DigiCat Publishing presents to you this special edition of "Aesop Dress'd; Or, A Collection of Fables Writ in Familiar Verse" by Bernard Mandeville. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
"This edition can therefore be regarded as the most important republication of a Mandeville text in the last few decades, and should be required reading for anyone seriously concerned to understand the growth of his challenging ideas. " —Professor Irwin Primer in History of Political Thought Volume XXI Issue 4 "Mandeville's contributions to The Female Tatler are almost unknown but they are of fundamental importance for understanding The Fable of the Bees and a social theory that was to be of central importance to the Enlightenment's conception of modernity. The letters belong to the polemical world of early eighteenth-century journalism and have the energy, intelligence and gaiety characteristic of Grub Street at its best. They deal with many of the subjects which Mandeville was to make his own. Unexpectedly and excitedly, they also show how closely his thinking about society was bound up with his interest in the position in contemporary society. Vintage Mandeville, in fact." —Professor Nicholas Phillipson This book collects for the first time since their original publication the 32 papers which Bernard Mandeville (1670-1733), author of The Fable of the Bees (1st ed., 1714), contributed to The Female Tatler (1709-10), one of the many imitators of Richard Steele's Tatler. In these papers, Mandeville's protagonists, the sisters Lucinda and Artesia, discuss and debate the origin and basis of human society and its progress, honour and courage, the value of a life devoted to making money, and most importantly, the position and the virtues of women. The essays are fully annotated, providing significant information about Mandeville's sources and identifying historical and literary references. The volume also includes a substantive introduction by Maurice Goldsmith, a leading expert on Mandeville, explaining the relation of the papers to the social thought of the period and the development of Mandeville's views. The Female Tatler essays systematically address themes further developed in The Fable of the Bees, a work very widely read in the eighteenth century and which was a stimulus to the theories of (among others) David Hume and Adam Smith. The collection will be of interest to scholars of eighteenth-century English literature, history, political and economic thought, women's studies and philosophy. —first publication of these essays since the eighteenth century and the only available edition —extended debate on female virtue is an important element in the development of feminism —Mandeville's defence of luxury and consumption is significant in the history of the discussion of commercial society and capitalism
The Fable of The Bees is a tale by Bernard Mandeville. A bee society forsakes their need for personal reward and go on to live straightforward, "righteous" lives in a hollow tree. A fable that inspired ideas about the division of labor and the value of the free market.
A reading of the Anglo-Dutch physician and thinker’s philosophical project from the hitherto neglected perspective of his lifelong interest in the theme of honour.
The Enquiry into the Causes of the Frequent Executions at Tyburn was originally published as a series of letters to the British Journal. The first letter appeared on February 27, 1725; just twelve days before, Jonathan Wild, self-proclaimed "Thief-Catcher General of Great Britain and Ireland," had been arrested and imprisoned in Newgate. Thus the inquiry had special timeliness and forms a part of the contemporary interest in the increasingly notorious activities of Wild. Wild's systematic exploitation of the London underworld and his callous betrayal of his colleagues in criminality (he received £40 from the government for each capital conviction he could claim) had created public protest since at least 1718 when an act (which Mandeville cites in his Preface) directed against receivers of stolen goods was passed, most probably with the primary intention of curtailing Wild's operations. Wild's notoriety was at its peak in 1724-5 after his successful apprehension of Joseph Blake ("Blueskin") and Jack Sheppard, the latter figure becoming a kind of national hero after his five escapes from prison (he was recaptured by Wild each time). The timeliness of Mandeville's pamphlet extends, of course, beyond its interest in Jonathan Wild, who after all receives comparatively little of Mandeville's attention. The spectacle of Tyburn itself and the civil and moral failures it represented was one which Londoners could scarcely ignore and which for some provided a morbid fascination. Mandeville's vivid description of the condemned criminal in Newgate, his journey to Tyburn, and his "turning off," must have been strikingly forceful to his contemporaries, who knew all too well the accuracy of his description.
The writings of Bernard Mandeville mark an important transition between enlightenment, social philosophy, and modern science. Born in Holland in 1670 and educated as a physician, Mandeville spent the greater part of his working life in England, where he died in 1733. In some respects, Mandeville can be compared to Voltaire - Mandeville's junior by twenty-four years.Mandeville had the knack of making controversies volcanic and of arousing heated debate about any topic on which he chose to comment - and he chose to comment on virtually everything. He was especially1 interested in social evolution, morality and society, prostitution and romantic love, crime and its deterrence, and in social aspects of religion. His views on these and countless other topics cohere in his continual fascination with the consequences of social and economic actions that run counter to anticipations and intentions and in the paradoxical or ironic cast that such outcomes often have. In Paradox and Society, Louis Schneider is the first to offer a full consideration of Mandeville as a sociologist.Schneider offers an intellectual and characterological portrait of Mandeville, examining his writings and reactions to him over time. Schneider goes on to review Mandeville's theory of human nature, and explores his hotly contested notion of the paradox of private vices and public benefits - that the arousal of desires is a necessary precondition for the stimulation of social and economic development.Social action outside the marketplace, and Mandeville's problematic theory of social evolution, are next considered. The volume ends with an examination of paradox, irony, and satire in society. In this detailed analysis of one of the world's most controversial social critics, Schneider shows us that Mandeville offers a vision of human society that is of enduring significance. He challenges the reader to consider how that vision might operate in today's world.
This is a study of a curious and neglected facet of literature, in which the author traces the development and the uses of fable in Euopean literature, from Aesop and the Greeks to the revival of fable in contemporary fiction. This is the first serious study of fable in literature.
Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, "humanity" is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without Humanity offers a literary history of late seventeenth- and early eighteenth-century efforts to define the human. Focusing on the shifting terms in which human difference from animals, things, and machines was expressed, Lynn Festa argues that writers and artists treated humanity as an indefinite class, which needed to be called into being through literature and the arts. Drawing on an array of literary, scientific, artistic, and philosophical devices— the riddle, the fable, the microscope, the novel, and trompe l'oeil and still-life painting— Fiction Without Humanity focuses on experiments with the perspectives of nonhuman creatures and inanimate things. Rather than deriving species membership from sympathetic identification or likeness to a fixed template, early Enlightenment writers and artists grounded humanity in the enactment of capacities (reason, speech, educability) that distinguish humans from other creatures, generating a performative model of humanity capacious enough to accommodate broader claims to human rights. In addressing genres typically excluded from canonical literary histories, Fiction Without Humanity offers an alternative account of the rise of the novel, showing how these early experiments with nonhuman perspectives helped generate novelistic techniques for the representation of consciousness. By placing the novel in a genealogy that embraces paintings, riddles, scientific plates, and fables, Festa shows realism to issue less from mimetic exactitude than from the tailoring of the represented world to a distinctively human point of view.
