Karl Brown's Adventures with D.W. Griffith

Karl Brown's Adventures with D.W. Griffith

Author:

Publisher:

Published: 1990

Total Pages: 0

ISBN-13: 9781350921122

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At the age of 90, cinematographer Karl Brown discusses his early work with D.W. Griffith, in particular the making of The Birth of a Nation and Intolerance. The film includes excerpts from those films plus dozens of rare photos of Brown and Griffith working together. .


D.W. Griffith

D.W. Griffith

Author: Robert M. Henderson

Publisher: Harvill Secker

Published: 1971

Total Pages: 280

ISBN-13: 9780436192654

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Raoul Walsh

Raoul Walsh

Author: Marilyn Moss

Publisher: University Press of Kentucky

Published: 2011-06-01

Total Pages: 534

ISBN-13: 0813133947

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Raoul Walsh (1887–1980) was known as one of Hollywood’s most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors—along with John Ford and Howard Hawks—who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh’s generation invented a Hollywood that made movies seem bigger than life itself. In the first ever full-length biography of Raoul Walsh, author Marilyn Ann Moss recounts Walsh’s life and achievements in a career that spanned more than half a century and produced upwards of two hundred films, many of them cinema classics. Walsh originally entered the movie business as an actor, playing the role of John Wilkes Booth in D. W. Griffith’s The Birth of a Nation (1915). In the same year, under Griffith’s tutelage, Walsh began to direct on his own. Soon he left Griffith’s company for Fox Pictures, where he stayed for more than twenty years. It was later, at Warner Bros., that he began his golden period of filmmaking. Walsh was known for his romantic flair and playful persona. Involved in a freak auto accident in 1928, Walsh lost his right eye and began wearing an eye patch, which earned him the suitably dashing moniker “the one-eyed bandit.” During his long and illustrious career, he directed such heavyweights as Humphrey Bogart, James Cagney, Errol Flynn, and Marlene Dietrich, and in 1930 he discovered future star John Wayne.


Thinking in Pictures

Thinking in Pictures

Author: Joyce E. Jesionowski

Publisher: Univ of California Press

Published: 2023-11-10

Total Pages: 224

ISBN-13: 0520318528

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.


Thinking in Pictures

Thinking in Pictures

Author: Joyce E. Jesionowski

Publisher: Univ of California Press

Published: 2022-05-27

Total Pages: 224

ISBN-13: 0520362675

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.


D.W. Griffith and the Origins of American Narrative Film

D.W. Griffith and the Origins of American Narrative Film

Author: Tom Gunning

Publisher: University of Illinois Press

Published: 1994

Total Pages: 334

ISBN-13: 9780252063664

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The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.