A National Bestseller! Ann Coulter is back, more fearless than ever. In Adios, America she touches the third rail in American politics, attacking the immigration issue head-on and flying in the face of La Raza, the Democrats, a media determined to cover up immigrants' crimes, churches that get paid by the government for their "charity," and greedy Republican businessmen and campaign consultants—all of whom are profiting handsomely from mass immigration that’s tearing the country apart. Applying her trademark biting humor to the disaster that is U.S. immigration policy, Coulter proves that immigration is the most important issue facing America today.
“This isn’t a story about black people—it’s a story about the Left’s agenda to patronize blacks and lie to everyone else.” For decades, the Left has been putting on a play with themselves as heroes in an ongoing civil rights movement—which they were mostly absent from at the time. Long after pervasive racial discrimination ended, they kept pretending America was being run by the Klan and that liberals were black America’s only protectors. It took the O. J. Simpson verdict—the race-based acquittal of a spectacularly guilty black celebrity as blacks across America erupted in cheers—to shut down the white guilt bank. But now, fewer than two decades later, our “postracial” president has returned us to the pre-OJ era of nonstop racial posturing. A half-black, half-white Democrat, not descended from American slaves, has brought racial unrest back with a whoop. The Obama candidacy allowed liberals to engage in self-righteousness about race and get a hard-core Leftie in the White House at the same time. In 2008, we were told the only way for the nation to move past race was to elect him as president. And 53 percent of voters fell for it. Now, Ann Coulter fearlessly explains the real history of race relations in this country, including how white liberals twist that history to spring the guilty, accuse the innocent, and engender racial hatreds, all in order to win politically. You’ll learn, for instance, how A U.S. congressman and a New York mayor conspired to protect cop killers who ambushed four police officers in the Rev. Louis Farrakhan’s mosque. The entire Democratic elite, up to the Carter White House, coddled a black cult in San Francisco as hundreds of the cult members marched to their deaths in Guyana. New York City became a maelstrom of racial hatred, with black neighborhoods abandoned to criminals who were ferociously defended by a press that assessed guilt on the basis of race. Preposterous hoax hate crimes were always believed, never questioned. And when they turned out to be frauds the stories would simply disappear from the news. Liberals quickly switched the focus of civil rights laws from the heirs of slavery and Jim Crow to white feminists, illegal immigrants, and gays. Subway vigilante Bernhard Goetz was surprisingly popular in black neighborhoods, despite hysterical denunciations of him by the New York Times. Liberals slander Republicans by endlessly repeating a bizarro-world history in which Democrats defended black America and Republicans appealed to segregationists. The truth has always been exactly the opposite. Going where few authors would dare, Coulter explores the racial demagoguery that has mugged America since the early seventies. She shines the light of truth on cases ranging from Tawana Brawley, Lemrick Nelson, and Howard Beach, NY, to the LA riots and the Duke lacrosse scandal. And she shows how the 2012 Obama campaign is going to inspire the greatest racial guilt mongering of all time.
Adios, America by Ann Coulter | Key Takeaways, Analysis & Review Preview: Adios, America by Ann Coulter is a book centered around immigration in the United States, including the impact immigration has had on US history, government policies, and society in general. Modern policies regarding immigration tends to lean in favor of the immigrant. This possibly comes from the fact that Hispanic immigrants often vote heavily in favor of Democrats, therefore Democrats have established policy that makes it easier for illegal immigrants to remain in the country. One of these policies allows for immigrant families to remain in the US if their child or children were born in the country. These children are referred to as anchor babies. Another is amnesty, a policy that pardons individuals for breaking immigration laws under certain circumstances. However, the impact of immigration on US society is not always beneficial. Many immigrants take advantage of welfare and federal assistance programs to support their families… PLEASE NOTE: This is key takeaways and analysis of the book and NOT the original book. Inside this Instaread Key Takeaways & Analysis of Adios, America • Overview of book • Introduction to the Important People in the book • Key Takeaways and Analysis of Key Takeaways
Adios to Tears is the very personal story of Seiichi Higashide (1909–97), whose life in three countries was shaped by a bizarre and little-known episode in the history of World War II. Born in Hokkaido, Higashide emigrated to Peru in 1931. By the late 1930s he was a shopkeeper and community leader in the provincial town of Ica, but following the outbreak of World War II, he—along with other Latin American Japanese—was seized by police and forcibly deported to the United States. He was interned behind barbed wire at the Immigration and Naturalization Service facility in Crystal City, Texas, for more than two years. After his release, Higashide elected to stay in the U.S. and eventually became a citizen. For years, he was a leader in the effort to obtain redress from the American government for the violation of the human rights of the Peruvian Japanese internees. Higashide’s moving memoir was translated from Japanese into English and Spanish through the efforts of his eight children, and was first published in 1993. This second edition includes a new Foreword by C. Harvey Gardiner, professor emeritus of history at Southern Illinois University and author of Pawns in a Triangle of Hate: The Peruvian Japanese and the United States; a new Epilogue by Julie Small, cochair of Campaign for Justice–Redress Now for Japanese Latin Americans; and a new Preface by Elsa H. Kudo, eldest daughter of Seiichi Higashide.
