The Aesthetico-Political

The Aesthetico-Political

Author: Mart�n Plot

Publisher: Bloomsbury Publishing USA

Published: 2014-10-23

Total Pages: 185

ISBN-13: 1441196633

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This study uses new arguments to reinvestigate the relation between aesthetics and politics in the contemporary debates on democratic theory and radical democracy. First, Carl Schmitt and Claude Lefort help delineate the contours of an aesthetico-political understanding of democracy, which is developed further by studying Merleau-Ponty, Ranci�re, and Arendt. The ideas of Merleau-Ponty serve to establish a general "ontological" framework that aims to contest the dominant currents in contemporary democratic theory. It is argued that Merleau-Ponty, Arendt, and Ranci�re share a general understanding of the political as the contingently contested spaces and times of appearances. However, the articulation of their thought leads to reconsider and explore under-theorized as well as controversial dimensions of their work. This search for new connections between the political and the aesthetic thought of Arendt and Merleau-Ponty on one hand and the current widespread interest in Ranci�re's aesthetic politics on the other make this book a unique study that will appeal to anyone who is interested in political theory and contemporary continental philosophy.


Reconstituting the Body Politic

Reconstituting the Body Politic

Author: Jonathan M. Hess

Publisher: Wayne State University Press

Published: 1999

Total Pages: 284

ISBN-13: 9780814327883

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The concept that art must have no instrumental function is a doctrine traditionally traced back to Kant's Critique of Judgment. In Reconstituting the Body Politic, Jonathan Hess proposes that this concept of autonomous art marks not a withdrawal from the political realm but the ultimate embodiment of Enlightenment political culture, a response to a crisis in the institution idealized by Jurgen Habermas as the bourgeois public sphere. In Reconstituting the Body Politic, Hess explores the moment in late eighteenth-century Germany that witnessed the emergence of two concepts that marked the modern era: the political concept of the public sphere and the doctrine of aesthetic autonomy. By considering the extent to which, at its very inception, the concept of aesthetic autonomy is inextricably intertwined with the emergence of the concept of the public sphere, he offers both a historical study of the political conditions that produced this concept and a contribution to contemporary literary and political theory. Reading texts by Kant alongside the writings of contemporaries like Karl Philipp Moritz, Hess examines a wide variety of eighteenth-century texts, discourses, and institutions. He then enters into a critical dialogue with Walter Benjamin, Reinhart Koselleck, and Jurgen Habermas to articulate a political critique of this aesthetic. The aesthetic theory of Kant's Critique emerges not as a mere defense of the "disinterestedness" of aesthetic pleasure but as an engaged response to the political limitations of public culture during the Enlightenment. Hess argues for an understanding of these concepts as functionally interdependent, and he reflects on what this interdependence mightmean for the practice of literary and cultural criticism today. His work will interest not only Germanists and critical theorists but also art historians and historians of philosophy and political thought.


Political Aesthetics

Political Aesthetics

Author: Crispin Sartwell

Publisher: Cornell University Press

Published: 2011-03-15

Total Pages: 281

ISBN-13: 0801458005

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"I suggest that although at any given place and moment the aesthetic expressions of a political system just are that political system, the concepts are separable. Typically, aesthetic aspects of political systems shift in their meaning over time, or even are inverted or redeployed with an entirely transformed effect. You cannot understand politics without understanding the aesthetics of politics, but you cannot understand aesthetics as politics. The point is precisely to show the concrete nodes at which two distinct discourses coincide or connive, come apart or coalesce."—from Political Aesthetics Juxtaposing and connecting the art of states and the art of art historians with vernacular or popular arts such as reggae and hip-hop, Crispin Sartwell examines the reach and claims of political aesthetics. Most analysts focus on politics as discursive systems, privileging text and reducing other forms of expression to the merely illustrative. He suggests that we need to take much more seriously the aesthetic environment of political thought and action.Sartwell argues that graphic style, music, and architecture are more than the propaganda arm of political systems; they are its constituents. A noted cultural critic, Sartwell brings together the disciplines of political science and political philosophy, philosophy of art and art history, in a new way, clarifying basic notions of aesthetics—beauty, sublimity, and representation—and applying them in a political context. A general argument about the fundamental importance of political aesthetics is interspersed with a group of stimulating case studies as disparate as Leni Riefenstahl's films and Black Nationalist aesthetics, the Dead Kennedys and Jeffersonian architecture.


