relationship with the natural world.
Author: Paul Duncum
Publisher: Bloomsbury Publishing
Published: 2021-08-26
Total Pages: 249
ISBN-13: 1350193429
DOWNLOAD EBOOKToday's many popular aesthetic pleasures have a very long history. Paul Duncum considers the historical critical discourses, and socio-political issues raised by aesthetic pleasures in fifteen thematic chapters. Using illustrative examples from the past, present, and across cultures, he challenges the idea of any decline of cultural standards and argues that no grounds exist for cultural pessimism. Refusing to condemn popular culture on the basis of taste, he reserves critique for the socio-political ideologies aesthetics invariably serve. Art history, film, cultural studies, and philosophical aesthetics are each employed to show that the sensory/emotional lures of today's popular culture are mostly identical to those of premodern fine art. They include the violent, the horrific, the sentimental, the exotic, the erotic, and the humorous. Some of these pleasures derive from our evolutionary biology; they are all an important part of what it means to be human, and central to understanding contemporary society. Examples are wide-ranging, including British seaside postcards, Disney films, Nazi propaganda, burlesque, modern advertising, as well as many exemplars of fine art. The book reveals fresh insights for all those studying visual culture, art history, aesthetics, media studies, and media and art education.
Author: Joel Rudinow
Publisher:
Published: 1999
Total Pages: 175
ISBN-13:
DOWNLOAD EBOOKAuthor: Michael Bérubé
Publisher: John Wiley & Sons
Published: 2008-04-15
Total Pages: 216
ISBN-13: 047077732X
DOWNLOAD EBOOKThe subject of the aesthetic has returned to cultural and literary debates with a vengeance. The Aesthetics of Cultural Studies is a timely and authoritative collection of essays that analyze the role of aesthetics in American and British cultural studies, and reflect on its recuperation in the field. Contains first-rate, original essays that analyze the role of aesthetics in American and British cultural studies, and reflect on its recuperation in the field. Contributors are leading scholars, internationally based. Includes substantial introductory material by the editor.
Author: Angela Ndalianis
Publisher: MIT Press (MA)
Published: 2004
Total Pages: 323
ISBN-13: 9780262280471
DOWNLOAD EBOOKTracing the logic of media history, from the baroque tothe neo-baroque, from magic lanterns and automata to film andcomputer games.
Author: Sung-Bong Park
Publisher:
Published: 1993
Total Pages: 196
ISBN-13:
DOWNLOAD EBOOKDuring the age of Enlightenment music aestheticians first became actively interested in the relationship between music and numerous other branches of intellectual activity. By the late nineteenth century, however, there had been a proliferation of sophisticated musicological research techniques by positivists primarily preoccupied with scientific concepts of music as sound. Such an approach tended to detach music from its cultural and social environment. Throughout the twentieth century numerous theories on music aesthetics have returned to concepts of musical meaning and communication that were common practice during the Enlightenment. To avoid becoming defunct, music aesthetics has had to move in new directions to cope with the changing and diverse phenomena of musical experience in contemporary society. An aesthetic evaluation of popular music as an 'art' form undoubtedly demands the formulation of some aesthetic theory. -- from http://www.jstor.org (Feb. 3, 2014).
Author: Patrick Jagoda
Publisher: University of Chicago Press
Published: 2016-03-22
Total Pages: 329
ISBN-13: 022634665X
DOWNLOAD EBOOKThe term “network” is now applied to everything from the Internet to terrorist-cell systems. But the word’s ubiquity has also made it a cliché, a concept at once recognizable yet hard to explain. Network Aesthetics, in exploring how popular culture mediates our experience with interconnected life, reveals the network’s role as a way for people to construct and manage their world—and their view of themselves. Each chapter considers how popular media and artistic forms make sense of decentralized network metaphors and infrastructures. Patrick Jagoda first examines narratives from the 1990s and 2000s, including the novel Underworld, the film Syriana, and the television series The Wire, all of which play with network forms to promote reflection on domestic crisis and imperial decline in contemporary America. Jagoda then looks at digital media that are interactive, nonlinear, and dependent on connected audiences to show how recent approaches, such as those in the videogame Journey, open up space for participatory and improvisational thought. Contributing to fields as diverse as literary criticism, digital studies, media theory, and American studies, Network Aesthetics brilliantly demonstrates that, in today’s world, networks are something that can not only be known, but also felt, inhabited, and, crucially, transformed.
