Manuale Typographicum

Manuale Typographicum

Author: Hermann Zapf

Publisher: Cambridge, Mass : M.I.T. Press

Published: 1970

Total Pages: 264

ISBN-13:

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One hundred typographic pages are exhibited in this book, consisting of alphabets and quotations printed in various type styles. The quotations selected by the author concern types and printing, are from the past and the present, and are in 16 languages (translations are provided). Hermann Zapf is a noted type designer and he himself originally devised many of the type faces used here. Other faces were taken from the fonts of the Stempel foundry in Frankfurt/Main and historic faces came from that foundry's archives. The author has also designed the page layouts, choosing for this manual a horizontal format. The purpose of the manual is "to show the myriad possibilities of the expressiveness and beauty of type, whether individually or in massed text, by the use of purely typographic means." The original English edition of this work was limited to 1000 copies. In making it available to a larger audience, Paul Standard's comment, printed in the original, becomes more pertinent still: "In a world grown noisy and clamorous, reading remains among the very few quiet pleasures left to man. The present work hopes to be considered an attempt to bring a body of critical and expository comment to the widest circle of readers—comment upon every contributory element in bookmaking and printing generally, upon the design of letter forms and their disposition on the page. The very sight of so many different languages on these successive pages is itself a humanizing experience, suggesting as it does a striving for unity while preserving linguistic diversity by means of the printer's art." This "critical and expository comment" has been culled from a wide international range of writers, including both masters of literature and masters of the art of printing.


A Century for the Century

A Century for the Century

Author: Martin Hutner

Publisher: David R. Godine Publisher

Published: 2004

Total Pages: 188

ISBN-13: 9781567922202

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These lists are usually generated in neat doses of one hundred titles. Here then (at least in the opinions of Messrs. Hutner and Kelly) are the hundred greatest printed books of the twentieth century. Given another pair of editors, you d probably be offered a different list, but this one serves and serves well, for it concentrates not only on the recognized chestnuts, but also lesser-known, and often exceedingly récherché volumes that have left their mark. It is noteworthy that only two books in the survey were printed by offset; the rest are all letterpress. And although America is strongly represented, there are also selections from Italy, France, Germany, the Netherlands, England, Wales and Switzerland. Every book is illustrated in fine line duotone, many in color, and best of all, the captions that accompanied the original Grolier exhibit have been transcribed intact. In their two prefatory essays, Hutner has provided a convincing defense of his choices (1900 1948), and Kelly, a spirited apologia for his (1949 1999). Joe Blumenthal ended his survey of fine printing in America with the observation that the art of the book, one of the slender graces of civilization, works its charm on each new generation. This survey, while admittedly neither comprehensive nor definitive, provides an excellent overview of fine printing over the past hundred years. Despite Morison s contention that typography is the most conservative of all the arts, the form of the book continues to mutate, evolve, and advance. If we are to overcome the complexities of a digital age, we would do well to appreciate, if not embrace, that heritage. -- Amazon.com.


Meggs' History of Graphic Design

Meggs' History of Graphic Design

Author: Philip B. Meggs

Publisher: John Wiley & Sons

Published: 2016-05-10

Total Pages: 711

ISBN-13: 1118772059

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The bestselling graphic design reference, updated for the digital age Meggs' History of Graphic Design is the industry's unparalleled, award-winning reference. With over 1,400 high-quality images throughout, this visually stunning text guides you through a saga of artistic innovators, breakthrough technologies, and groundbreaking developments that define the graphic design field. The initial publication of this book was heralded as a publishing landmark, and author Philip B. Meggs is credited with significantly shaping the academic field of graphic design. Meggs presents compelling, comprehensive information enclosed in an exquisite visual format. The text includes classic topics such as the invention of writing and alphabets, the origins of printing and typography, and the advent of postmodern design. This new sixth edition has also been updated to provide: The latest key developments in web, multimedia, and interactive design Expanded coverage of design in Asia and the Middle East Emerging design trends and technologies Timelines framed in a broader historical context to help you better understand the evolution of contemporary graphic design Extensive ancillary materials including an instructor's manual, expanded image identification banks, flashcards, and quizzes You can't master a field without knowing the history. Meggs' History of Graphic Design presents an all-inclusive, visually spectacular arrangement of graphic design knowledge for students and professionals. Learn the milestones, developments, and pioneers of the trade so that you can shape the future.


Classic Typefaces

Classic Typefaces

Author: David Consuegra

Publisher: Simon and Schuster

Published: 2011-10-10

Total Pages: 320

ISBN-13: 1621535827

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Graphic designers will enrich their understanding of American type design and type designers with this unique and extensive reference. The fascinating history of type in America is chronicled through the typefaces and biographies of sixty-two of the most influential type designers, including Linn Boyd Benton, Morris Fuller Benton, and Darius Wells, and through the description and history of nine American type foundries. Complete with samples of 334 different typefaces, and 700 black-and-white illustrations, this eye-popping reference reveals the expansive contribution America has made to the world of type design.


Drip-dry Shirts

Drip-dry Shirts

Author: Lucienne Roberts

Publisher: AVA Publishing

Published: 2005-11

Total Pages: 195

ISBN-13: 2940373086

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Every season, with alarming predictability, yet another graphic design book sets out to capture definitively the zeitgeist. The blurb always makes the same claim: that the book shows the work of the newest, youngest, most innovative designers. This restless search is self-perpetuating, can never be sated and ultimately intensifies nagging fears and insecurities among designers. An understanding of design history has the reverse effect. It explains who we are and sets contemporary work in an expansive and broad landscape, one that is more objective and less introspective. Without knowledge and experience we are lost, floating in a sea of unanswered questions. Drip-dry shirts seeks to answer some of the questions. Book jacket.