"This volume includes the late Elisabeth Stopp's previously unpublished study of La vie symbolique du bienheureux Francois de Sales (1664) of Adrien Gambart (1660-68), an introductory essay by Agnes Guiderdoni-Brusle that updates and supplements Stopp's work, and a facsimile of Gambart's emblem book. This book was inspired by the life and writings of St. Francis de Sales (1567-1622), and written for the Sisters of the Visitation monastery of Faubourg Saint-Jacques in Paris, where Gambart, a Vincentian priest, served as chaplain for over thirty years." "Stopp's study offers an English translation of the key observations made by Gambart about each of the fifty-two emblems, while the facsimile makes available Gambart's original French text. Moreover, the facsimile is reproduced in color in order to convey the tonal richness of the original emblems."--BOOK JACKET.
In the nineteenth and early twentieth centuries secular French scholars started re-engaging with religious ideas, particularly mystical ones. Mysticism in the French Tradition introduces key philosophical undercurrents and trajectories in French thought that underpin and arise from this engagement, as well as considering earlier French contributions to the development of mysticism. Filling a gap in the literature, the book offers critical reflections on French scholarship in terms of its engagement with its mystical and apophatic dimensions. A multiplicity of factors converge to shape these encounters with mystical theology: feminist, devotional and philosophical treatments as well as literary, historical, and artistic approaches. The essays draw these into conversation. Bringing together an international and interdisciplinary range of contributions from both new and established scholars, this book provides access to the melting pot out of which the mystical tradition in France erupted in the twenty-first century, and from which it continues to challenge theology today.
"This volume includes the late Elisabeth Stopp's previously unpublished study of La vie symbolique du bienheureux Francois de Sales (1664) of Adrien Gambart (1660-68), an introductory essay by Agnes Guiderdoni-Brusle that updates and amplifies Stopp's work, and a facsimile of Gambart's emblem book. This book was inspired by the life and writings of St. Francis de Sales (1567-1622), and written for the Sisters of the Visitation monastery of Faubourg Saint-Jacques in Paris, where Gambart, a Vincentian priest, served as chaplain for over thirty years. It was published in preparation for Francis's canonization in 1665." "Stopp's study offers an English translation of the key observations made by Gambart about each of the fifty-two emblems, while the facsimile makes available Gambarts original French text. Moreover, the facsimile is reproduced in color in order to convey the tonal richness of the original emblems."--BOOK JACKET.
Hailed in Sacred Scripture as the “beginning of wisdom” (Ps 111:10), the “fear of the Lord” is seldom mentioned and little understood today. A gift of the Spirit and a moral virtue or disposition, the “fear of the Lord” also frequently entails emotional experiences of differing kinds: compunction, dread, reverence, wonderment, and awe. Starting with the Bible itself, this collection of seventeen essays explores the place of holy fear in Christian spirituality from the early church to the present and argues that this fear is paradoxically linked in various ways to fear’s seeming opposite, love. Indeed, the charged dynamic of love and fear accounts for different experiences and expressions of Christian life in response to changing historical circumstances and events. The writings of the theologians, mystics, philosophers, saints, and artists studied here reveal the relationship between the fear and the love of God to be profoundly challenging and mysterious, its elements paradoxically conjoined in a creative tension with each other, but also tending to oscillate back-and-forth in the history of Christian spirituality as first one, then the other, comes to the fore, sometimes to correct a perceived imbalance, sometimes at the risk of losing its companion altogether. Given this historical pattern, clearly evident in these chronologically arranged essays, the palpable absence of a discourse of holy fear from the mainstream theological landscape should give us pause and invite us to consider if and how—under what aspect, in which contexts—a holy fear, inseparable from love, might be regained or discovered anew within Christian spirituality as a remedy both for a crippling anxiety and for a presumptive recklessness. This book will be of interest to students and scholars of Christian spirituality, theology, biblical studies, religious studies, and religion and literature. Contributors: Ann W. Astell, Pieter G. R. de Villiers, Donna R. Hawk-Reinhard, John Sehorn, Catherine Rose Cavadini, Joseph Wawrykow, Robert Boenig, Ralph Keen, Wendy M. Wright, Ephraim Radner, Julia A. Lamm, Cyril O’Regan, Brenna Moore, Maj-Britt Frenze, and Todd Walatka
This volume consists of essays that pose fundamental questions about the relation between verbal and visual hermeneutics, especially as relates to biblical culture. Exegesis, as theologians and historians of art, religion, and literature, have come increasingly to acknowledge, was neither solely textual nor aniconic; on the contrary, following from Scripture itself, which is replete with verbal images and rhetorical figures, exegesis has traditionally utilized visual devices of all kinds. In turn, visual exegesis, since it concerns the most authoritative of texts, supplied a template for the interpretation of other kinds of significant text by means of images. Seen in this light, exegetical images prove crucial to understanding how meaning was constituted visually, not only in the sacred sphere but also in the secular. Contributors include Giovanni Careri, Joseph Chorpenning, James Clifton, Nathalie de Brézé, Maria Deiters, Ralph Dekoninck, Arthur diFuria, Caroline van Eck, Dagmar Eichberger, Ingrid Falque, Wim François, Merel Groentjes, Agnès Guiderdoni, Barbara Haeger, Alexander Linke, Walter Melion, Jürgen Müller, Birgit Ulrike Münch, Colette Nativel, Wolfgang Neuber, Shelley Perlove, Leopoldine Prosperetti, Todd Richardson, Bret Rothstein, Tatiana Senkevitch, Larry Silver, Jamie Smith, Trudelien van 't Hof, Michel Weemans, and Elliott Wise
La bibliographie présente décrit en détail plus de 700 éditions imprimées en France ou en français entre 1534 et 1700. Alciat représente presqu'un dixième de celles-ci, et plusieurs éditions de son oeuvre sont identifiées ici pour la première fois. 77 bibliothèques ont été dépouillées, et, d'autres exemplaires sont notés dans environ 300 autres bibliothèques.