The Political Aesthetics of ISIS and Italian Futurism

The Political Aesthetics of ISIS and Italian Futurism

Author: Thorsten Botz-Bornstein

Publisher: Lexington Books

Published: 2018-12-17

Total Pages: 229

ISBN-13: 1498564372

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Through empirical analysis and theoretical reflection, this book shows that the aesthetics and politics of the Islamic State is “futurist.” ISIS overcomes postmodern pessimism and joins the modern, techno-oriented, and optimistic attitude propagated by Italian Futurism in the early twentieth century. The Islamic State does not only excel through the extensive use of high-tech weapons, social media, commercial bot, and automated text systems. By putting forward the presence of speeding cars and tanks, mobile phones, and computers, ISIS presents jihad life as connected to modern urban culture. Futurism praised violence as a means of leaving behind imitations of the past in order to project itself most efficiently into the future. A profound sense of crisis produces in both Futurism and jihadism a nihilistic attitude toward the present state of society that will be overcome through an exaltation of technology. Futurists were opposed to parliamentary democracy and sympathized with nationalism and colonialism. ISIS jihadism suggests a similarly curious combination of modernism and conservative values. The most obvious modern characteristic of this new image of fundamentalism is the highly aestheticized recruiting material.


Architecture Against the Post-Political

Architecture Against the Post-Political

Author: Nadir Lahiji

Publisher: Routledge

Published: 2014-05-23

Total Pages: 381

ISBN-13: 1317702301

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Written by a team of renowned contributors and carefully edited to address the themes laid out by the editors in their introduction, the book includes theoretical issues concerning the questions of aesthetics and politics and addresses city and urban strategies within the general critique of the "post-political". By focusing on specific case studies from Warsaw, Barcelona, Dubai, Tokyo and many more the book consolidates the contributions of a diverse group of academics, architects and critics from Europe, the Middle East and America. This collection fills the gap in the existing literature on the relation between politics and aesthetics, and its implications for the theoretical discourse of architecture today. In summary, this book provides a response to the predominant de-politicization in academic discourse and is an attempt to re-claim the abandoned critical project in architecture.


Walter Benjamin and the Aesthetics of Power

Walter Benjamin and the Aesthetics of Power

Author: Lutz Peter Koepnick

Publisher: U of Nebraska Press

Published: 1999-01-01

Total Pages: 296

ISBN-13: 9780803227446

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Walter Benjamin and the Aesthetics of Power explores Walter Benjamin?s seminal writings on the relationship between mass culture and fascism. The book offers a nuanced reading of Benjamin?s widely influential critique of aesthetic politics, while it contributes to current debates about the cultural projects of Nazi Germany, the changing role of popular culture in the twentieth century, and the way in which Nazi aesthetics have persisted into the present. Lutz Koepnick first explores the development of the aestheticization thesis in Benjamin?s work from the early 1920s to his death in 1940. Pushing Benjamin?s fragmentary remarks to a logical conclusion, Koepnick sheds light on the ways in which the Nazis employed industrial mass culture to redress the political as a self-referential space of authenticity and self-assertion. Koepnick then examines to what extent Benjamin?s analysis of fascism holds up to recent historical analyses of the National Socialist period and whether Benjamin?s aestheticization thesis can help conceptualize cultural politics today. Although Koepnick insists on crucial differences between the stage-managing of political action in modern and postmodern societies, he argues throughout that it is in Benjamin?s emphatic insistence on experience that we may find the relevance of his reflections today. Walter Benjamin and the Aesthetics of Power is both an important contribution to Benjamin studies and a revealing addition to our understanding of the Third Reich and of contemporary culture?s uneasy relationship to Nazi culture.


The Political Philosophy of Hannah Arendt

The Political Philosophy of Hannah Arendt

Author: Maurizio Passerin d'Entrèves

Publisher: Routledge

Published: 2002-01-04

Total Pages: 225

ISBN-13: 1134881975

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First published in 1993. This is a systematic introduction to the thought of one of the most important political philosophers of the twentieth century. The author uncovers the concepts of modernity, action, judgement and citizenship that underpin her work.


The Roots of Radicalism

The Roots of Radicalism

Author: Craig Calhoun

Publisher: University of Chicago Press

Published: 2012-02-03

Total Pages: 439

ISBN-13: 0226090876

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The story of the rise of radicalism in the early nineteenth century has often been simplified into a fable about progressive social change. The diverse social movements of the era—religious, political, regional, national, antislavery, and protemperance—are presented as mere strands in a unified tapestry of labor and democratic mobilization. Taking aim at this flawed view of radicalism as simply the extreme end of a single dimension of progress, Craig Calhoun emphasizes the coexistence of different kinds of radicalism, their tensions, and their implications. The Roots of Radicalism reveals the importance of radicalism’s links to preindustrial culture and attachments to place and local communities, as well the ways in which journalists who had been pushed out of “respectable” politics connected to artisans and other workers. Calhoun shows how much public recognition mattered to radical movements and how religious, cultural, and directly political—as well as economic—concerns motivated people to join up. Reflecting two decades of research into social movement theory and the history of protest, The Roots of Radicalism offers compelling insights into the past that can tell us much about the present, from American right-wing populism to democratic upheavals in North Africa.