In Adiós Niño: The Gangs of Guatemala City and the Politics of Death, Deborah T. Levenson examines transformations in the Guatemalan gangs called Maras from their emergence in the 1980s to the early 2000s. A historical study, Adiós Niño describes how fragile spaces of friendship and exploration turned into rigid and violent ones in which youth, and especially young men, came to employ death as a natural way of living for the short period that they expected to survive. Levenson relates the stark changes in the Maras to global, national, and urban deterioration; transregional gangs that intersect with the drug trade; and the Guatemalan military's obliteration of radical popular movements and of social imaginaries of solidarity. Part of Guatemala City's reconfigured social, political, and cultural milieu, with their members often trapped in Guatemala's growing prison system, the gangs are used to justify remilitarization in Guatemala's contemporary postwar, post-peace era. Portraying the Maras as microcosms of broader tragedies, and pointing out the difficulties faced by those youth who seek to escape the gangs, Levenson poses important questions about the relationship between trauma, memory, and historical agency.
This Edgar Award–winning crime novel offers “pulp fiction in Castro’s Cuba” (Martin Cruz Smith, author The Girl from Venice). Alicia is a smart, confident, and gorgeous prostitute in Havana. She is not a streetwalker. Rather, she displays her wares on bicycle, seducing men through the irresistible pull of her fine derrière. John King, her new client, is a Canadian businessman with a striking resemblance to movie star Alain Delon. This is no ordinary john, and as Alicia’s feelings for him grow, she sees in their relationship the possibility of escape from her dead-end life in a city plagued with scarcity. So when King’s wealthy and sexually deviant boss is suddenly killed, Alicia and John hatch a get-rich-quick scheme. A web of deception is woven—but it will be quickly and disastrously unraveled, and only one person will be able to say adiós to the dilapidated island of Cuba . . . “Fun, fast, and intelligent . . . A madcap caper full of twisted sex, devious schemes and high-rolling hijinks . . . Will leave readers clamoring for more.” —Publishers Weekly “The book’s cynical take on ambition and greed is tempered by humor and humanity.” —The New York Times “Impossible to put down. This is a great read.” —Library Journal
You have NEVER seen Coulter like this before! Coulter is uncensored, unapologetic, and unflinching in her ruthless mockery of liberals, sissies, morons, hypocrites, and all other species of politician. Coulter doesn’t stop at the politicians, though. Watch her skewer pundits, salesmen, celebrities, and bureaucrats with ruthlessness and hilarity. No topic is safe! This is Coulter at her most incisive, funny, and brilliant, featuring irreverent and hilarious material her syndicators were too afraid to print!
From the award–winning author of In Cuba I was a German Shepherd, short stories with a magical and modern take on the idea of migration and flight. Adios, Happy Homeland! is a collection of interlinked tales that challenge our preconceptions of storytelling. It examines the life of the Cuban writer, deconstructing and reassembling the myths that define her culture. It blends illusion with reality and explores themes of art, family, language, superstition, and the overwhelming need to escape—from the island, from memory, from stereotype, and, ultimately, from the self. We’re taken into a sick man’s fever dream as he waits for a train beneath a strange night sky, into a community of parachute makers facing the end in a windy town that no longer exists, and onto a Cuban beach where the body of a boy last seen on a boat bound for America turns out to be a giant jellyfish. With Adios, Happy Homeland!, Menéndez puts a contemporary twist on the troubled history of Cuba and offers a wry and poignant perspective on the conundrum of cultural displacement.
Havana . . . lilting rumbas, caf con leche, sultry sea breezes. Sparkling white beaches by day, scintillating nightclubs after dark. This sophisticated, international capital was the crown jewel of an island paradise-until the idealism that fed the Cuban Revolution yielded a nightmare of soul-crushing dictatorship. Adios, Havana is a true account of romance and peril, adventure and patriotism. Fueled by love-love of family, of country, and of each other-a young couple must face the most wrenching of choices: remain in the country they cherish, lose the wealth and position their families strove for generations to attain, and watch their children grow up impoverished under a terrifying regime; or risk escaping with no money or possessions and leave behind all they have ever known to begin a new life in a strange land. A legacy to future generations, this memoir is intended to remind readers of the fragility of freedom . . . to describe the disintegration of a prosperous civilized society and offer counsel on how to prevent a similar catastrophe from happening in America . . . and to show how and why penniless refugees flourish in the land of the free-why anyone who resists oppression would be driven to tell his beloved homeland, Adios.
America frequently talks about impeaching a president, but the impeachment provisions of the American constitution are widely misunderstood. In High Crimes and Misdemeanors, constitutional scholar Frank O. Bowman, III offers unprecedented clarity to the question of impeachment, tracing its roots to medieval England through its adoption in the Constitution and 250 years of American experience. By examining the human and political history of those who have faced impeachment, Bowman demonstrates that the Framers intended impeachment to be a flexible tool, adaptable to the needs of any age. Written in a lively, engaging style, the book combines a deep historical and constitutional analysis of the impeachment clauses, a coherent theory of when impeachment should be used to protect constitutional order against presidential misconduct, and a comprehensive presentation of the case for and against impeachment of President Trump. It is an indispensable work for the present moment.
