Examines the history and future of the Y chromosome and maintains that because it is unable to exchange genetic material or repair itself, the day will come when it will cease to exist.
Taking its title from a poem of William Butler Yeats, this collection of essays focuses on "Adam’s Curse"—the burdens and harsh conditions that, as Denis Donoghue underscores throughout, make any human achievement difficult. As he says, those "conditions include at various levels of reference the Fall of Man, categorical failure, loss, the limitations inscribed so insistently in human life that they seem to be in the nature of things, like death and weather." But hope is never ruled out, as Donoghue reminds us of "the possibility of putting up with the conditions and turning them to some account." It is the "putting up with the conditions and turning them to some account"—a post-lapsarian struggle fraught with religious questions—that most interests Donoghue. These essays, which are explorations of both faith and literary works that engage faith, address a dazzling range of texts and writers: Yeats, Milton, Larkin, Heaney, Emmanuel Levinas, Alasdair MacIntyre, John Crowe Ransom, Henry Adams, William Lynch’s Christ and Apollo, and Robert Bellah’s Beyond Belief, among others. Common to all is an alertness to the social bearing of literature and the role it plays in relation to politics, religion, and especially ethics. What emerges, for Donoghue, is the need to restore the primacy of theology and church doctrine without evading the "dark parts" of the Old and New Testaments. Through his probing, reflective encounters with philosophical and religious issues, we witness a magisterial intelligence at work.
Mercy Thompson, car mechanic and shapeshifter, faces a threat unlike any other in this thrilling entry in the #1 New York Times bestselling series. I am Mercedes Athena Thompson Hauptman. My only “superpowers” are that I turn into a thirty-five pound coyote and fix Volkswagens. But I have friends in odd places and a pack of werewolves at my back. It looks like I'm going to need them. Centuries ago, the fae dwelt in Underhill—until she locked her doors against them. They left behind their great castles and troves of magical artifacts. They abandoned their prisoners and their pets. Without the fae to mind them, those creatures who remained behind roamed freely through Underhill wreaking havoc. Only the deadliest survived. Now one of those prisoners has escaped. It can look like anyone, any creature it chooses. But if it bites you, it controls you. It lives for chaos and destruction. It can make you do anything—even kill the person you love the most. Now it is here, in the Tri-Cities. In my territory. It won't, can't, remain. Not if I have anything to say about it.
This book investigates the "divine son" motif in Romans 5 and 8 through the lens of exile and restoration. David P. Barry presents a pattern of allusions to Israel and Adam and argues that Paul deliberately employs both themes to show their fulfillment in Christ. Both Adam's exclusion from Eden and Israel's exile from Palestine are, for Paul, a divine son falling short of God's holiness and forfeiting the divine inheritance and presence. The themes of Adam and Israel are complementary examples of sin and separation from God, which Paul argues are reversed in Christ and for believers in union with him. This theme of "divine sons" provides a framework for interpreting Paul's use of restoration prophecies in Romans 5 and 8. Various references to restoration prophecies (e.g., Ezek 36:22-37:14 in Rom 8:1-11) which were apparently given to ethnic Israel, are applied more broadly. The scope of fulfillment goes beyond its the ethnic boundary to include the spiritual children of Abraham: Jew and Gentile. Barry concludes that the exile is over in spirit, but continues in body. The new people of God are already spiritually restored to God's presence by faith and will be bodily brought into God's presence in glory.
The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.
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Not all magicians go to schools of magic. Adam Binder has the Sight. It’s a power that runs in his bloodline: the ability to see beyond this world and into another, a realm of magic populated by elves, gnomes, and spirits of every kind. But for much of Adam’s life, that power has been a curse, hindering friendships, worrying his backwoods family, and fueling his abusive father’s rage. Years after his brother, Bobby, had him committed to a psych ward, Adam is ready to come to grips with who he is, to live his life on his terms, to find love, and maybe even use his magic to do some good. Hoping to track down his missing father, Adam follows a trail of cursed artifacts to Denver, only to discover that an ancient and horrifying spirit has taken possession of Bobby’s wife. It isn’t long before Adam becomes the spirit’s next target. To survive the confrontation, save his sister-in-law, and learn the truth about his father, Adam will have to risk bargaining with very dangerous beings ... including his first love.
This lucid and elegantly written book is a sustained conversation about the nature and importance of literary interpretation. Distinguished critic Denis Donoghue argues that we must read texts closely and imaginatively, as opposed to merely or mistakenly theorizing about them. He shows what serious reading entails by discussing texts that range from Shakespeare's plays to a novel by Cormac McCarthy. Donoghue begins with a personal chapter about his own early experiences reading literature while he was living and teaching in Ireland. He then deals with issues of theory, focusing on the validity of different literary theories, on words and their performances, on the impingement of oral and written conditions of reading, and on such current forces as technology and computers that impinge on the very idea of reading. Finally he examines certain works of literature: Shakespeare's Othello and Macbeth, Swift's Gulliver's Travels, a passage from Wordsworth's The Prelude, a chapter of Joyce's Ulysses, Yeats's "Leda and the Swan" and "Coole and Ballylee, 1931," and Cormac McCarthy's Blood Meridian demonstrating what these texts have in common and how they must be differentiated through a sympathetic, imaginative, and informed reading.