Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Adela Cathcart, Volume 3 by George MacDonald is a rare manuscript, the original residing in some of the great libraries of the world. This book is a reproduction of that original, typed out and formatted to perfection, allowing new generations to enjoy the work. Publishers of the Valley's mission is to bring long out of print manuscripts back to life.
George MacDonald (1824-1905) was a Scottish minister who is widely recognized as the most influential fantasist of the nineteenth century. His many works include Phantastes, Lilith, The Princess and the Goblin, and The Gifts of the Child Christ. In Adela Cathcart, MacDonald writes about a group of friends who nurse a sick young woman back to health by meeting together to tell stories. In the vein of The Canterbury Tales, the many legends and ballads they invent include some of MacDonald's richest and most original writing. The most famous of these stories include: The Light Princess. A child is cursed with an inability to recognize anything serious or sorrowful in life, but can only find happiness by learning to weep. The Shadows. A man is transported to the kingdom of fairies and beholds how these dark spirits work to spread happiness and consolation through the world. The Giant's Heart. A deathless giant with no heart in his body captures six princes and their wives in his enchanted castle. The youngest brother of the princes goes on a quest to rescue them by finding the hiding place of the giant's heart. The collection also includes The Broken Swords, The Cruel Painter, The Castle, My Uncle Peter, A Child's Holiday, and Birth, Dreaming, Death.
And the king said to himself: 'All the queens of my acquaintance have children, some three, some seven, an some as many as twelve; and my queen has not one. I feel ill-used.' So he made up his mind to be cross with his wife about it. But she bore it all like a good patient queen as she was. Then the king grew very cross indeed. But the queen pretended to take it all as a joke, and a very good one, too.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.